NIKKOR Z CINEMA T1.9 VV Lenses Now in Development
* The appearance of the actual product may differ from the photo shown above. / © Nikon
Nikon has unveiled nine NIKKOR Z CINEMA T1.9 VV lenses, including a 50mm T1.9 VV model, with an image circle compatible with both Nikon full-frame sensors and RED's V-RAPTOR VV format. Engineered for cinema production and high-end creators, the lenses combine precise optical rendering with accurate autofocus, reflecting the growing partnership between Nikon and RED.
From Nikon:
Nikon is pleased to announce the development of the NIKKOR Z CINEMA T1.9 VV series of cinema lenses, designed for the cinema, high-end productions, and creators, aiming to provide them with high-quality solutions. This series will be comprised of nine lenses, including the NIKKOR Z CINEMA 50mm T1.9 VV.
The NIKKOR Z CINEMA T1.9 VV series will offer the rendering performance and the practicality demanded by the cinema industry based on a new design concept, whilst enriching the cinematic expression of the NIKKOR Z CINEMA line. The series marks a first for NIKKOR lenses, featuring an image circle not only large enough for Nikon's full frame sensors, but also covering the VV format of V-RAPTOR [X]1. In addition, the lenses will offer a highly precise autofocus mechanism that supports creators' workflows.
Nikon will contribute to the development of imaging culture that includes the field of cinema, with the hope of expanding possibilities for imaging expression. Filmmakers and content creators can expect great things from the new synergy between Nikon and RED.
FOOTNOTE:
1A 40.96 mm × 21.60 mm image sensor developed by RED Digital Cinema, Inc.
For more information, please visit the Nikon website.
Nikon Announced Firmware v2.00 for the Nikon ZR
© Nikon
Nikon announced firmware version 2.00 for the Nikon ZR camera, targeted for release before late 2026. The update brings Log3G10 and REDWideGamutRGB support to H.265 video, adds Log-mode High ISO Noise Reduction, and enables focus peaking for R3D NE1 RAW files alongside RED CONTROL app integration. Nikon also confirmed open gate recording and anamorphic desqueeze features are currently in development for 2027.
From Nikon:
Nikon is pleased to announce the development of firmware version 2.00 for the Nikon ZR (released in October 2025).
This firmware will bring the features listed below to further enhance power of expression and workflow for a broad range of users, from content creators to high-end filmmakers.
- Support for Log3G10 and REDWideGamutRGB in H.265 video file type for a greater ability to stand up to color grading while keeping file sizes minimal.
- A new [High ISO NR] option available with H.265 Log recording that enables imaging tailored to filming intent and the tone of the work.
- Support for the focus peaking display with recording at an R3D NE1 video file type setting for more precise focus confirmation.
Firmware version 2.00 is scheduled for release before the end of 2026.
Additionally, RED is updating its remote-control applications, RED CONTROL and RED CONTROL PRO which will enable remote control capabilities for ZR.
Nikon is also developing frequently requested features, such as open gate recording and a desqueeze display for use with anamorphic lenses, with the goal of incorporating them in ZR firmware in 2027.
Nikon and RED will continue to enhance its products through firmware updates that address user needs, while also contributing to the development of imaging culture in the field of cinema.
FOOTNOTE:
1 A RAW format developed for Nikon cameras to support the color science unique to RED Digital Cinema Inc. cinema cameras.
For more information, please visit the Nikon website.
Photoshop's New Edge Tool Costs 20 Credits Every Time You Click It
Photoshop's beta build now includes a Refine Edge feature that cleans up the messy fringing left behind when you cut a subject out of one background and drop them onto another. Every click costs 20 generative credits, so the value depends on whether the result beats what you can do by hand.
ePHOTOzine Daily Theme Winners Week 1 September 2026
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The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to KristinaZvinakeviciute (Day 5 - Outdoor Macro).
Daily Theme Runners-Up
If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A.
Well done to our latest runners-up, too, whose images you can take a look at below.
