Christmas Prize Draw 2025 Day 7 - Win Exclusive 3DWiggle Packages
Create and view outstanding 3D images without special equipment!
Make your visuals stand out with dynamic 3D wiggle effects. Perfect for marketers, photographers, and creatives. Whether you are a passionate photographer, stereoscopy lover or simply interested in trying out new things, enter the world of possibilities with 3DWiggle Web App.
What is 3DWiggle?3DWiggle is a Web App for creating 3D images. It uses a technique called wigglegram and it needs two regular photos. With 3DWiggle you can make all the adjustments online. No additional expensive equipment! You can enjoy your 3D experience on all displays, without the need for 3D glasses.
Who is 3DWiggle for?Photographers & visual artists, who want to give their work real depth and immersive feel. It’s not just an image – it’s a presence.
Marketers & e-commerce professionals, who aim to drive sales and engagement. Showcase products with engaging 3D visuals that attract attention and boost conversion.
Social media creators & content producers, looking for scroll-stopping posts that stand out in crowded feeds. 3DWiggle can give you slight advantage and make your followers come back for more.
Why should you try 3DWiggle?No extra equipment - use the camera you already have.
Easy & fast - two photos, upload, adjust, done.
Works everywhere - from phone screens to large displays, with high quality.
Affordable and free to start - No hidden fees, no immediate payment needed. You can try it free with no credit card, no rush, no subscription, no ads.
Great for creative projects, social media, online stores or visual storytelling.
3DWiggle makes 3D photography accessible, powerful and fun for everyone – whether you’re a pro photographer, a creative, a seller or simply someone who loves to capture moments in a fresh dimension.
Explore 3DWiggle and transform simple images into immersive 3D visuals.
What’s next for me?Easy! Take two photos from slightly different angles (to mimic left and right eye perspectives) with your camera, upload them to 3DWiggle app and start playing! What you’ll get is a wigglegram – a real 3D image that can be viewed on any standard screen without glasses.
It’s real, not AI!You can’t trick your brain. AI generated 3D images are great on mobile phones, but to ensure optimal quality on large screens you need two real images – one for the left and one for the right eye.
Today's Prize Christmas is wiggling!We are thrilled to support your creative work so we decided to create substantial prizes.
Enter for a chance of winning:
1 x King package, with 1500+ wigglegrams, gets you covered for many years ahead,
5 x Pro packages, with 700+ wigglegrams, for serious endeavour, and
20 x Enthusiasts packages with enough wigglegrams to discover a passion.
That’s more then $1000 in total value!
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7007[/PRIZE_ENTRY]
10 Top Robin Photography Tips
Robins can be found in their numbers and as many would agree, they are very photogenic and this becomes even truer at this time of year when the cold weather sets in, bringing snow to cover the ground.
We know robins are a popular photographic subject but for those who've never tried to photograph a robin before, here are a few quick tips to help you out. Plus, most of the tips can be used for capturing other garden birds who visit your garden this winter.
Photo by David Pritchard
Long Lenses
Telephoto lenses are a must as robins, and other garden birds, will look tiny in your shot without the pulling power of a longer lens. Around the 300-400mm mark should give you the frame-filling shots you're looking for.
For sharp images, a tripod is a must and if you have one, fit a ball head to it as you'll be able to adjust the camera's position at a much greater speed.
Struggling to find buttons and dials is not what you need when you can quite literally have a few seconds to capture a good shot so make sure you know your camera well before you take it outside.
You can't expect to go into your garden and find a robin waiting to be photographed. To attract birds, you need to set up feeding stations to encourage them to visit regularly. Having a mixture of different seeds, peanuts and fat balls on offer will attract varied species too. Robins like mealworms and berries, which can start to be found on bushes, are always popular with certain bird species. If you move your feeders to a particular spot when taking photos, always remember to move them back after as many birds may have become reliant on them. Don't suddenly stop feeding them either.
Placing branches next to feeders will mean that (hopefully) they'll land on the more photogenic branch before heading for the feeder, giving you the chance to capture a more natural shot. Garden furniture, tools and other non-natural objects can work equally well as a perch, particularly when covered in a layer of snow or frost.
Hedging always works well as backgrounds as when you blur it, the colours will look natural. Whatever you choose, make sure it's not too busy.
If you are going to brave the cold then invest in a hide because as the name suggests, this will keep you 'hidden' from view so the robin is less likely to fly off. You can also position the hide to give you the best vantage point but do wrap up warm as sitting for an hour out in the cold will soon have you wishing for your slippers, a hot drink and a comfy seat next to the fire.
If you don't fancy sitting in the cold, there are two methods that allow you to work from inside your home. The first is with a IR release but for this to work you do have to venture outside for a little while so you can set your camera up and set its focus. Unlike when you're working in a hide, this method means you can't adjust the composition or focus, making the method a little more limiting.
The second option is to bring your camera and tripod inside so you can shoot through a window (if you have one overlooking your garden). Position your tripod so your lens is as close to the glass as possible (without touching it so when doors etc. shut it doesn't shake your lens) and switch your house lights off to minimise reflections. A lens hood could also be useful as this will shield your lens or you could try cupping it with your hand.
Photo by David Pritchard
Sharp Shots
Small birds are fast and they don't tend to stay still as even when they are feeding they twitch their heads to check what's happening around them. For this reason you need a high enough shutter speed to ensure they stay sharp. You also need to make sure your not throwing the tips of tail feathers and beaks out of focus when you're trying to create your out of focus backgrounds. Try around the f/8 mark but do adjust if needed. Also, use your LCD screen and zoom in on the beak and tail tip areas to double-check everything's sharp.
You may find that adjusting your focus manually gives you more accurate results and as winter light can be weak, don't be afraid to use higher ISOs to reach the shutter speeds you need.
Make sure you have a seat to hand as you can be waiting a while for your subject to show and then it can take even longer to capture a shot you're happy with. You will spend quite a lot of time patiently watching so if you are going to be working outside you may want to consider taking a flask of something warm out with you.
Don't just think that cold, crisp, sunny days are when you should be out capturing your Robin shots. Yes, it's not as pleasant but a few drops of rain or even snow captured at slightly slower shutter (1/30th – 1/60th of a second)speeds can add an extra level of interest to your images. Plus, a scene decorated with snow with a robin taking centre stage will always make a great image for a Christmas card.
Christmas Prize Draw 2025 Day 6 - Win 1 of 10 Zoner Studio yearly licenses!
If you’ve ever felt overwhelmed by complicated photo editing software - or frustrated by high subscription costs - Zoner Studio is the breath of fresh air you’ve been waiting for. Created for beginners, hobby photographers, and anyone who wants to take their photo editing to the next level at half the cost of the main players. Zoner Studio delivers professional-grade tools in a clean, intuitive interface that makes the entire workflow faster, simpler, and genuinely enjoyable.
What makes Zoner Studio different is its rare combination of power and approachability. You don’t need to be a retouching expert to get great results, and you don’t need to fight your way through endless menus to find basic tools. Everything you need - importing, organizing, editing, retouching, layers, masks, video editing, and exporting - is right where you expect it. Whether you’re editing your first RAW file or batch-processing a full wedding shoot, Zoner Studio guides you from first steps to polished final images effortlessly.
A proper strength is its freedom of workflow. Unlike many well-known editors, Zoner Studio doesn’t force you into a catalog-only system. You can choose the method that works best for you: use the catalog for fast searching and organization, or edit directly from folders without importing anything at all. And here’s an even bigger advantage: your photo library stays fully accessible even after your subscription ends. No lock-ins, no disappearing edits, no unpleasant surprises. Your photos remain yours.
And whether you’re learning the craft or looking for inspiration, Zoner Studio is packed with helpful tutorials, tooltips, guided modules, and educational content that helps you progress. You’ll never be lost or stuck wondering what to do next.
