DIGITAL PHOTOGRAPHY NEWS FROM ePHOTOzine

When it comes to group shots, there's not just one genre of photography it sits under. From weddings and Christmas parties to school events and sports, there are many occasions when a group shot will be needed. However, getting them right so no one's blinking, looking the wrong way or are hidden from view by someone else in the shot can be a little tricky so here are a few tips to help you perfect that group shot.

 

Start Small If You're Unsure

The less people there are in your group the easier they are to co-ordinate so if you've not done group shots before, try splitting the people you have into smaller groups rather than shooting them all together.

If you are working with a big group where you have lots of lines of people stood one in front of another, do check that everyone is in focus. If they're not, use a smaller aperture to keep everyone sharp. If you're struggling to get everyone in shot, try shooting from a higher vantage point. Not only will it help you get everyone in frame, it'll give you an interesting twist to your group shot.

Be A Director

Don't let the group take control, you're the one behind the lens after all so can see what works and what doesn't. Don't be afraid to give instruction and actually walk people into position if needs be. Generally, tall people wander towards the back and those who are shorter tend to find a position towards the front of shots but this isn't set in stone. If you have a person who is the main focal point (birthday girl, top scorer etc.) try to position them towards the centre of the shot. To be more creative, try to position the rest of the group so they're looking at them or change your aperture to blur some of the group out of focus slightly, leaving your main subject sharp.

Enjoy Yourself

If you smile and seem relaxed, your subjects are more likely to be. Talk to them and don't be afraid to have a bit of fun as the more relaxed your subjects are, the better the photos will look.
 

Lighting

If you're working outdoors, a slightly overcast day's good for portraits, however if you're working outdoors on a bright day, pose your group with the sun behind them and use a pop of fill-in flash to fill in any shadows.
 

Backgrounds

As with all portraits, you don't want a background that'll distract from your main subject so take a good look around the frame to make sure there's nothing to the sides, front or above the group that'll pull the eye, taking the viewer's attention away from the people in your shot. Having said that, don't be afraid to use a background that adds to the shot. For example, a swim team at the side of a pool or a family at Christmas stood near the tree and fire surrounded by stockings etc.
 

Make Sure It Looks Like They Know Each Other

You may need to squash people a little closer together as what they think is close may not look very close in-camera. Try to fill the frame but take care not to remove anyone's limbs by accident as it's easily done to people who are at the side of the frame.
 

Shoot Lots And Often

People have a habit of talking, moving, pulling odd faces and blinking when you don't want them to so make sure you take plenty of shots. Switching your camera to continuous shooting mode will help increase your chances of getting a good shot as you'll usually find the first shot isn't that great, but shot two or three could be a winner.

 

 

The updated version of Meike’s popular 85mm f1.8 SE Mark I lens, the 85mm f1.8 SE Mark II, brings noticeable improvements in image quality, focusing speed, and chromatic aberration control. It also features a closer minimum focusing distance of just 0.65m, making it more versatile for portraits and close-up shots. The lens is offered in Nikon Z, Sony E, and Leica L mounts.

This lens is available now and ready to ship for $229.99 USD.

 

 

Specifications:

• Aperture Range: F1.8-F16
• Focal Length: 85mm
• Filter thread: 62mm
• Diaphragm Blades: 11
• Weight: about 369g
• Focus Mode: Auto Focus
• Minimum focusing distance: 0.65m
• Lens Construction: 11 elements in 7 groups
• Full frame Angle of view: Diagonal 27.8°, Horizontal 23.4°, Vertical 10.8°
• APS-C Angle of View: Diagonal 18.67°, Horizontal 15.53°, Vertical 10.38°

 

To order the Meike 85mm F1.8 SE Mark II lens, please visit the Meike website and Amazon.

For some people the only way they think they can have a professional portrait taken is to stand in a studio in front of a big set of lights but lifestyle shoots just might change their mind. Having the great outdoors as your studio will give you so many more creative opportunities with backgrounds, colours, shapes and textures, as well as being able to shoot a story. 

Photo by Joshua Waller Lens choices

A 70-200mm lens is a good choice for DSLR shooters. Shooting around the 135mm mark at f/4 can give great perspective and enough depth of field to throw the background out of focus without leaving it too shallow. A wider lens, such as a 14-24mm is great for environmental portraits, while a 55mm macro lens is great for detail. If you want a good all-rounder lens, a 24-70mm would be a good choice, too. It's also a good idea, if you have them, to pack the speedlights, continuous lights, ringflash and reflectors. 
 

Plan ahead

Organisation is key so make sure you have a plan in advance. Having a few locations that you are familiar with will give you plenty of scope, and it also means you'll know particular spots that'll work well for your shots. Local beauty spots, good urban routes with interesting architecture or a park with lots of interest such as water features are just some of the locations you could work with. The other place you need in reserve is somewhere dry in case of bad weather. 

Photo by Joshua Waller Make sure your model's comfortable

It's important to discuss clothing, makeup and meeting points then on the day of the shoot, meet for a coffee and spend 30 minutes or so having a pre-shoot chat as this will help break the ice. You could even take a book or folder of a few favourite photos along to show your model/client as they'll welcome the opportunity to see your ideas and help. Come up with a few ideas and even adjectives of the mood/feel you're trying to create. For example, Autumnal shoots could be about warm clothing and crisp golden colours. By doing so you will be able to portray a theme to your clients/model who should be able to quite naturally slip into an informal pose to convey this without really having to try or feel self-conscious. 

When it comes to the shoot, let people be natural and remember it's your job to make them feel comfortable even if you do know the person/people you are photographing. Shoot intuitively and creatively. Even if you've shot in a place many times, try setting yourself a target to come up with several new shots. This time of year's a good time to experiment with natural frames as the autumnal shades add warmth to the image. Just make sure you focus on your subject so the leaves blur just enough so you can still see what they are but don't distract.