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Updated: 2 hours 25 min ago

How To Photograph Ruins in 5 Easy Steps

Sun 9 Aug 2026 6:43pm

 

Historical ruins such as churches, castles and abbeys decorate our countryside and seaside towns but you'll also find a few smaller, but still impressive ruins closer to home. Walls, arches and columns are still dotted around a few towns and villages which are still photogenic even if there's not much of the structure left to photograph. If you're off on your travels, have a look online and at local tourism centres to find out what ruins are near to where you're staying.

 

1. What Gear Do I Need? 

For general shots of the building and the surroundings you'll need a wide-angle lens but take your longer zoom along too for getting in close to interesting architectural detail. A tripod's handy but if you want to travel light, try taking something smaller such as a tabletop tripod and use a wall to help you steady your shot. If there are any windows left in your building of choice a polarizer will reduce reflections and the blue of the sky will be enhanced giving your image more contrast.

 

2. Do Your Homework

Many of our abbeys and other ruins are now looked after by the National Trust or English Heritage so you could be charged to walk around them, they'll have specific opening times and there may be restrictions if you want to use your images commercially so it's worth a quick look on the internet or a chat on the phone to find out everything you need to know. That way you won't waste your petrol money.

 

 

3. Take A Walk

The first thing you should do when you arrive is stretch your legs on a walk around the ruin. This will give you the chance to scout for interesting detail and look for the best angle. Don't just stand and photograph the first pile of rubble you see as this won't give your viewer any clue into what the building is or what it was used for. Look for areas that have a more definite shape and if you can, parts where nature hasn't completely taken over. Of course, some walls look great with roots growing through them and it can really emphasise how ruined the building is, so keep that in mind.

 

4. Look Closer

Look for unique parts that make the building stand out from any other and if the outside isn't very interesting you could always take a peek inside to see if the hidden details give more of an idea of what the function of the building was. If the building still has an inside watch your exposures and check your histogram before you move on to make sure it's OK. Try shooting inside out through a broken window or use a long corridor to lead the viewer's eye through the image.

Signs are a direct way to explain more about the building you're photographing and they can often be quite interesting in their own right with features such as peeling paint and rusty bolts worthy of a quick photograph.

 

5. Tall And Wide

If you're working with a particularly tall building converging verticals may be a problem but by shooting from a height this can easily be rectified. Steps, hills or shooting from another building are all ways you can correct the distortion or you could try stepping further back which gives you the opportunity to use the surroundings to give the building context.

If the grounds really do add to your image try shooting a panorama. Some cameras come with this function built-in but if yours doesn't just shoot several images moving from right to left or left to right and stitch them together with specifically designed software when you get back to your computer.
 

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Categories: Photography News

12 Top Tips On Photographing Crop Fields Creatively

Sun 9 Aug 2026 12:40am

  Fields make great photographic subjects and better still if you play around with slow shutter speeds you don't need particularly good weather to get great photos which is good news for us Brits who quite often don't see the summer sun (although this year we are doing a little better in the sun stakes!). Some farmers have started harvesting their crops, but there are still some fields out there which the tractor hasn't reached yet.    1. Use A Wide-Angle Lens

A wide-angle lens will be the most useful bit of kit you take with you.Don't own a wide-angle lens? Take your telezoom along and just stand a little further back to get your sweeping shots of the field. 

 

2. Don't Trespass 

Make sure you're not trespassing so if there's no public access through a particular field you want to photograph stay out if it and use your telephoto.

 

3. Take Your Tripod

When using slower shutter speeds (try 1/15-1/5th or longer depending on how windy it is) you'll need a tripod as you don't want shake creeping into your shot. 

 

4. Straight Horizons

To get your horizon straight, you either need a really good eye or something to help you measure it. Some cameras have inbuilt levelling systems but if yours doesn't, you can get a spirit level that sits on the camera's hotshoe. Although, you can find in-built spirit levels on many tripod models.

 

5. Take Your Filters Along

Pack an ND filter in case the sky's a little too bright and you need to balance the exposure. 

 

6. Aperture Choices

Use a small aperture to get front to back sharpness, so you can show the whole field turning into a sea of waves.