Today's Prize Win 1 of 10 Zoner Studio yearly licenses!If you want a photo editor that respects your time, your budget, and your creativity, Zoner Studio is the perfect place to start - and the ideal companion as your skills grow. Whether you’re editing once a month or every day, it’s everything you need in one beautifully designed package.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7006[/PRIZE_ENTRY]
Christmas Macro Photography Tips
Christmas is a great time of year to try out some macro photography, with loads of trinkets and brightly coloured objects to shoot. Here are some tips for festive macro photography.
SubjectsAs mentioned above, there are many decorative items that appear at Christmas that are ideal subjects for macro photography. Think baubles on the tree, festive garlands, centrepieces and ornaments, like candle holders, tea lights and reindeer statues. Think about the lighting too – if you're going for a festive look, then firelight, fairy lights and candles are the way to go. Look for interesting decorations that have plenty of colour and detail. Don't forget the other decorations that can be found around the house either. Snow globes, bowls of sweets and Poinsettias are all worth a quick photo.
Many ornaments are quite reflective so do check them to make sure your reflection isn't showing in them. This does mean you'll have to adjust your position or move the ornament if you do find your face to be in the shot.
If you're shooting with fairy lights in the background, they will create great bokeh for your image. Alternatively, use the lights as an abstract subject, turning them into circles of colour against dark backgrounds.
If your camera has a specific macro setting, then that will be a good starting point. Those using interchangeable lenses should switch to a close-up or specific macro lens to shoot their photographs.
Do check your white balance as photos taken indoors can sometimes have a warm, orange tint to them. If you find this to be a problem switch from auto white balance to one of the other presets or you can manually set your white balance.
Support
You might need to use a tripod, or a gorillapod to achieve stability in a small space, especially if you are shooting in low light, such as firelight or candlelight for effectiveness.
Try setting up your own scene to shoot, rather than just shooting the objects where they are positioned. For example, if your tree is really too full you can take a few decorations off it to create a Christmas still life. The Nativity scene will make a really interesting macro shot too.
It's a little late for this year, however macro shots you take this Christmas can be used on cards you send out next year.
LK Samyang AF 24-60mm f/2.8 FE Lens Review
We have here an exciting combination, the fine, energetic Korean lens manufacturer working alongside one of the legendary West German optical giants. LK Samyang have been building their reputation and excelling as they have moved into AF lenses. Schneider Kreuznach are one of the world's most respected high class optical manufacturers. Bringing the two together looks like a challenge to the best of current lenses. Let's see if the magic is there, coupling up the new LK Samyang AF 24-60mm f/2.8 FE lens with the 42MP Sony A7R III camera body. Let the sparks fly...
LK Samyang AF 24-60mm f/2.8 FE Handling and Features
First off, it looks good, well finished, relatively compact at 102mm x 126mm and weighing in at a very manageable 494g. There is a supplied petal lens hood that clips smoothly and positively into place. There is no locking catch, nor is there a need for one. Within the bayonet fit for the hood is a conventional 72mm filter thread.
The core of the lens is an Aluminium barrel. The high quality plastic exterior is treated with a water and oil repellent coating called “Hydro Shield”, in addition to the Fluorine coating on the front element. There are various seals throughout the lens, giving weather sealing against water droplets, light rain, snow and dust. This does at least give some indication of the degree of sealing; there is the usual caveat that it does not extend to being waterproof. Dust protection is however quantified as IP-5 and this equates to “dust protected”.
Our tour of the lens controls starts with the control ring. This is by default the focusing ring. Unfortunately, the A7R III does not support changing the function. The zoom ring is clearly marked at 24mm, 35mm, 50mm and 60mm. These settings are accurate. The focusing ring is electronic and as smooth as expected. The zoom ring does extend the lens but balance does not seem to be unduly altered and the action is much smoother than most competitors.
There is one innovative feature, a USB-C socket that can be used to transfer data and therefore update the firmware of the lens without having to use a docking station. A clever idea.
Focusing is down to 0.18m (0.59') at 24mm, for a maximum magnification of 0.27x, or 1:3.73. This becomes 0.32m (1.05') at 60mm, for a maximum magnification of 0.25x, or 1:4.01. This close focusing is extremely versatile, approaching macro distances. AF is provided via a stepping motor, which is fast, accurate and virtually silent. There is an AF/MF selector switch. There is also a single button that locks AF position. With some bodies this may enable access to other functions.
Optical construction is 14 elements in 11 groups, including 3 Aspherical, 3 HR (High Refractive Incidence) and 2 ED (Extra Low Dispersion). The diaphragm comprises 9 blades, producing a rounded aperture. Finally, we have Samyang's impressive UMC multi-coating.
It is a great lens to use, a bit of bulk being saved by restricting the telephoto end. Most standard zooms of similar specification will extend to 70mm, but the reduction in size and weight may well be preferred by many photographers. There is no IS built in, thus relying on the IBIS of the camera body. This works very well and does help to keep the size of the lens down.
LK Samyang AF 24-60mm f/2.8 FE Performance
At 24mm, central sharpness is excellent from f/2.8 through to f/11, rising to outstanding at f/4. It is still very good at f/16 and f/22. The edges are good at f/2.8, very good from f/4 to f/11, good at f/16 and fair at f/22.
At 35mm, central sharpness is excellent from f/2.8 to f/11, very good at f/16 and good at f/22. The edges are good at f/2.8, very good from f/4 through to f/16 and good at f/22.
At 60mm, central sharpness is good at f/2.8, excellent from f/4 to f/11, very good at f/16 and good at f/22. The edges are fair from f/2.8 to f/8, very good at f/11 and f/16 and good at f/22.
This is a very creditable performance and the images look satisfyingly sharp and crisp.
Distortion is handled extremely well, measuring -0.55% barrel at 24mm, -0.33% barrel at 35mm and -0.12% barrel at 60mm.
Samyang AF 24-60mm f/2.8 FE MTF Charts Previous Next
How to read our MTF chartsThe blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.
For this review, the lens was tested on a Sony A7R IIII body using Imatest. Want to know more about how we review lenses?
CA is tightly controlled in the centre and although there is a higher reading at the edges, for most subjects colour fringing is not obtrusive. Further correction could be made in software if required.
Samyang AF 24-60mm f/2.8 FE Chromatic Aberration Charts Previous Next
How to read our CA chartsChromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.
Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.
For this review, the lens was tested on a Sony A7R III body using Imatest.
Bokeh is pleasantly smooth and this holds true even with quite “busy” backgrounds. This is helpful in portraiture and with flower shots, with a sharp central core and a lovely out of focus background with gentle gradation.
Flare is rather impressively banished, with only the slightest sign of artefacts even under very severe lighting challenges. UMC multi-coating has always delivered the necessary flare suppression.
Vignetting results are better than average for this type of lens and are summarised in the following table.
Aperture 24mm 35mm 60mm f/2.8 -1.9 -1 -1.3 f/4 -1.8 -0.9 -1.2 f/5.6 -1.8 -0.8 -1.1 f/8 -1.7 -0.8 -1.1 f/11 -1.7 -0.8 -1 f/16 -1.4 -0.7 -1 f/22 -1.3 -0.7 -1
Samyang AF 24-60mm f/2.8 FE Sample Photos Previous Next
Samyang AF 24-60mm f/2.8 FE Aperture range Previous Next
You can view additional images in the Equipment Database, where you can add your own reviews, photos and product ratings.