Day 1Symmetry
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Day 2
Quirky Angles
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Day 3
'Speed'
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Day 4
Triptych
[COMMENT_IMG]direct|140100|140100_1788531068.jpg[/COMMENT_IMG]
Day 6Big Cats
[COMMENT_IMG]portfolio|20585|3338081[/COMMENT_IMG]
Day 7
Britain
[COMMENT_IMG]portfolio|293533|3954978[/COMMENT_IMG]
Day 8
Graphic Landscape
[COMMENT_IMG]portfolio|21670|3584396[/COMMENT_IMG]
You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.
Why 28mm Beats 35mm for Honest Street Photography
Forced to sell every camera and lens and shoot a single focal length forever, plenty of street shooters would reach for 35mm because it handles almost anything. There's a strong case that the wider 28mm produces more interesting pictures, and the reasoning has less to do with sharpness and more to do with truth.
5 Top Gig Photography Tips Every Music Fan Needs
1. Gear Suggestions
For larger shows pocket a superzoom compact but if you're going to a smaller venue you'll probably be able to take a DSLR in with no issues but do check the venue's rules on camera equipment as some are stricter on what size camera you can take in than others. Whatever camera you take you'll want it to have a good ISO range as you'll be working in very low light situations. When it comes to lens choices, a prime lens around the 50mm mark will serve you well.
One of the biggest challenges you'll face at a gig is getting the exposure right under stage lights, as different coloured lights and often harsh backlighting and smoke will all pose problems. You will need to set your camera to its maximum aperture if you can and set the ISO as low as you can while still maintaining a suitable shutter speed under the conditions. Smaller venues where conditions tend to be darker than in arenas will demand higher ISO levels to reduce motion blur and camera shake as using a support is out of the question.
Another point to remember is that autofocus may struggle in low light conditions but to be honest, it will generally be more reliable than focusing manually if your subject is moving and the light levels are low. Spot metering can be useful, particularly if you're shooting a strongly backlit subject, as you'll find at many gigs. Just make sure you adjust your camera's exposure compensation setting to achieve the correct exposure if you choose to work this way.
4. Flash Or No Flash?
When you're shooting from the crowd, you will often be too far away for flash to be of any use. Also, many people believe that they shouldn't use flash because 'it spoils the atmosphere' but this is a common misconception as if you can get close enough for it to be useful, you can achieve some good results. The key is to ensure that the flash exposure is well-balanced with the ambient light. This will result in exposures with bags of atmosphere, colour and it will also allow you to freeze the action. Of course, it will depend on how appropriate using flash is too. A quiet gig with an acoustic performer may not be the right kind of atmosphere to start blitzing away with flash, plus the venue you're at may have rules on not using flash during performances so it's always worth checking.
If you're photographing an acoustic performer sat on a stool, or stood at a microphone, you will be able to get away with shutter speeds that are quite slow. However, try using a shutter speed that equals the focal length of your lens if you don't have image stabilisation, or of at least half the focal length if you do. If the performers are more lively, you will need much faster shutter speeds to freeze the action.
One final point: Arrive early, get a good spot and don't move. Also, remember that you're supposed to be there to enjoy yourself too!
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The $1,999 iPhone Duo Is Apple's First Foldable, and It Has Some Clever Camera Tricks
Apple has introduced the iPhone Duo, its first foldable iPhone, pairing a 5.4 in outer display with a 7.6 in folding inner display. Beyond the new form factor, the phone includes dual 48 MP rear cameras, 4K video recording at up to 120 fps, an A20 Pro processor, new photography features that take advantage of the second display, and an updated version of iOS designed around multitasking.
The iPhone Duo starts at $1,999 with 256 GB of storage. Preorders begin October 16, 2026, with availability starting October 23, 2026.
Inside the Mexican Suitcase: The Spanish Civil War Negatives Lost for 68 Years
In December 2007, three small cardboard boxes reached the International Center of Photography in New York holding 126 rolls of 35mm film and roughly 4,500 negatives that had been missing since 1939. Inside was a visual record centered on the Spanish Civil War as seen by Robert Capa, Gerda Taro, and David "Chim" Seymour, three young photographers who helped invent modern war reporting before all three of them were killed on assignment.