 

7. Create Interest 

Add interest to the shot by looking out for objects such as a single tree standing at the far end of the field or a barn that will give the viewer something to focus on.

 

 

8. Guide The Eye

If there are tractor tracks use them to guide the eye from front to back. Hedges and fences can also be used for this purpose, too.

 

9. Use Frames

If there are overhanging tree branches, gate posts or if you happen to stumble across an old barn without glass in its windows or any doors, have a play around with frames in your shots to add an extra level of interest, plus they can help focus the viewer's eye when used in the correct way

 

10. Clouds Are Good

Golden light diffused by a light blanket of cloud looks great shimmering across the crop.

 

11. Photography The Sun

Clouds lower contrast and help eliminate flare which means you can shoot into the sun. Just don't look directly at it through your lens as it can cause serious damage to your eyes.

 

12. Rain Isn't A Bad Thing

Shoot in different weather conditions and at different times of the day as a dark, heavy sky full of rain adds drama to your shots while the warmer light and colours of a sunrise or sunset will make the field glow.

 

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Categories: Photography News

7 Essential Tips On Taking Photographs In Hot Weather

Sun 9 Aug 2026 12:40am


 


1. Heading To The Beach?

A popular destination when on your travels abroad or even just for the weekend when the sun's showing its face in the UK is the beach which is full of photographic potential. Even though you may enjoy yourself by the sea it's not a place that's great for your camera and other photography gear. Grains of sand can get into parts of your camera it shouldn't be in and it can scratch your lens if you're not careful. A UV filter will help stop sand scratching your lens and is a less expensive option than replacing your glass. When you're not using your kit, make sure you store it in your camera bag and if you want to change lenses, try and do it off the beach and out of the wind.

If you're planning on taking a tripod and use it in the sea, make sure you wipe it down when you get home and leave it to dry. A lens cloth can also be handy for wiping sea spray off your gear.


2. Check Temperatures

If you're venturing somewhere that's going to be particularly hot then make sure your camera equipment (memory cards, batteries etc.) will operate to the best of their ability still. You can usually find information on operational limits of specific products on manufacturers' websites and in manuals.

 

3. Going Inside And Out

An air-conditioned room or vehicle may be good for you to cool down in but if you have your camera out and take it from a cool to warm environment you'll end up with a fogged-up lens as condensation will have formed. Either ensure your gear's in your bag or just wait five or ten minutes for the lens to clear. You can wipe the lens with a lens cloth, but this could cause smears and marks that'll spoil your shot so look at your lens carefully before hitting the shutter button. If moisture gets inside your lens, ensure the outside of it is dry then leave the lens to dry out before using it.

 

4. Think About You

As well as looking after your gear, don't forget to look after yourself. It may seem obvious now, but it's easy to get away with taking photos and the small things such as reapplying sunscreen and having a drink of water can be forgotten.

 

 

5. Viewing Screens

Previewing your shot on your camera's LCD screen can be difficult when outdoors in sunny conditions. You can adjust the brightness of most screens, but this doesn't always solve the problem. You can use LCD hoods (flip-up caps) that shade screens from glare and as an additional benefit, they also protect the screen too.

 

6. Avoid Hot Parts Of The Day

Again, seems obvious and it's not always easy to do as you could be on an organised excursion, for example. However, getting up early or staying out later does have it's advantages as the light's usually better and you'll be able to avoid crowds at busy tourist sites. Don't forget your lens hood if you're heading out during the day as they can help reduce the amount of light reaching your lens.

 

7. Find Some Shade

Ideally, you should not take photographs when the sun is too high in the sky, particularly for portraits as people can end up with deep shadows under their eyes and nose. If your subject's wearing a floppy hat this will shade the face, and help create the shade you need. If not, find a shaded area that won't cause the light to appear dappled. Instead, find a shaded spot where the light's more even and they won't end up squinting.

If you're photographing a family member or a stranger who's given you permission to shoot, you can try using flash to add extra light that'll even out your scene. A touch of flash will also help create catchlights in your subject's eyes but it's much easier to just position your subject so they're facing the light source and/or use a reflector to bounce the light into your shot.
 

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