[HOOK]position_1[/HOOK]
Value For MoneyThe SK Samyang AF 24-60mm f/2.8 FE lens is priced at £475.00
Alternatives for Sony FE might be:
- [AMUK]Samyang AF 24-70mm f/2.8|Samyang+AF+24-70mm+f/2.8[/AMUK], £618
- [AMUK]Sony FE 24-70mm f/2.8 GM II|Sony+FE+24-70mm+f/2.8+GM+II[/AMUK], £1669
- [AMUK]Sony FE 24-70mm f/2.8 GM|Sony+FE+24-70mm+f/2.8+GM[/AMUK], £1535
Although not usable on Sony FE mount, users of Lumix cameras have a similarly specified lens:
- [AMUK]Panasonic Lumix S 24-60mm f/2.8|Panasonic+Lumix+S+24-60mm+f/2.8[/AMUK], £899
Overall, the new lens has a very attractive price and is great VFM.
LK Samyang AF 24-60mm f/2.8 FE Verdict
Jointly designed by LK Samyang and Schneider Kreuznach, the synergy of the two skill sets results in a very fine lens at a very attractive price point. Lenses from the Samyang stable have been impressive for many years, first with manual focus lenses that extended the repertoire from the basic marque offerings, then with a new range of AF lenses that took quality levels up a distinct step. Performance is excellent. It is true that sharpness falls off at 60mm, but even here, the use of smaller apertures will give critical sharpness right across the frame.
The slight trimming of the tele end to 60mm, as opposed to the more common 70mm, does keep the bulk of the lens down and for travel this could be a very good thing. The smooth bokeh will give an attractive backdrop to portraiture. The close focusing that approaches macro distances is a huge boon, adding to the versatility of the lens for general use. For document copying, the low distortion means straight edges remain straight, and the results here are very satisfactory for any lens, especially so for a zoom.
In summary, a versatile and excellent lens and an Editor's Choice.
LK Samyang AF 24-60mm f/2.8 FE Pros
- Excellent central sharpness
- Modest vignetting
- Weather resistance
- Low flare levels
- Smooth bokeh
- Close focusing
- Excellent construction standards
- Great VFM
LK Samyang AF 24-60mm f/2.8 FE Cons
- Lower edge sharpness at 60mm
- Some edge CA
[REVIEW_FOOTER]R_features=4.5|R_handling=5|R_performance=4.5|R_value=5|R_overall=5|A_level=5|A_text=Editor's Choice – A versatile, high quality standard zoom at a very attractive price.|E_id=8027[/REVIEW_FOOTER]
.borders { border: 1px solid #ccc !important; border-collapse: collapse; } .borders td,.borders tr { border: 1px solid #ccc !important; } .borders { border: 1px solid #ccc !important; border-collapse: collapse; } .borders td,.borders tr { border: 1px solid #ccc !important; }Voting Now Open for The Society of Photographers' 2025 Photographic Trade Awards
The Society of Photographers is delighted to announce that voting is now officially open for the 2025 Photographic Trade Awards - a celebration of the innovation, quality and creativity that continue to drive the photographic industry forward.
Each year, these prestigious awards recognise the products, brands and services that have made a significant impact on photographers across the globe. From cutting-edge cameras and lenses to state-of-the-art software, professional labs, lighting, accessories and more, the awards highlight the companies who go above and beyond to support photographers at every level.
Photographers of all genres and experience levels are invited to cast their votes and champion the industry leaders they feel deserve recognition. Whether it’s exceptional customer service, groundbreaking technology or consistent product excellence, this is the opportunity to acknowledge those who have made a real difference throughout 2025.
Win a Full 4-Day Masterclass Pass
Everyone who submits a completed voting form will be entered into a prize draw to win a Full 4-Day Masterclass Pass to the 2026 London Photo Convention, worth up to £300.
The winner will be announced shortly after 1 January 2026.
Voters may participate in as many categories as they wish:
- Best Professional Lighting 2025
- Best Professional Lab 2025
- Best Professional Album 2025
- Best Professional Paper 2025
- Best Professional Camera 2025
- Best Professional Lens 2025
- Best Professional Photographic Training 2025
- Best Professional Service 2025
- Best Professional Accessory 2025
- Best Professional Software 2025
Cast your vote here: https://thesocieties.net/trade-awards/
Award Announcements
The winners of the 2025 Photographic Trade Awards will be revealed during the Awards Presentation Evening at the 2026 London Photo Convention, alongside the Society’s renowned Photographer of the Year announcements.
Deadline
Voting closes at midnight on 31 December 2025.
Christmas Prize Draw 2025 Day 5 - Win a SIGMA 17-40mm F1.8 DC Art!
The Sigma 17-40mm F1.8 DC Art for L-Mount, Sony E-mount, Canon RF Mount and Fujifilm X Mount cameras combines the flexibility of a zoom with the speed of a prime, making it one of the most versatile mirrorless lenses on the market. Its class-leading optical performance, exceptional build quality and fast aperture offer photographers and film-makers a unique balance of creative freedom and portability that delivers truly professional results. The lens is ideal for landscapes, street photography, interiors, portraits, documentary and video work, and is a true hybrid option for image-makers who like to shoot both stills and video.
Building on the ground-breaking Sigma 18-35mm F1.8 DC HSM Art - the world's first F1.8 zoom for DSLRs – the all-new 17-40mm achieves not only superior optical performance and added functionality, but also a wider zoom range, a more compact body, and a 30% lighter weight.
The fast, constant F1.8 aperture ensures beautifully blurred backgrounds, and combined with its smooth and attractive bokeh, it helps to isolate an in-focus subject from its surroundings. It also allows faster shutter speeds for shake-free shooting in low light, reducing the need for a tripod.
As with all Art-line lenses, the 17-40mm F1.8 DC Art offers a range of professional-grade features, including Sigma's HLA (High-response Linear Actuator) motor for ultra-fast, precise and near-silent autofocus performance. This enables smooth, responsive tracking when shooting video. Other features include an internal zoom and focus mechanism, ideal for gimbal use, and minimal focus breathing for professional-quality focus pulls. The lens also includes two customisable AFL buttons, a manual aperture ring that can be de-clicked and locked in position, a lockable lens hood and a 67mm filter thread for added convenience.
The 17-40mm's robust yet lightweight construction combines Sigma's Thermally Stable Composite (TSC) material with precision-machined metal components. The zoom and focus rings provide smooth, consistent torque, while a dust and splash-resistant structure ensures reliability for outdoor shooting in challenging conditions.
Every Sigma 17-40mm F1.8 DC Art lens is designed, manufactured, and assembled at Sigma's sole production facility in Aizu, Japan. This complete in-house process guarantees the highest levels of quality control and craftsmanship, from the precision polishing of glass elements to the final inspection of every lens that leaves the factory.
Discover more about the world's only F1.8 zoom for APS-C mirrorless cameras - the Sigma 17-40mm F1.8 DC Art - at sigmauk.com.
Available in L-Mount, Sony E-mount, Canon RF Mount and Fujifilm X Mount.
Today's Prize Win a SIGMA 17-40mm F1.8 DC ArtThe lens is ideal for landscapes, street photography, interiors, portraits, documentary and video work, and is a true hybrid option for image-makers who like to shoot both stills and video.
Available in L-Mount, Sony E-mount, Canon RF Mount and Fujifilm X Mount.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7005[/PRIZE_ENTRY]
Quick Party Photography Tips
Arrive Early
It might be uncool in some circles to arrive first at a party but by doing so you'll have chance to capture shots of the decorated room and smaller details such as gifts, glasses lined up on tables, food and clean, set tables before the room gets destroyed by fellow party goers. When you're shooting your detail shots, get in close and fill the frame with your subject for more impact.
Photo by davidburleson
If you are meeting up with family and friends to exchange gifts at your party, take a few shots of them first before they are opened on Christmas day.
Photograph The Group FirstJust after people arrive at a party is usually when they look their best so grab them on the way in and get your group shot in the bag. If you don't, after a few drinks, a lot of dancing and general chit-chatting, you'll tend to find people are less co-operative. Don't be afraid to shout instructions out either as after all, you're the one behind the camera so know if people need to move closer together or if they need to switch places with someone.