Apple Gives Photographers More Control With the iPhone 18 Pro
Apple has announced the iPhone 18 Pro and iPhone 18 Pro Max, introducing a new 48 MP Fusion Main camera with variable aperture, expanded manual camera controls, new image-authenticity features, and additional photo and video tools. The phones also introduce the A20 Pro chip, a redesigned thermal system, longer battery life, and iOS 27 with Apple Intelligence and Siri AI.
Useful Camera and Tech Accessories and Tools You Can 3D Print Yourself
Whether you do photography as a hobby or professionally, there are a lot of tools and accessories that make what we do easier, more convenient, or even more foolproof. Sometimes even the simplest tools can be instrumental in how we achieve our shots or, on the other hand, something equally important: how we take care of our camera gear. Whatever these tools are and no matter how simple, we often need to buy them from a physical store or an online source that will take a couple of days to ship.
Sigma's 85mm f/1.2: Beautiful Bokeh, One Real Weakness
Sigma just released an 85mm f/1.2 DG Art for L-mount and Sony E-mount, and it lands at £1,299 in the UK or $1,599 in the US. That price sits well under Canon's and Nikon's mirrorless 85mm f/1.2 options, and the Sigma is smaller and lighter than both.
Sigma Launches Redesigned Lens Filter Lineup
© Sigma
Sigma has launched a redesigned lens filter lineup featuring anti-reflection surface treatments, slimmer frames, and verified vignetting-free compatibility across all Sigma lenses. The four-model series includes the high-impact WR Ceramic Protector PTC-21, WR Protector + UV PUV-21, standard Protector LPT-21, and WR Circular PL Filter CPL-21.
From Sigma:
Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa; CEO: Kazuto Yamaki) is pleased to announce the renewal of Sigma's filter series for interchangeable lenses. The entire lineup has been completely redesigned to achieve further performance improvements. Additionally, the design and packaging have been updated to align with Sigma’s new visual identity, introduced in 2025.
Four filter models will be released on November 5th, 2026: the Sigma WR Ceramic Protector PTC-21, a ceramic protector offering exceptional impact resistance; the Sigma WR Protector + UV PUV-21, featuring UV protection and water- and oil-repellent coating; the standard Sigma Protector LPT-21; and the Sigma WR Circular PL Filter CPL-21, a circular polarizing filter with water- and oil-repellent coating.
Product Name:
Sigma WR Ceramic Protector PTC-21
Sigma WR Protector + UV PUV-21
Sigma Protector LPT-21
Sigma WR Circular PL Filter CPL-21
Launch: November 5th, 2026
- Product appearance and specifications are subject to change without notice.
- The image shown is the Sigma WR Ceramic Protector PTC-21.
© Sigma
Key Features
Completely redesigned construction
As part of this renewal, the entire lineup has been redesigned from the ground up to further minimize impact on image quality while enhancing overall usability. Improvements to the surface treatment of the filter frames reduce internal reflections compared to previous models, while an optimized design has enabled a slimmer profile for the large-diameter 95mm and 105mm sizes.
New exterior design and packaging
These filters feature an exterior design and packaging aligned with Sigma’s new visual identity, introduced in 2025.
Verified compatibility with all Sigma lenses
Compatibility with all Sigma lenses has been fully verified, allowing for worry-free shooting without vignetting, even when using ultra-wide-angle lenses. Despite the slim design, these filters ensure secure lens cap attachment, providing users with peace of mind.
Product Lineup
WR Ceramic Protector PTC-21
67mm / 72mm / 77mm / 82mm / 95mm / 105mm
Other 3 Models (WR Protector + UV PUV-21, Protector LPT-21, WR Circular PL Filter CPL-21)
52mm / 55mm / 58mm / 62mm / 67mm / 72mm / 77mm
82mm / 95mm / 105mm
For more information, please visit the Sigma website.
Can One 350-Gram Zoom Really Be Your Only Travel Lens?
Packing a single lens for a long trip means giving up options you might miss, and the Sigma 20-60mm f/2.8-4 makes that gamble easier to justify. The range covers wide landscapes, tight architecture, and portraits without a bag full of glass.
