Back to Basics: Relearning Photography Through Mini Projects
The article emphasizes the importance of slowing down and reconnecting with the joy of photography by creating a series of images of simple things that we admire. Let's look at photos of a remote Namibian railway station that show the beauty of decay and history through intentional composition.
Shooting a Full Fashion Editorial With Just One Light Modifier
A while back I was very focused on having complex lighting for my editorial work. I would often create precise setups with many light sources. Yet, as time went on, my setups became simpler. So much so that my recent editorial for Numéro was done with only one light. Here is how.
Why Your Presence Is Ruining Your Street Photos
Street photography lives and dies by your ability to go unnoticed. In a genre where the goal is to capture real moments, your presence is the single biggest variable you can control.
7 Habits That Are Quietly Killing Your Photography Style
Gear has never been better. Autofocus is smarter, noise is lower, and sharpness is almost a given — yet scroll through Instagram or any photo forum and everything starts to look the same.
Photoshop's New Remove Tool Can Find and Erase General Distractions Automatically
Adobe just pushed a significant round of updates to Photoshop, and several of them are directly relevant to cleaning up photos and managing complex edits. If you use Photoshop as part of your workflow, at least three or four of these features will change how you approach specific tasks.
This Swing Lens Camera Forces You to Rethink How You Compose Landscapes
The Horizon 202 is a Soviet-era swing lens panoramic camera that produces a field of view roughly equivalent to 14mm on a 35mm camera, with almost none of the distortion you'd expect from an ultra wide angle lens at that focal length. If you've ever wanted to capture an entire mountain range in a single frame on film, this is the kind of camera that makes that possible.
9 Things I Wish I Knew About Photography Insurance
Insurance is the part of running a photography business that nobody warns you about, nobody teaches you, and nobody finds interesting until the day they need it. Then it becomes the most important conversation of your career, usually too late. Most photographers buy a policy because a venue asked for one, sign whatever the broker recommends, and never think about it again until something breaks, gets stolen, or generates a lawsuit.
Most Photographers Are Boring
There, I said it. Not bad. Not incompetent. Not untalented. Boring. And boring is far worse.
Bad photography can at least be entertaining. It can crash through the wall drunk at two in the morning, bleeding from the forehead, demanding another round. Boring photography arrives exactly on time, wipes its shoes at the door, and asks where you keep the coasters.
One Hasselblad Lens to Rule Them All
For the past six months, I've had the opportunity to thoroughly test the Hasselblad XCD 35–100 E — Hasselblad's brand-new all-around zoom lens. With this lens, I've photographed commercial campaigns for Hasselblad, documented a family wedding high up in the Alps, and captured my photo workshop in southern Spain — all without changing the lens even once. And honestly: the 35–100 E has impressed me in every single situation.
The Secret to Becoming a More Versatile Photographer
Most photographers hit a ceiling not because they lack technical skill, but because they keep doing the same things over and over. Breaking out of that pattern is what separates a one-trick shooter from someone who can walk into any situation and come away with something worth showing.
The Nikon Z 14-30mm f/4 S Is Still the Go-To Wide Angle Zoom for Many Nikon Shooters
The Nikkor Z 14-30mm f/4 S has been on the market since 2019, and it remains the wide angle zoom that ends up on more Nikon Z mount cameras than probably any other. At its current discounted price of around $1,100, the calculus of buying it versus something like the Nikkor Z 14-24mm f/2.8 S at roughly $2,000 gets very interesting very fast.
Don't Miss This Opportunity to Own a Rare Leica MP Camera
Leica is the only professional camera company to offer three 35mm film cameras. These cameras, M-A, M6, and MP, are popular among the fan base despite the dominance of digital photography in the past two decades. If you have a few dollars to spare, you have a rare opportunity to own an original MP camera once owned by the photographer known as the first paparazzo.
Is 35mm More Versatile Than 40mm? A Two-Day Shooting Test Says Yes
Choosing between a 35mm and 40mm prime lens sounds like splitting hairs, but if you shoot in tight spaces, near cliffs, or anywhere you can't step back, that small difference in field of view can determine whether you get the shot or go home empty-handed. James Popsys has spent years shooting 40mm primes across multiple systems and recently started questioning whether 35mm deserves a longer look.
How Many Megapixels Do You Actually Need? The Answer Might Surprise You
Megapixel counts dominate camera marketing, and most buying decisions reflect that. But the actual difference between a 24-megapixel sensor and a 50-megapixel one is almost certainly smaller than you've been led to believe.
Deposits Are Not Optional, and Photographers Who Do Not Require Them Are Working for Free
Most photographers treat the deposit as a courtesy request. A nice-to-have. Something you ask for politely, and if the client pushes back or seems uncomfortable, you waive it because you do not want to lose the booking. This is the standard operating posture of the photography industry, and it is costing working photographers thousands of dollars a year that they never see on their books, because the losses are invisible until you run the math.
Fstoppers Photographer of the Month (April 2026): Radek Pohnan
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2026, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
The CLA Map: Where to Send Your Film Camera (and What You Can Safely Fix Yourself)
I learned early that a lot of "broken" film cameras aren't broken—they're just stuck. The symptoms were always the same: you'd cock the shutter, press the release, and nothing would happen… or it would fire once and then lock up like it was offended you asked it to work in 2026. Sometimes it wasn't a dramatic failure, just that dead, sluggish feeling of old grease turning into glue.
The Tamron 35-100mm f/2.8 Might Replace Your 24-70mm
The Tamron 35-100mm f/2.8 sits in an interesting spot: it's compact and light enough to travel with, but fast enough to handle portraits, events, and low-light shooting. At around $899, it's priced to compete with other mid-range zooms, and whether it delivers enough to justify that price is genuinely worth understanding before you buy.
7 Photography Mistakes That Can't Be Fixed in Post
Editing on the wrong monitor, shooting at the wrong ISO, working in 8-bit — any one of these mistakes can quietly wreck an otherwise solid photo. Some of them can't be fixed in post.
Is the Sigma 35mm f/1.4 DG DN Art Mark II Better Than the Sony G Master?
Choosing a 35mm f/1.4 lens for Sony E-mount means navigating a short but competitive list, and the Sigma 35mm f/1.4 DG DN Art just reshuffled that list significantly. The Mark II version makes a strong case against both its predecessor and Sony's own G Master offering.