Red eye's caused by the flash illuminating blood vessels in the eye and when the light bounces back, you get red eyes. Some people are more likely to get red eye than others and there are a few things you can do to try and stop them getting it. Many cameras feature red eye reduction or you can ask your subject to not look directly at the flash but this can mean it looks like they're no longer looking in your direction. If you get home and find some of your portraits have red eyes you can fix them in editing software such as Photoshop rather easily too. For more on red eye, take a look at this previous article: Red Eye
Sometimes, auto white balance can be fooled when shooting under artificial lighting indoors and your images can end up with a colour tinge. If you arrive early you'll be able to fire off a couple of test shots to check if you need to use one of the other white balance presets available or go the whole hog and manually set the white balance yourself.
Most parties, particularly at this time of year, happen indoors and unless you're shooting in the day time in a room that's well lit with natural light, lighting your shots can be a bit tricky. You can increase your ISO setting to quicken your shutter speeds but most of the time, you'll probably need some flash to light your scene. Flash guns which you can adjust the position of are better than your camera's built-in flash which can be a little harsh. If you do have to use it, try diffusing it so the effect isn't as strong.
Shoot Candids
People soon get bored of you posing so you can take their photo so take a candid approach instead. Not only will this keep everyone in a better mood but it will also give you shots which are more interesting and more dynamic.
Vary Your View
Changing your focal lengths and varying your angle will give you a collection of shots that are far more interesting to look at. If you're working with a large group of people see if there are any stairs you can claim so you can shoot down over the group. For candids, fill the frame with faces as well as shooting full length portraits that tell a story. Using other people as frames to focus attention on one person works particularly well too, even more so if you throw the other people slightly out of focus.
Shoot The AftermathIf you've not had one drink too many, photograph the room once the last persons left. It can make an interesting comparison when sat against the shot which shows how the scene originally looked.
Finally, don't forget to enjoy yourself too and do spend a little time without your camera in your hands!
Christmas Prize Draw 2025 Day 4 - Win a Wacom Intuos Pro Medium!
For the photography lover who's always chasing the perfect shot – or perfecting it in post – the new Wacom Intuos Pro is the ultimate creative companion this holiday season. Completely redesigned and infused with over 40 years of Wacom's industry-leading pen-technology expertise, this flagship pen tablet turns every edit into a seamless, intuitive, and deeply satisfying creative experience.
Every photographer knows the magic often happens not only behind the lens but in the careful refinement of each image. With the Intuos Pro, retouching becomes a natural extension of your hand. Its new ergonomic layout , featuring mechanical dials and customizable ExpressKeys positioned along the top edge, provides tactile, ultra-precise control for tasks like zooming, brushing, masking, and adjusting exposure. These controls can be customised per application, keeping your workflow fast, fluid, and personal – ideal for photographers who frequently switch between Lightroom, Photoshop, and other editing tools.
At the heart of the experience is the breakthrough Wacom Pro Pen 3 , offering Wacom's most sensitive, accurate, and natural pen performance yet. With 8192 levels of pressure sensitivity, tilt support, new nib options, and interchangeable grips, buttons, and weights, photographers can tailor the pen to feel exactly right in hand – whether they prefer feather-light strokes for delicate retouching or a more weighted feel for bolder edits. And like all Wacom pens, it never needs charging.
Wacom's redesign also improved performance through a new chipset and digitizer, delivering superior accuracy and a higher report rate that dramatically reduces pen latency for a smoother, uninterrupted creative flow. Photographers working across multiple devices will appreciate the Intuos Pro's multi-pairing Bluetooth connectivity , allowing instant switching between two wireless devices with a simple toggle – perfect for those who edit on both a laptop and desktop. Prefer a wired connection? It links seamlessly via USB.
The Wacom Intuos Pro comes in three sizes – Small, Medium, and Large – so photographers can choose the ideal fit for their workspace and editing style. Its ultra-slim, rugged magnesium design makes it portable enough for location work, while the 16:9 active area mirrors modern display proportions for a more natural editing environment. The Small model is perfect for compact setups or travel, the Medium offers an excellent balance of portability and working area, and the Large provides maximum room for sweeping, expressive strokes and detailed retouching.
For retouchers who prefer to work directly on the screen , Wacom offers a powerful companion: Wacom Movink . This compact, portable, high-resolution OLED pen display delivers exceptional colour accuracy, deep blacks, and stunning detail – ideal for on-the-go image editing, reviewing retouching at full resolution, or creating a flexible dual-display set-up. Connected to a Mac or PC, it gives full access to professional software with the added benefit of pen-on-screen precision.
Today's Prize Win a Wacom Intuos Pro Medium!And this Christmas, photography enthusiasts have an extra reason to celebrate: participants in the ePHOTOzine Christmas Prize Draw have the chance to win a Wacom Intuos Pro Medium (worth £339,98 RRP). It's the ideal opportunity to elevate your workflow or gift someone special a creative powerhouse.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7004[/PRIZE_ENTRY]
Winter Bird Photography Tips
So attracting birds in the winter is fairly easy – it's a perfect season for baiting them, but do a little research to find – firstly – the birds in your area, and secondly the foods that will attract them. Most Bird books will list birds by region, and detail their preferred foods. Most garden birds are fairly easy, fat-rich foods will attract most types to your garden, try black sunflower seeds, fat balls, and peanuts, but make sure they are all in appropriate feeders. Peanuts need to be in a wire feeder for small birds such as tits, as they will otherwise get stuck in their throats. Robins love mealworms, which can be bought either dried, or live. Blackbirds, starlings and the like love old fruit – so when your Christmas fruit is getting a bit wrinkly – put it out for the birds, and you'll be treated to loads of visitors to your garden.
Remember, as well as garden birds, the British Isles – with its thousands of miles of coastland, is a haven for wintering waders, with Hooper Swan, Dunlin, Oystercatcher and Knot numbers swelling through the winter months. A visit to the coast can prove very successful through the winter.
Setting Up
Make no mistake, photographing winter birds is cold work, sitting outside for a few hours without any exercise to warm you up means you really do need to wrap up warmly. I use a portable hide, with a built-in seat, my tripod with a Gimbal head with either a 400mm or 600mm lens on my camera. The Gimbal head effectively takes all the weight of the lens, and supports it exactly on it's point of balance. It can be locked in both the vertical and horizontal planes, or left free to pivot and follow moving birds, both in flight, or moving over the ground.
Although long lenses are essential, particularly exotic glass isn't always necessary, with excellent results possible from 80-400mm or 100-400mm lenses. Wide maximum apertures make focusing and composing quick and easy, but you don't need f/2.8 apertures for 99% of your bird photography, but remember, as you get beyond 300mm, lenses become significantly more difficult to use, more prone to movement, with a very narrow band of focus. Rather than relying on super-long lenses, spend and extra half-hour getting closer to the subject.
When preparing to photograph garden birds, don't simply put the food out in your garden and expect them to come immediately – rather, feed them through the whole of the winter, and you will be rewarded with a rich variety of garden visitors. If you are using a hide, make sure it's in place for a good few days before you even attempt photography.
Pictures of birds on feeders really don't inspire, so make sure your feeders are situated in an area where there are good natural perches – or interesting ground for ground-feeders. Wedge nuts and pieces of fat-balls into cracks in the trunk or branches of a tree - birds feeding from these hidden "feeders" look much more natural – acorns wedged into the bark of a tree can attract Jays – so try to get a supply soon from your nearest oak tree.
