Fstoppers

In the first article, we explored five cameras that had the right vision but arrived at the wrong time, from Sony's Mavica prototype to the Contax N Digital. These machines predicted the future of photography but couldn't convince the market they were right.

[ Read More ]

The Sigma 135mm f/1.4 DG Art lens isn’t just another telephoto prime. It’s a lens that opens creative doors through its rare blend of focal length and wide aperture. You notice it right away: the way it isolates your subject, softens the background, and transforms an ordinary portrait into something cinematic. That level of control over depth and compression makes this lens a serious tool for refining your look.

[ Read More ]

Even a successful career isn’t always champagne and roses. But the lessons one learns on the downslope can often be just as important, if not more so, than the rewards gained at the top.

[ Read More ]

Zeiss brought back its most coveted portrait prime with a clean-sheet design for mirrorless, and the results hit where it counts. You get the classic Sonnar look, with crisp focus falloff, smooth backgrounds, and rich color, without lugging a studio-only brick around town.

[ Read More ]

Let’s explore the concept of meaningful photography and the importance of creating focused photo essays. It offers practical advice for photographers looking to tell engaging stories through their images.

[ Read More ]

Let’s discuss the challenges of achieving the correct camera exposure and gain insights from professional photographer Mark Dumbelton on metering modes and exposure compensation techniques. By understanding how cameras interpret light—especially in wildlife photography—you can achieve an exposure that preserves the details of crucial elements in a scene.

[ Read More ]

The Viltrox AF 50mm f/1.4 FE steps into a crowded field where 50mm lenses are practically a rite of passage. What makes this one stand out is its combination of build quality and $549 price for a full frame, f/1.4 optic. That’s not pocket change, but for what it offers, it sits in a competitive sweet spot for anyone wanting a fast, well-built 50mm without going into premium territory.

[ Read More ]

The Godox X3Pro is a new TTL wireless flash trigger promising unprecedented control. It brings a 2.4-inch touchscreen, control over four groups, and expanded per-light adjustments to your lighting workflow.

[ Read More ]

You can read every photography tutorial ever written, watch hundreds of hours of YouTube videos, and memorize the exposure triangle until you dream about it. But nothing will teach you to see like a photographer faster than putting different glass on your camera and forcing yourself to work within its constraints. The problem is that most beginners approach lens buying all wrong. They ask “what lens should I buy?” when they should be asking “what lens will teach me something I don’t know yet?”

[ Read More ]

Fstoppers has partnered with 5DayDeal to offer the best photography deal of 2025. The bundle is filled with education, software, and tools from a wide variety leaders in the photography industry. The product list is fantastic.

[ Read More ]

A reliable flashlight is a must-have in any camera bag. The Wuben X4 tries something different, with its unique rectangular design, powerful main beam, and versatile side light. It promises to be a versatile light, but does the pursuit of doing everything compromise its performance?

I’ve been trying out a range of lights over the last few weeks, trying to find the perfect options to update my setup with. Wuben’s unique lighting form factors have been interesting, and I recently shared ...

[ Read More ]

Viltrox has announced its latest fast prime lens, the Viltrox AF 50mm f/1.4 Pro, designed for full frame Sony E and Nikon Z systems.

[ Read More ]

Let’s discuss key insights from a professional photographer on common editing mistakes and effective strategies for enhancing photo editing skills. Find out the importance of intention and thoughtful adjustments to achieve impactful results.

[ Read More ]

Two new 200mm f/2 full frame lenses hit the market at almost the same time, a rare coincidence in this range. One costs $3,300, the other $2,000. Both target serious users, but the price gap raises an obvious question: how much performance are you really giving up by saving over a thousand dollars?

[ Read More ]

Depth of field can make or break a portrait. It decides whether a viewer’s attention stays locked on a subject’s eyes or drifts into the blur of the background. Getting it wrong doesn’t just soften an image; it can shape how you compose and light every shot. Many people misunderstand what truly affects depth of field, and that misunderstanding can quietly steer years of work in the wrong direction.

[ Read More ]

Let’s discuss the importance of capturing well-exposed images in camera to prevent difficulties during post-processing. This can be achieved using various metering modes available on cameras and understanding their impact on exposure settings; however, there is one specific metering mode that can be particularly effective in avoiding bright pixels in your images.

[ Read More ]

A camera is only as good as the lens you attach to it, and Nikon has just announced two new options aimed squarely at its DX-format shooters.

[ Read More ]

Apple has announced the latest generation of the iPad Pro with M5, bringing a substantial upgrade to processing power, graphics capabilities, and AI performance. The new tablet also introduces Wi-Fi 7 connectivity, faster storage, and an updated version of iPadOS that further blurs the line between tablet and laptop performance.

[ Read More ]

Apple has announced the latest version of its 14-inch MacBook Pro, now powered by the new M5 chip. The update brings faster performance, improved AI capabilities, and longer battery life, while keeping the same starting price of $1,599.

[ Read More ]

Since the earliest days of film photography, we’ve been locked into aspect ratios defined by the film itself, whether that’s 3:2 from the standard 35mm film, 4:5 from the 4x5 large format film, or even 1:1 from the 6x6 medium format film that carved out its own niche result. The strange thing is, even after transitioning into digital, the aspect ratio has remained one of the least challenged conventions in photography. Digital cameras became faster, more powerful, and more efficient. But the frame is still the same old 4:3 or 3:2 rectangle that we have been stuck with for over a century.

[ Read More ]