SIRUI Announces Saturn V2 Full-Frame Anamorphic Series with 90-Degree Rotation
SIRUI has officially announced the launch of the Saturn V2 Full Frame Anamorphic Lens Series, representing a significant update to its popular Saturn anamorphic system. Aimed at modern filmmakers and hybrid content creators, the new generation introduces a unique 90-degree rotating optical mechanism, allowing users to seamlessly transition between traditional horizontal cinematography and vertical shooting formats without needing to swap lenses or rebuild their camera rigs.
Sigma 85mm F1.2 DG Art Lens for E-Mount & L-Mount Announced
© Sigma
Sigma introduced the 85mm F1.2 DG | Art, a compact medium-telephoto prime for L-Mount and Sony E-mount set to ship on September 30. Weighing just 905g, it is the smallest and lightest autofocus 85mm F1.2 lens in its class. Engineered for high-end portraiture and cinematic video, it pairs a 13-blade diaphragm for circular bokeh with a fast, quiet dual HLA autofocus system, completing Sigma's F1.2 Art lens lineup.
From Sigma:
Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa; CEO: Kazuto Yamaki) is pleased to announce the Sigma 85mm F1.2 DG | Art, a large-aperture medium-telephoto lens for full-frame cameras that combines unparalleled rendering power with a compact, lightweight design.
At 85mm, a focal length widely regarded as ideal for portrait photography, the lens achieves Sigma's brightest-ever F1.2 aperture while also delivering outstanding portability, and will be available beginning September 30th, 2026.
Product name: Sigma 85mm F1.2 DG | Art
Available mounts: L-Mount, Sony E-mount
Launch: September 30th, 2026
- Product appearance and specifications are subject to change.
- L-Mount is a registered trademark of Leica Camera AG.
- This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Key features
- Uncompromising resolution and beautiful bokeh to make the most of F1.2
- Overwhelming mobility that breaks the conventions of an 85mm F1.2
- A full range of functions and build quality that meet the demands of professional use
- Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths
Uncompromising resolution and beautiful bokeh to make the most of F1.2
Overwhelming resolving power
In addition to two SLD glass elements, glass with high anomalous dispersion is used to suppress the axial chromatic aberration inherent to large-aperture lenses to the utmost limit. Aspherical lens elements further thoroughly correct spherical aberration and sagittal coma flare. The lens boasts reliably high resolving power from the maximum aperture, fully bringing out the rendering that only F1.2 can offer. It captures every detail of the subject’s expression and texture, taking the quality of both photographs and video to a higher level.
Beautiful bokeh that makes the subject stand out
The combination of a large-aperture F1.2 and a medium-telephoto 85mm delivers an extremely shallow depth of field and beautiful, rich bokeh. The adoption of a 13-blade diaphragm maintains a near-circular bokeh even when the aperture is stopped down. Natural bokeh rendering that suppresses color bleeding and double-line bokeh makes the subject stand out impressively, bringing overwhelming three-dimensionality and immersion to portraits and video work.
Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.
© Sigma
Overwhelming mobility that breaks the conventions of an 85mm F1.2
The smallest and lightest in its class for an 85mm F1.2
By effectively arranging aspherical lens elements within the focus groups, the number of lens elements making up the focus unit has been significantly reduced. Despite incorporating a complex floating mechanism, a precise mechanical design pared down to the absolute minimum has achieved the smallest and lightest weight in its class for an 85mm F1.2*1 at 905g*2. It can be used comfortably even during long shoots or in situations that demand mobility, dramatically enhancing agility on set.
*1 As an AF 85mm F1.2 interchangeable lens for full-frame mirrorless cameras. (As of September 2026 by Sigma)
*2 These figures are for L-Mount.
Fast and quiet autofocusing with dual HLA
The fast and quiet AF driven by the dual HLA (High-response Linear Actuator) delivers reliable tracking performance for both stills and video. Even with the shallow depth of field of the maximum F1.2 aperture, it captures the subject accurately, enabling smooth and precise shooting in any scene.