Photo by John Gravett
If you're lucky enough to have a covering of snow, it always adds to the wintry feel, but check your exposure first, to make sure you're not underexposing the snow. With low winter light levels, be careful to ensure a high-enough shutter speed and sufficient depth-of-field in your photos. It's always tempting to shoot at a wide aperture and throw the background out of focus, but make sure enough of the bird is sharp! I've got photos where the eye is in focus, but the front of the breast isn't – and although you might not get everything from beak to tail crisp, beak, eye and breast is a good minimum.
At The Coast & Nature Reserves
For shoreline birds, there are other considerations. Tides being the most important, - especially if you're thinking of using a hide. I often work without a hide by the coast – using long grasses for cover. As the tide comes in – shore feeding birds are forced further up the beach – closer to your vantage point. Do make sure you are above the high-tide line if you're planning this approach. Whenever you're working on a beach, do all you can to break up your outline, even lying prone on the beach covered with a bit of camouflage netting can take away the obvious human outline. For cheap camo netting, look on eBay, there's always loads about. Your local RSPB reserve can have a wealth of winter visitors, and their web-sites will usually have a list of birds visiting.
Article by John Gravett of Lakeland Photographic Holidays -www.lakelandphotohols.com
Sony Alpha 7 V and FE 28-70mm f/3.5-5.6 OSS II Announced
Sony has launched the Alpha 7 V, the fifth generation of its full-frame mirrorless A7 series, featuring a new 33MP Exmor RS sensor, improved AI-powered autofocus, blackout-free shooting up to 30fps, and advanced video capabilities such as oversampled 4K 60p in full-frame and 4K 120p in Super 35mm crop mode. Alongside the camera, Sony also introduced the compact FE 28–70mm f/3.5–5.6 OSS II lens, designed to complement the A7 V’s speed and versatility. The Alpha 7 V body is priced at around £2,799 / €2,999 and is already available, while the new lens is scheduled to arrive in February 2026 for about £429 / €479.
From Sony:
Sony introduces the Alpha 7 V, the highly anticipated fifth generation in the popular Alpha 7 Full-frame mirrorless line-up powered by the newly developed partially stacked Exmor RS™ CMOS image sensor with approximately 33.0 effective MP (megapixels). The new image processing engine BIONZ XR2™1 incorporates the AI processing unit functions of the latest α™ (AlphaTM) series. Through these innovations, the Alpha 7 V delivers a significant performance boost across every aspect of imaging, from Real-time Recognition2 AF(Auto-Focus) to Real-time Tracking3, speed, stable colour accuracy, still capture, and video versatility.
Additionally, Sony launches the FE 28-70mm f/3.5-5.6 OSS II, a full-frame compatible, compact and lightweight standard zoom lens that supports the Alpha 7 V’s high-speed continuous shooting.
“The Alpha 7 V resets expectations on what an all-around Full-frame camera can achieve,” said Yann Salmon-Legagneur, Head of Marketing, Sony Imaging, Products and Solutions, Sony Europe. “By evolving autofocus intelligence, colour science, and system responsiveness, we’re enriching our expanding lineup with a powerful new option that provides creators with an advanced tool capable of keeping up with their creativity and bringing them one step closer to achieving their dreams.”
AI-Powered Performance BoostsThe Alpha 7 V integrates the AI processing unit into the BIONZ XR2 engine, delivering a substantial leap in autofocus speed, accuracy, and reliability. The Alpha 7 V has up to 30% improvement4 in Real-time Recognition AF that instantly recognises targeted subjects and continues to capture them with high precision. With 759 phase-detection points and up to 94% frame coverage, the camera ensures precise subject tracking across nearly the entire image area, even in challenging low-light conditions down to EV -4.05.
High-resolution RAW processing is now supported through Imaging Edge Desktop application6 for unparalleled post-production flexibility.
No compromise High-speed Continuous Shooting
The combination of a partially stacked Exmor RS™ CMOS image sensor with approximately 4.5 times faster7 readout speed increased and the BIONZ XR2™ processor results in high image quality with minimal distortion.
Additionally, high-precision tracking with up to 60 times AF/AE calculations per second and blackout-free continuous shooting up to 30 fps8 with AF/AE tracking9 ensures no missed opportunities even with fast-moving subjects moving in complex patterns, such as in wildlife and sports photography. Even during 14-bit RAW shooting, it achieves high-speed continuous shooting at up to 30 fps with AF/AE tracking.
The Pre-Capture function10, which can record up to 1 second before the shutter is pressed, captures decisive moments even with subjects whose movements are difficult to predict, such as pets and sports.
[HOOK]position_1[/HOOK]
Outstanding Still Image Performance
Engineered for maximum creative control, the Alpha 7 V achieves up to 16 stops of dynamic range11, ensuring remarkable tonal detail across highlights and shadows. Even in scenes with extreme contrast, it expresses natural and smooth gradations from dark to bright areas.
The newly introduced AI-driven Auto White Balance (AWB) leverages advanced scene analysis for consistent colour rendering and uses light source estimation through deep learning technology. By automatically identifying the light source in the shooting environment with high precision and adjusting to appropriate colour tones, it enables natural and stable colour reproduction, resulting in more faithful colours and reducing post-production workload.
Versatile Video Capabilities
Expanding creative possibilities for hybrid creators, the Alpha 7 V introduces additional 4K recording modes, including 7K oversampled 4K 60p recording12 available in full-frame mode and 4K 120p13 mode recording in APS-C mode/Super 35mm delivers rich, detailed footage with exceptional flexibility in editing.
Full pixel readout without pixel binning enables highly detailed video recording down to the finest details.
The image stabilisation features Dynamic Active Mode14, enabling smooth and stable video expression even when handheld. Users can enjoy high-quality video recording in a wide range of scenes, from vlogs and creative productions to capturing family memories.
The camera also features an Auto Framing function that automatically maintains optimal composition of subjects during recording through AI-powered subject recognition. This enables stable composition video recording in various scenes
New in-camera noise reduction and improved internal mic functionality15 ensures high-quality audio recording by reducing steady background noises, minimising interference, and maintaining natural sound.
Enhanced Operability and UsabilityDesigned with efficiency in mind, the Alpha 7 V offers Wi-Fi® 6E GHz compatibility16 for high-speed, stable wireless transmission, along with dual USB Type-C® ports for improved workflow and flexibility.
Vertical format support and an adjustable electronic shutter sound make shooting adaptable across diverse environments.
The 4-axis multi-angle monitor combines tilt and vari-angle design, offering unrestricted horizontal and vertical adjustment for greater shooting freedom.
A better finger fit on the grip provides improved comfort, stability, and control during extended sessions.
Built for Reliability
The Alpha 7 V features upgraded power management and enhanced stamina performance, enabling longer shooting sessions without interruption. A new Monitor Low Bright mode extends battery life17 even further, while improved thermal management supports extended18 4K recording with uncompromised quality, approximately 630 shots when using viewfinder per CIPA standards.
FE 28-70mm f/3.5-5.6 OSS II – The All-Around Lens
Compact, lightweight, and engineered for speed, the FE 28-70mm f/3.5-5.6 OSS II is designed to fully leverage the continuous shooting19 capabilities of the Alpha 7 V sensor. When combined with compatible cameras, this new lens offers up to 120 fps AF/AE tracking20, continuous shooting, seamless body-lens coordinated image stabilisation, AF available even during zooming, and built-in breathing compensation support. From dynamic action shots to fast-paced events or high-quality video capture, this lens delivers smooth, dependable responsiveness and flexibility.
Social Responsibility
Aligned with Sony's ambitious 'Road to Zero' initiative, this product supports the company's vision for achieving a zero environmental footprint by 2050. The Sony Group's manufacturing facilities for imaging products, including the Alpha 7 V and FE 28-70mm f/3.5-5.6 OSS II, operate at 100% renewable energy. The packaging uses Sony's proprietary environmentally friendly Original Blended Material21 instead of plastic22.
