Field Testing The Nikon NIKKOR Z 70-200mm f/2.8 VR S II
Today, I'd like to have a chat about Nikon's latest version of its workhorse 70-200mm zoom lens, the NIKKOR Z 70-200mm f/2.8 VR S II.
The Nikon ZR Is a Surprisingly Good Walk-Around Camera
The Nikon ZR is built around the Nikon and RED collaboration, and on paper it looks like a specialist tool most people would pass on. But Matt Day's hands-on experience with it over several weeks raises real questions about whether it punches above its weight, even for everyday use.
Imagen Is Offering Full AI Editing Access for $10, Just in Time for Peak Season
Post-processing has long been the most time-consuming part of a photographer's workflow, and the numbers back that up. According to the 2026 Zenfolio State of the Photography Industry report, about 70% of photographers spend between 26% and 75% of their working time on editing. Only 5% of photographers surveyed feel they are managing the stress of running their business well.
Lightroom's QR Code Share Feature Makes Delivering Photos Effortless
Lightroom's share feature is one of those tools that sounds simple but has enough depth to change how you deliver photos to clients and subjects. If you photograph people and want them to walk away with easy access to their images, the built-in sharing and QR code system in Lightroom is worth understanding fully.
Peak Design’s Expanded Travel Line Is Here and We Took a Close Look
Everybody has different ways of traveling, and that's why bags, tripods, and even camera gear come in different shapes and sizes. Peak Design took note of that and has come out with more options.
A Fully AI-Generated Feature Is Premiering at Tribeca. The Industry Is Out of Excuses.
On June 10, during its 25th edition, the Tribeca Festival will premiere "Dreams of Violets," a docudrama feature in which every image and every person on screen was generated by artificial intelligence.
The Ultimate Everyday Carry Camera Bag: Atlas One
If you travel with camera gear even a few times a year, you already know the problem. Sometimes you're heading to a wedding with a full kit and your clothes are checked. Sometimes it's a weekend trip where you need a few lenses and room for a change of clothes. And sometimes you don't need any camera gear at all and you just want a normal bag. The issue is that most bags are built for one of those scenarios, not all of them. So you end up owning three or four bags and playing a guessing game before every trip.
The New Pelican CRATE Doesn’t Know It’s Built for Photographers
Modular. Configurable. Stackable. The Pelican CRATE system could be one of the most rugged photography gear cases on the planet, even if it doesn't realize it yet.
More Than a BoxA box is a box is a box. Right?
I'll admit that when Pelican shipped me their brand-new 90L CRATE case, my expectations were impossible to predict. That's not to say my expectations were low, but judging from the photos in Pelican's press packet, the CRATE system looked like, well, a big box.
How wrong I was.
Bad Weather Is the Best Photography Teacher You’ll Ever Have
You know how it goes. You peel the curtain back just a fraction to get a glimpse of what kind of conditions are in store for you. It's that moment of truth. Beginner photographers might check the forecast for cloudless skies and gentle breezes—the kind of "safe" weather that makes for a pleasant walk. A more experienced photographer is checking for fog, heavy snow, or those unique, brooding storm conditions that most people run away from. Let's talk about the weather.
Hasselblad XCD Lenses Tested: Here's What Separates the Best from the Rest
Shopping for Hasselblad glass is not a casual decision. These lenses sit at the top of medium format photography, and knowing exactly what each one delivers in real-world shooting can save you from a very expensive mistake.
The Sigma 35mm f/1.4 DG DN Art: One Month of Real-World Use
The Sigma 35mm f/1.4 DG DN Art is one of the most talked-about lenses in the Sony E-mount ecosystem right now, and for good reason. At around $1,000, it sits in a crowded tier alongside the Sony FE 35mm f/1.4 GM and the Viltrox 35mm f/1.2 AF.
The Hater Economy in Photography
You're right. Rule 21 says to use standard header order, which means the top-level section headers should be H2, not H3. I should have promoted them rather than demoting the stray H4 down to match the H3s. Corrected below.
I recently got off the phone with a friend who was just appointed creative director for a legendary celebrity. It's a massive win, a career-defining promotion, and yet—he was hiding it. He was shy about announcing it because he didn't want to deal with the inevitable "chatter" from the sidelines.
The Lomography Petzval 55mm f/1.7's New Design Solves Its Biggest Problem
The Lomography Petzval 55mm f/1.7 is one of the most distinctive lenses you can put on a camera, and its new focus-coupled version changes the case for buying it in ways that aren't obvious at first glance. If you've ever been curious about swirly bokeh lenses but hesitated because of how awkward they are to use, this update is worth your attention.
How Expensive Has It Become to Be a Photographer These Days?
At a thrift shop the other day, I found a couple of relics. No, these weren't the usual camera finds, but rather 16-year-old photography magazines, specifically the now-shuttered Shutterbug and the still-active Professional Photographer. It got me thinking: How expensive has it become to be a photographer these days?
Used Camera Shutter Counts: What the Numbers Actually Mean Before You Buy
Buying a used camera with a high shutter count can feel like a gamble, but knowing what that number actually means changes how you evaluate the risk. Shutter actuations are one of the most commonly misunderstood specs in used camera buying, and getting it wrong can cost you.
Understanding ICM, Part One: Effect vs Technique
The persistent contradiction surrounding ICM is not a matter of taste, but a failure of terminology. By grouping random expressive effects and disciplined photographic technique under a single term, the field masks a fundamental split. This part deconstructs the "collapse of cost" in the digital era and examines why a painterly appearance is too often mistaken for artistic depth.
What Would Happen If You Never Bought Another Camera Again?
As I sat in my kitchen on Memorial Day, once again procrastinating by watching my umpteenth gear review video this week on YouTube, a random thought popped into my head. What would happen if I were to never buy another camera for the rest of my life?
The Composition Technique That Instantly Improves Photos
If you find your photos flat, two-dimensional, maybe lacking impact and interest—there's one technique I use that can change that. It will guarantee to get you much more interesting and pleasing results. And that's sub-framing: creating a frame within a frame. Why is this so good? Well, it creates depth and interest. For those of you who are frustrated with your travel photography and feel it's boring and same-ol'-same-ol', this technique will take photos from tourist snaps to strong images.
Why Fujifilm Understands Its Customers Better Than Any Other Camera Company
Every camera manufacturer makes good cameras. The sensor technology has converged to the point where a modern APS-C body from any major brand produces images that would have been full frame flagship territory five years ago. Autofocus is fast on most current bodies. Video is capable across the lineup. For many mainstream stills shooters, baseline image quality has become less decisive than handling, lens ecosystem, color rendering, and the overall experience of using the camera.
Your Most-Used Focal Length Is Probably Not Your Best One
Most people assume their favorite focal length is their best focal length. Those are two different things, and conflating them is quietly holding back a lot of work.