The pride of a creative tool: the high build quality of the Art line
By constructing the lens from high-precision parts made of lightweight, high-strength materials such as TSC*1, it offers the rigidity and durability of the Art line without compromising portability, along with the build quality to serve as a reliable photographic tool over the long term.
*1 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.
A full range of functions and build quality that meet the demands of professional use
Designed to minimize focus breathing
Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.
Various shooting assist functions
The lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch*1 and a click switch to turn the click on and off.
*1 If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.
© Sigma
Dust- and splash-resistant structure*1 and water- and oil-repellent coating
In addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.
*1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.
Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths
With the arrival of this product, the Sigma F1.2 Art Series is finally complete with three lenses, together with the 35mm F1.2 DG II | Art and the 50mm F1.2 DG DN | Art.
Outstanding optical performance that delivers high resolving power across the entire focus range from the maximum aperture. Fast, high-precision AF made possible by dual HLA. And a compact, lightweight body that ranks among the best in its class.
Backed by the advanced design and manufacturing technology Sigma has cultivated over the years, the overwhelming presence and spatial depth created by these three uncompromising lenses render your work all the more striking.
Sigma 35mm F1.2 DG II | Art
Further improved optical performance and operability condensed into a compact, lightweight body
Sigma 50mm F1.2 DG DN | Art
The ultimate Art F1.2 that transforms everything it captures, and even the shooting experience itself, into something special
Sigma 85mm F1.2 DG | Art
Overwhelming rendering power and unprecedented mobility
For more information, please visit the Sigma website.
The Automatic Halo Fix in Photoshop, Tested on Real Hair
Photoshop's beta 27.11 introduces Enhance Edge, an AI feature that promises to erase the halos that show up when you drop a masked subject onto a contrasting background. Hair cutouts have frustrated retouchers for decades, and any tool that claims to solve them deserves a hard look before you trust it on real work.
Basic Butterfly Photography Tips
1. Where To Go?
Meadows with wildflowers growing in abundance are great places for photographing butterflies but please don't trespass on other people's property. You could also visit one of the many nature reserves or public gardens found right across the UK.
If you can't get out and about to photograph butterflies it's worth growing plants in your garden or window boxes etc. that will attract butterflies. These include Aubrieta, Buddleia, Primrose, Honeysuckle, Lavender, Lilac, Marigold, Phlox, Mint, and Thyme. Get to know which plants caterpillars feed upon, too, as you can plant them in your garden or look out for them on your travels.
A butterfly guide book can be very useful in identifying the species whilst out in the field. Occasionally, you may come across a species which is rare or not even native to the UK, it’s handy to know if you have spotted a rare species or even one in decline so you can report your sighting. Of course, you can also use the internet once back home for your research.
3. Time Of Day
The best time of day to maximise your chances of photographing butterflies will be early morning or in the evening as they don't move around as quickly. At these times, you may even be lucky enough to see one emerging or covered in dew which can make for that extra special photograph.
Try to stand/approach them so your shadow doesn't cover them as they'll tend to fly off in search of a sunnier spot.
If you start out early and temperatures are relatively cool then you may get lucky and find a few sleeping. By approaching slowly and quietly you may be able to move distracting stems etc. out of the way without disturbing your subject, to help with a more pleasing composition. Do take care not to destroy their habitat as many species are declining in numbers.
Another way to increase your chances of capturing a good shot is by switching to burst mode / continuous shooting. By doing so your camera will rapidly take a series of shots.
Instead of chasing a butterfly around your garden, it can be easier to find a plant you know they like and set up nearby. Then you just have to wait patiently for your subject to land on the part of the plant you're framed upon. It can be a little hit and miss and you will, more than likely, end up waiting a while but on a warm summer's day, having to sit out in your garden isn't really a bad way to pass a few hours!