Pricing and Availability
The Alpha 7 V Body will be available to purchase from 2nd December 2025 for approximately £2,799 / 2,999 EUR.
The FE 28-70mm f/3.5-5.6 OSS II will be available in February 2026 for approximately £429 / 479EUR.
Exclusive stories and exciting new content shot with the new Alpha 7 V and Sony's other imaging products can be found here, a site created to inform, educate, and inspire content creators.
For more information, please visit the Sony website.
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Footnotes
[1] Bionz XR Two.
[2] Available subject settings are: AUTO, Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases.
[3] [Tracking] in the menu.
[4] The 30% improvement is a value from Sony's internal measurement comparing the eye recognition performance for human eye with the real-time Eye AF of the Alpha 7 IV.
[5] AF-S, ISO 100 equivalent, F2.0 lens.
[6] The latest version of Imaging Edge Desktop required. Download at Creators' Cloud Web page. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
[7] Compared to the Alpha 7 IV. Based on Sony measurement conditions.
[8] When using the electronic shutter. [Hi+] continuous shooting mode. A software update may be required for some lenses. See Sony’s support web page for information on compatible lenses
[9] When using electronic shutter, based on Sony measurement conditions. Continuous shooting speed may decrease depending on shooting conditions. When focus mode is set to AF-C, continuous shooting speed varies depending on the attached lens. For details, please check the lens compatibility information support page.
[10] Still image shooting only.
[11] Applicable only in mechanical shutter mode.
[12] When [4K angle of view Priority] is ON.
[13] When [4K Angle of View Priority] is ON.
[14] Angle of view is reduced more than in Active Mode. Clear Image Zoom is not available when using Dynamic active Mode. Maximum ISO sensitivity is ISO25600.
[15] The effectiveness of reducing lens power zoom noise varies depending on the type of lens used. Even with the setting turned on, it may take some time for the noise reduction function to take effect.
[16] 5 GHz/6 GHz communication may be restricted in some countries and regions. Requires compatible wireless network.
[17] Actual performance varies based on settings, environmental conditions, and usage.
[18] 4K recording time @ 25 deg is approximately 90 min; 4K recording time @40deg is approximately 60 min.
[19] Up to 30 fps AE/AF tracking.
[20] For compatible cameras, please refer to the support information.
[21] Paper material made from bamboo, sugarcane fibres, and post-consumer recycled paper.
[22] Excluding materials used in coatings and adhesives.
Christmas Prize Draw 2025 Day 3 - Win £500 To Spend With MPB!
This festive season, MPB is giving creators the chance to upgrade their gear in a way that’s simple, secure, and sustainable. We’re sponsoring three special ePHOTOzine prize draws, with MPB vouchers worth up to £1,000 up for grabs. Whether you’re a photographer chasing golden-hour light or a filmmaker capturing winter stories, this is your moment to unwrap something amazing.
The Prizes- Day 1: A £1,000 MPB voucher to spend on the camera or lens you’ve been dreaming about
- Day 3: A £500 MPB voucher to help you step up your creative game
- Day 9: A £250 MPB voucher that’s perfect for adding the finishing touch to your setup
At MPB, we believe used doesn’t mean second-best. It means smarter. We make buying, selling, and trading photo and video gear simple, secure, and sustainable. Every week, thousands of creators trade in their old gear and upgrade to something new-to-them.
- Buy better: Save money and shop gear that’s been checked by experts and backed by warranty
- Sell smarter: Get an instant quote, ship for free, and get paid quickly with no hidden fees or hassle
- Shoot sustainably: Give great gear a second life and help reduce waste in the creative industry
Find out how to sell your gear or start exploring our latest arrivals at mpb.com.
Creativity for Every Kind of CreatorWhether you’re a professional with a packed kit bag or just starting out, MPB is built for you. Our platform connects photographers and videographers across the world, creating a community that values creativity and sustainability in equal measure.
We’re passionate about helping people find the right tools the right way. Gear that inspires creativity, captures stories, and makes a difference. Because when your tools fit your vision, your ideas come to life.
Today's Prize Join the GiveawayDon’t miss your chance to win an MPB voucher worth up to £1,000 this Christmas. Enter the ePHOTOzine/MPB giveaway to start the new year with your dream setup.
Shop used. Shoot better. Win big with MPB.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7003[/PRIZE_ENTRY]
Top Tips On Photographing Snowy Landscapes
Photo by Emma Kay
What better excuse do we need as photographers than a blanket of snow for wonderful photographic opportunities? When photographing snowy landscapes it's important to get a few techniques right to ensure you capture everything at its best.
Let's start with the ideal conditions, a snowy landscape and blue skies – perfect, but can you get anything wrong on days like this?
Firstly, metering – "intelligent" camera metering systems (matrix, evaluative) are getting better at coping with bright (or dark) scenes, but most will still lead to a degree of underexposure, leaving your whites looking dull but more importantly, your shadow details blocked up.
Keep a close eye on your histogram and expect to have to adjust your camera's meter reading. Ideally, your histogram should end just at the right-hand axis, anything less than this will indicate underexposure.
Secondly, tripods – although on a bright sunny snowy day, high shutter speeds are easier to attain, when going for great depth of field, particularly early or late in the day, shutter speeds can drop slightly and cold hands are not good at holding cameras still. If you're using a carbon fibre tripod, they don't get as cold to the touch as aluminium, but if you're using an aluminium tripod, try wrapping the legs in pipe insulation to give a warmer surface to the touch, or better still, go to a sports shop and get either racing bike handlebar tape, or tennis racquet grip tape; either will give you a warm grip with much less bulk.
Look for good leading lines
Thirdly, how to shoot – I know this sounds a bit basic, but sometimes the most obvious things are overlooked. With the ground often covered in a plain white layer, try looking for good “lead lines” - things that will take your eye into the picture; in the Lakes, dry stone walls, or lake edges are ideal. Now – an important point – if you walk up to a wall, or lake edge to take a photo in one direction, then you walk along it's length and turn round to take a photo back the other way, you will have spoiled the “return” view with your own footprints! So I tend to look carefully from a distance, approach to my first photo point, after taking the picture, I retrace my steps and take a wide route around to my second viewpoint, so the view back remains pristine. Obviously, this only applies when the show is fresh, so the other important point is – when it snows, get out as soon as you can, before it's covered in other people's footprints.
Don't forget details too, a few blades of grass can be just as effective as a simple image as a whole vista, so be careful not to overlook the minimalistic approach. Splashes of colour in a monochromatic view can add enormous impact, too. Also remember, that even in snowy weather, communities keep working, so look out for farming activity in fields too, to add a human – or livestock scale to the picture.
So – what if the weather's not so ideal? I was once out in blizzard conditions just below Watendlath, the same rules of exposure, composition etc. all apply, but you will find that as the background – as well as the sky will simply disappear in a haze of white, strong, graphic foreground shapes can produce striking pictures – often more effective in black & white, almost creating the effect of a pen-and-ink drawing. Keep a very close eye on how strong foreground elements react with each other – try to prevent too much overlap, which will otherwise tend to confuse the composition.
Most important of all, look after yourself, photography isn't the most active of winter pastimes, so wear plenty of layers to trap air and keep you warm, a hat is essential – 33% of body heat escapes through the head, and although gloves are a pain while photographing, reach a compromise that works for you – either fingerless, or gloves that you only take off while you frame and take the shot. I discovered hunting gloves a few years back, which have a slot in the forefinger and thumb of the right glove, allowing them to be pulled back for access to the shutter and control dials, without the rest of your fingers freezing. If you're planning a long spell, hot drinks are worth taking with you.
Article by John Gravett - www.lakelandphotohols.com
ePHOTOzine Daily Theme Winners Week 4 November 2025
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The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to altitude50 (Day 23 - HDR)
Daily Theme Runners-Up
If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A.
