Fstoppers

Camera sales have dropped significantly over the past decade. Cameras with built-in lenses dropped a massive 94% between 2010 and 2023. Smartphones are the reason for this drop in sales.

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A telephoto lens that fits into a jacket pocket changes how you think about traveling with your gear. When you want reach without the burden of a heavy lens, size and weight matter as much as sharpness and build quality.

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The Fujifilm X100VI has quickly become one of those rare cameras that changes the way you think about shooting. It’s compact, unassuming, and yet powerful enough to handle both stills and video without making you feel like you’re compromising.

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A budget lens with a fast aperture can open creative doors that expensive glass sometimes can’t. The 7Artisans 75mm f/1.4 lens is a strong example of that: compact, solid, and priced at just $180. You’ll give up electronic contacts, autofocus, and weather-sealing, but what you get in return is a lens with real personality and a look that isn’t sterile or overly corrected.

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Photographers love to brag about their hours in the edit cave. There’s a strange badge of honor attached to 2 a.m. Lightroom binges, as if suffering through endless slider tweaks somehow makes the work more “serious.” But here’s the truth: clients don’t care how long you sit in front of a monitor. They care about turnaround time, consistency, and whether the final product looks polished. So, why not save time wherever you can?

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I've created a video to show how you can make mood boards. In fact, I've done a rebrand via mood boarding for Selena Gomez and her Rare Beauty brand. There are profits in play if you learn how to mood board correctly. I hope this video helps you.

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A growing number of photographers and creatives, once loyal to Adobe, are walking away. Is this the slow decline of Adobe's monopoly on the creative world?

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When you’re working on your craft, it’s not always easy to know where you stand. You might think you’re still at the beginner level, but your habits and results may already show you’ve moved on. Recognizing those shifts matters because it changes how you should approach learning and practice.

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The OM SYSTEM M.Zuiko Digital ED 12-40mm f/2.8 PRO II is one of those lenses you can carry almost anywhere without worrying about what you might miss. It covers the 24-80mm equivalent range, which means you can handle landscapes, portraits, events, and travel with just this one piece of glass. Having a constant f/2.8 aperture across the zoom range makes it even more valuable, since you don’t need to compromise in low light or sacrifice depth of field control.

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The Fujifilm GF 32-64mm f/4 R LM WR doesn’t get as much attention as some of the flashier primes in the GFX system, but it has been a quiet workhorse for years. If you spend most of your time balancing lifestyle, portrait, travel, or food photography, it offers a flexibility that helps you move between different kinds of images without swapping gear constantly.

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The Mitakon Zhongyi 55mm f/2.8 1-5x Macro is built for a very specific purpose: letting you see the world closer than most lenses allow. Extreme macro work pushes both your skills and your gear, and this lens gives you access to magnifications that would normally require specialized, expensive equipment. If you’re looking to capture the tiniest details in everyday subjects, this lens offers something unusual and challenging.

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A small, bright, ultra-wide lens can make your kit far more flexible. If you’re shooting landscapes, waterfalls, or night skies, carrying one compact prime instead of a heavy zoom changes how long you can stay out and what you can bring back.

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Raw is practically a religion. It preserves sensor data, maximizes editing latitude, and lets you recover mistakes that would wreck a JPEG. That’s all true... and still incomplete. “Shoot raw or you’re not serious” turns a tool into a dogma. Tools aren’t moral; they’re contextual. The job dictates the format, not the other way around.

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Wide angle lenses can make the biggest landscapes look small and dull. You’ve seen it yourself: mountains that felt huge when you were standing there shrink to a disappointing background when viewed on your screen. That gap between how it looks in person and how it looks in the photo is the problem this video tackles.

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The term "the decisive moment," made famous by renowned photographer Henri Cartier-Bresson, describes the fraction of a second when the significance of an event unfolds in front of the lens. However, in today's "spray and pray" digital age, it begs the question: Has the essence of the decisive moment been lost?

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The Leica M11 is not just another digital camera. It’s a tool that forces you to slow down, commit to a process, and engage with your work in a more deliberate way. Whether you’re using it at a wedding, traveling abroad, or making everyday family photos, this camera asks you to be intentional. That alone makes it worth considering if you want to create images with more care and attention.

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The DJI Mic 3 isn’t just about better sound, it’s about cutting down the number of compromises you make when recording. Whether you’re working outdoors in shifting conditions or indoors with multiple voices, the updates here are designed to solve real problems you’ve likely run into before.

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The Sigma 200mm f/2 DG OS Sports lens is one of those rare tools that changes how you think about shooting. Its fast aperture and reach give you creative options you don’t get anywhere else. For portrait work, it can create subject isolation that looks almost unreal. For sports and action, it offers the kind of speed and sharpness usually reserved for the most expensive first-party lenses. The balance between performance and price makes it an option worth serious attention.

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Gen Z couples are entering the wedding market, and that means a shift in expectations for how you run your business. Their preferences lean toward speed, flexibility, and digital-first options, so if you want to stay competitive, now is the time to rethink the way you package and deliver your work.

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I do not like Facebook. It feels like a haunted time capsule that insists on reminding me of who I was 14 years ago. It pops up with posts like a close-up of a dandelion paired with Death Cab for Cutie lyrics. Or it digs up photos from my first “portrait sessions” in 2009, when my friends graciously stood in front of my camera so I could figure out what aperture even meant. Every time I log in, it feels like an unwelcome nostalgia trip.

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