Well done to our latest runners-up, too, whose images you can take a look at below.
Day 24Still Life Photography
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Day 25Abstract Landscapes
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Day 26
Children
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Day 27
Groups
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Day 28Low Light Photos
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Day 29
Indoor Portraits
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Day 30
Christmas Markets
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You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.
Christmas Prize Draw 2025 Day 2 - Win a Nikon Z50 II + 16-50mm Kit
Imagine stepping into the new year with a camera that’s built to unlock your creative spirit - the Nikon Z50 II is the perfect way to start. We’re thrilled to offer this as today’s special prize: a compact, powerful mirrorless camera kit that’s ideal for photography, vlogging, travel, and everyday creativity.
What makes the Nikon Z50 II so great:
- Compact & travel-ready — thanks to its DX-format 20.9 MP CMOS sensor and Z-mount design, the Z50 II delivers DSLR-quality images in a light, portable body.
- Fast, sharp & versatile — EXPEED 7 processor brings impressive speed: shoot up to 30 fps (electronic shutter) or 11 fps (mechanical). Perfect for action, wildlife, or capturing fleeting moments.
- Excellent autofocus & subject tracking — hybrid autofocus with subject detection makes it easier to nail focus even with moving people, pets or unpredictable lighting.
- 4K video, vlogging & live-stream ready — ideal for video projects, social media content or behind-the-scenes storytelling.
- Creative control on the go — the wide-angle 16-50 mm VR lens and in-lens Vibration Reduction help deliver crisp, shake-free photos whether you’re doing portraits, landscapes, or street photography.
And - right now, this Z50 II + 16-50mm kit is included in the Nikon Winter Instant Savings promotion!
Follow your inspiration with the Z50II standard zoom kit! Includes the Z50II camera and the NIKKOR Z DX 16-50mm f/3.5-6.3 VR zoom lens. This wide-angle zoom lens captures vibrant wide-angle to portrait views and boasts in-lens Vibration Reduction image stabilisation for shake-free photos and movies. It’s a great walkaround lens that retracts when not in use for easy portability.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7002[/PRIZE_ENTRY]
Fairground Rides At Night
As Christmas markets are now decorating our towns and cities alongside them you'll occasionally find the odd ride or two which make great photographic subjects after the sun has set. What kit is best?
When it comes to equipment, a wide-angle lens will mean you can capture shots of rides and surrounding details but do consider taking a zoom as it'll help you focus on people riding the rides, food, prizes and other items found at fairs. Your tripod is the second most important bit of kit you'll take with you as when slow shutter speeds are in use working hand-held is hard work. A remote shutter release will help eliminate the risk of blur caused by camera movement and don't forget to wrap up warm!
What time of the day should I head out?
If you want to shoot general wide shots of the fair then head out just as the lights are coming on when there's still a touch of colour in the sky. That way you'll be able to get the lights, stalls and other foreground interest of the fair set against a deep blue sky. Leave the flash at home though as it can kill the atmosphere you're trying to create.
For more abstract images, wait until the sky's a little darker and turn the rides into streams of light patterns. Look for rides that spin quickly or are bursting with colour as these tend to produce the better results. To do this simply have a play around with slow shutter speeds. Better still, if your camera has it, use the Bulb setting as exposures above and beyond thirty seconds will really blur the movement of the ride and also help remove anyone who happens to be walking through your shot. Just make sure auto ISO is off and that you're using the lowest setting you have. You'll also need to manually focus as auto focus will be searching around in the dark for quite a while then simply use a small aperture to get the maximum depth of field to compensate for any inaccuracies using manual focus may throw your way.
Do take the time to watch the rides to see which angle will give you the best image and do check there's nothing in the foreground that'll spoil your shot. It's also worth keeping an eye on your camera's histogram to check the exposure and consider shooting in RAW so you have the option to tweak the white balance etc. once back home.
Soaring Costs, AI and Systemic Barriers Risk Losing a Generation of UK Creative Talent, According to New Research
© MPB
Rising costs, a lack of role models and contacts, and the growing influence of AI are making it harder for young people to build creative careers, according to new research from MPB and the digital arts charity Lighthouse. A survey of 1,000 people aged 16 to 24 found that most face financial barriers, limited industry connections, and serious worries about how AI could affect future jobs. In response, MPB and Lighthouse are strengthening their partnership to offer affordable equipment, mentoring, skills training, and youth led pathways, including Lighthouse’s new national Pathways Not Projects programme, to help young people shape and succeed in the creative industries.
From MPB:
BRIGHTON, United Kingdom, 1 December 2025: The high cost of entry, a lack of role models and representation, and the advent of artificial intelligence (AI) could see the UK economy lose a generation of young creative talent, according to new research.
The research, commissioned by MPB, the leading global platform for buying, selling, and trading used photography and videography equipment, and digital arts charity Lighthouse, surveyed 1,000 16–24 year olds interested in or pursuing careers in the creative industries.
It has revealed stark challenges facing the next generation of talent:
- Financial barriers at the forefront: 85% of young people said the cost of equipment has prevented them from exploring a creative career, while seven in 10 (70%) worry about long-term income security.
- Lack of connections and representation: 87% fear a lack of industry contacts will hold them back, with 78% highlighting the shortage of representative role models.
- AI: a threat and an opportunity: More than half (52%) felt AI has reduced their confidence in pursuing a creative career, while 86% are concerned about its impact on jobs and the devaluation of human skills. However, many see AI’s potential as a powerful creative tool — if young people are given the chance to shape how it is used.
Despite these challenges, nearly half (44%) of respondents still aspire to turn their creative passion into a profession. However, fewer than one in four (22%) feel confident they can succeed — highlighting the urgent need for more accessible pathways.
MPB and Lighthouse partnership
Young people need access to affordable equipment, training, and mentorship to build viable careers in the creative sector. They also need guidance on how to harness emerging technologies such as AI and overcome the structural barriers of cost, connections, and representation.
To help address this, MPB has forged a partnership with Lighthouse, the digital arts charity, to empower young creatives.
Through this long-term collaboration, MPB provides access to professional photography and video kit, while Lighthouse delivers mentorship, skills development, and youth leadership opportunities. Together, they are creating sustainable pathways for underrepresented young people to overcome barriers and thrive in creative careers.
Looking ahead, Lighthouse has announced a new national initiative - Pathways Not Projects - which will establish youth steering groups within creative and arts organisations across the UK. These youth-led hubs will ensure young people themselves shape the future of the creative industries, influencing governance, budgeting, curatorship, and exploring alternative economic and creative models. They will lead sector-wide debates on AI, technology, representation, and inclusion, ensuring that new technologies strengthen rather than diminish opportunities for the next generation of talent.
Matt Barker, Founder and CEO of MPB, said:
"We believe creativity should be an accessible career for all, not the privileged few. This research confirms what many of us in the industry already suspect: talent is everywhere, but opportunity is not.
“At MPB, we’re committed to lowering the barrier to entry for young people, firstly by providing reliable access to more affordable equipment, and secondly via partnerships with critical organisations like Lighthouse, who support young people with the skills, mentorship, and confidence to shape the future of the creative industries."
Bobby, Creative Communities Producer, Lighthouse, said:
“Lighthouse exists to build pathways, community and opportunity, not just one-off projects. We pair access with agency: accessible kit (via MPB), work opportunities and youth leadership. The next generation doesn’t just want to enter the creative sector, they want to shape it. Our Future Creative Leaders programme proved this, creating governance roles and paid opportunities for young people to lead, rooted in place, community and purpose.
“At a time of AI, rising costs and shrinking opportunities, we’re doubling down on civic space and youth-led engagement. Progress is proudest when it has soil under its nails, and we’ve felt this most when giving young people real power in the room. Talent is everywhere, but opportunity is concentrated. Lighthouse offers practical support so young people can build creative lives in, and for, their own communities.”
For more information, please visit the MPB website.
New Datacolor SpyderPro - Redefining Display Calibration with Groundbreaking Workflow Tools
- Partner Content -
How Datacolor’s newest generation is transforming workflows for photographers, videographers and content creators worldwide
In today’s world of fast-moving visual content, colour accuracy has never been more critical. Whether you’re producing cinematic videos, building a professional photography portfolio or designing branded visuals for global audiences, what matters is simple: your images and videos must look exactly as you intended—on any device, every time.
With the newest generation of Datacolor SpyderPro, released in early November, creators now have access to tools that go far beyond traditional display calibration. SpyderPro doesn’t just correct your screen; it empowers an entire workflow. Supporting ultra-bright displays up to 12,000 nits—including OLED, QD-OLED, mini-LED and Apple Liquid Retina XDR panels—the system redefines what accurate, reliable colour management means for modern creatives.
But its real impact lies in three truly groundbreaking features:
3D LUT export, Device Preview™ Plus and Content Credentials (C2PA).
Each one solves a major challenge in today’s digital production landscape—and combined, they form a workflow ecosystem unlike anything Datacolor has offered before.
3D LUT Export – A Workflow Revolution
One of the most significant innovations in the updated SpyderPro is its ability to export 3D LUT files (.cube). SpyderPro is the first device in its class to offer 3D LUT (.cube) export, delivering highly accurate calibration for compatible video monitors. This makes it an ideal tool for professional video and cinema environments.
To experienced colourists and filmmakers, LUTs are indispensable: they bring consistency, accuracy and a high level of control to video workflows. Now, SpyderPro brings this capability directly to creators who need professional-grade calibration—without investing in expensive broadcast hardware.
3D LUT technology is widely used in the film industry for non-linear colour adjustments, such as warming skin tones or cooling shadows. Loading a 3D LUT onto a compatible video monitor (e.g., Atomos) has never been a challenge. The real issue—until now—was affordable calibration of these monitors.
With a 3D LUT, SpyderPro corrects colours across the full three-dimensional RGB colour space. Instead of adjusting colours independently along linear curves (as with 1D or 2D LUTs), a 3D LUT applies corrections that take into account all colour interactions at once. This results in:
- Exceptionally accurate, natural-looking colours
- Highly nuanced tonal transitions
- A true “what you see is what you get” preview on video monitors
- Reliable consistency across multiple screens and environments
The Challenge: Video monitors that are not permanently connected to a computer cannot rely on ICC profiles for colour management. To calibrate them, the monitor must be recognized by calibration software, measured, and then provided with colour correction values in the form of a 3D LUT.
The Solution with SpyderPro: Connect the monitor via HDMI to a computer running Spyder calibration software. The software detects the monitor and allows you to select it for calibration. After measurement, export the colour correction as a 3D LUT file to an SD card and insert it into the monitor. To do so, the monitor must support 3D LUTs and have a suitable interface (e.g., HDMI).
YouTube videos:
Calibration of various Atomos video monitors with Datacolor SpyderPro / 3D LUT Export
OLED TV calibration and application of colour correction via 3D LUT using a Blackmagic SDI/HDMI micro converter.
Device Preview™ Plus — A New Level of Colour Confidence
The new Device Preview Plus feature allows creators to simulate how their content will appear across devices and media — from smartphones and tablets to laptops, projectors or prints —directly on a calibrated display.
It goes far beyond basic soft proofing, offering side-by-side comparisons, pixel sampling, gamut warnings, batch conversion and enhanced export options. Hence, profiles are neatly organized into three groups:
- Display Profiles – To preview your image in AdobeRGB, ProPhoto RGB, Rec. 709 or others select the corresponding profile under Display.
- Mobile Profiles – To preview your images on smartphones or tablets, check the Mobile section — it includes ICC profiles for many popular devices.
- Printer Profiles – For a classic soft proof, go to Printer Profiles.
Images can be exported directly from the application with any chosen ICC profile applied.
Content Credentials (C2PA) – Safeguarding Creative Integrity
As AI-generated visuals surge and digital content spreads rapidly across platforms, creators face a serious question: How do you prove that your work is authentically yours?
Datacolor addresses this challenge with Content Credentials, an emerging industry standard (C2PA) designed to restore trust and transparency to digital media. SpyderPro can now embed tamper-resistant metadata into images and videos, documenting:
- Authorship
- Editing steps
- File provenance
- Time and date information
- Creative workflow details
For photographers, Content Credentials add a new layer of professionalism. Every exported file carries a secure digital trail, supporting licensing, commercial production, portfolio authenticity and the protection of creative reputation.
Content Credentials are more than metadata: they represent a future-proof investment in a media landscape where trust, authorship and authenticity matter more than ever.
Christmas Prize Draw 2025 Day 1 - Win £1,000 To Spend With MPB!
This festive season, MPB is giving creators the chance to upgrade their gear in a way that’s simple, secure, and sustainable. We’re sponsoring three special ePHOTOzine prize draws, with MPB vouchers worth up to £1,000 up for grabs. Whether you’re a photographer chasing golden-hour light or a filmmaker capturing winter stories, this is your moment to unwrap something amazing.
The Prizes- Day 1: A £1,000 MPB voucher to spend on the camera or lens you’ve been dreaming about
- Day 3: A £500 MPB voucher to help you step up your creative game
- Day 9: A £250 MPB voucher that’s perfect for adding the finishing touch to your setup
At MPB, we believe used doesn’t mean second-best. It means smarter. We make buying, selling, and trading photo and video gear simple, secure, and sustainable. Every week, thousands of creators trade in their old gear and upgrade to something new-to-them.
- Buy better: Save money and shop gear that’s been checked by experts and backed by warranty
- Sell smarter: Get an instant quote, ship for free, and get paid quickly with no hidden fees or hassle
- Shoot sustainably: Give great gear a second life and help reduce waste in the creative industry
Find out how to sell your gear or start exploring our latest arrivals at mpb.com.
Creativity for Every Kind of CreatorWhether you’re a professional with a packed kit bag or just starting out, MPB is built for you. Our platform connects photographers and videographers across the world, creating a community that values creativity and sustainability in equal measure.
We’re passionate about helping people find the right tools the right way. Gear that inspires creativity, captures stories, and makes a difference. Because when your tools fit your vision, your ideas come to life.
Today's Prize Join the GiveawayDon’t miss your chance to win an MPB voucher worth up to £1,000 this Christmas. Enter the ePHOTOzine/MPB giveaway to start the new year with your dream setup.
Shop used. Shoot better. Win big with MPB.
As a thanks to all of you who support the site by purchasing Plus Membership, you will receive 2 entries per draw.
Also, a huge thank you to all of our members, old and new, Plus and Free, for being part of our amazing community and to those clients who have supported us this year, through continuing tough economic circumstances. It's certainly been another challenging year, so thanks - we couldn't have made it through 2025 without you!
Wishing you all a lovely Christmas and here’s hoping 2026 will be healthy and happy all round. The ePHOTOzine Team.
[PRIZE_ENTRY]7001[/PRIZE_ENTRY]
Stunning Dolomite Landscape Wins 'Photo of the Week'
The Dolomites have been captured in all their beauty in this superb shot titled “Dolomite View” by site member PaulHolloway.
The view is filled with amazing detail, from the crisp mountain peaks to the soft layers of light that give the scene shape and atmosphere. The natural tones and textures bring out the character of the landscape, while the sweeping view creates a calm, open feeling. It is the kind of image that makes you pause and take in the wide mountain world in front of you, almost as if you are standing there yourself. Simply put, it is an amazing view and a superb photograph that is worthy of POTW recognition.
Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2026, we’ll crown our 2025 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!