You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition
Sigma 20-60mm F2.8-4 DG Contemporary: Compact Ultra-Wide Zoom Lens for Full-Frame Systems
© Sigma
Sigma Corporation has expanded its full-frame lens lineup with the debut of the Sigma 20-60mm F2.8-4 DG Contemporary zoom lens, scheduled for release on September 30, 2026. Designed for ultimate portability without sacrificing image quality, this compact lens weighs just 385g (L-Mount) and covers an ultra-wide 20mm to standard 60mm range. Built for both stills and video, it combines a fast F2.8 aperture at the wide end, an HLA linear motor AF system, minimal focus breathing, and impressive close-up performance with up to 1:2.3 magnification, making it an adaptable everyday walkaround option for L-Mount and Sony E-mount photographers.
From Sigma:
Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa, CEO: Kazuto Yamaki) is pleased to announce the “Sigma 20-60mm F2.8-4 DG | Contemporary,” a standard zoom lens for full-frame cameras, covering an ultra-wide 20mm to a standard 60mm.
Designed to deliver both a wide-angle perspective and exceptional portability, this lens packs uncompromising sharpness and impressive close-up capabilities into a palm-sized design.
This new lens option from Sigma is designed to maximize the mobility of full-frame systems, and will be available on Wednesday, September 30th, 2026.
*1 The figure is for L-Mount.
Product name: Sigma 20-60mm F2.8-4 DG | Contemporary
Available mounts: L-Mount, Sony E-mount
Launch: September 30th, 2026
- Product appearance and specifications are subject to change.
- L-Mount is a registered trademark of Leica Camera AG.
- This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
KEY FEATURES
Combining a dynamic 20mm perspective with exceptional agility
Uncompromising optical performance
Reliability for effortless shooting
© Sigma
Combining a dynamic 20mm perspective with exceptional agility
20–60mm: Freedom to compose
From an expansive 20mm ultra-wide to a natural 60mm perspective, this lens delivers a wide range of expression in a versatile zoom. Capture everything from sweeping landscapes to everyday snapshots and portraits—without changing lenses.
With a maximum aperture of F2.8 at 20mm, you can shoot confidently in low light environments such as indoors and nightscapes, while keeping ISO low.
Bringing 20mm into your everyday
Weighing just 385g*1, this 3x zoom achieves an incredibly compact design—remarkable for an ultra-wide lens starting at F2.8. Its slim form fits easily into any bag, making it ideal for everything from daily snapshots and travel to hiking and video creation. Experience full-frame rendering performance with unprecedented portability.
*1 The figure is for L-Mount.
Uncompromising Optical Performance
Consistent high optical performance across the entire zoom range
While prioritizing improved portability, no compromises have been made in image quality. The optical design—featuring 15 elements in 13 groups, including three aspherical lenses and three SLD glass elements—delivers consistent sharpness throughout the entire zoom range. From everyday scenes to breathtaking travel moments, it renders every detail with striking clarity.
Macro capabilities for versatile expression
Impressive close-up capability expands shooting versatility.
With a minimum focusing distance of 15.8 cm at 28mm and a maximum magnification ratio of 1:2.3 at 35mm, this lens delivers richly detailed close-up images approaching half-macro performance.
Even at the 60mm telephoto end, it maintains a high magnification of 1:2.9—ensuring a seamless shooting experience across the zoom range, allowing full focus on composition without concern for subject distance.
Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.
© Sigma
Reliability for effortless shooting
Fast and quiet autofocusing with HLA system
A linear motor HLA (High-response Linear Actuator) is employed for the AF actuator, delivering high-speed autofocus with high-precision drive to capture decisive moments.
It also offers outstanding tracking performance for fast-moving subjects, even at high frame rates. Engineered for modern hybrid shooting, it ensures seamless performance across stills and video.
Minimal focus breathing
The lens is designed to minimize changes in the angle of view caused by focusing, enabling smooth, natural-looking focus pulls when recording video.
Dust- and splash-resistant structure*1 / water- and oil-repellent coating
In addition to a dust- and splash-resistant structure*1, the frontmost surface of the lens has a water- and oil-repellent coating applied, allowing photographers to shoot without concern even in harsh outdoor environments.
*1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.
For more information, please visit the Sigma website.
Two Action Cameras, $260 Apart: Which One Earns It
A 1-inch, 50-megapixel sensor, 8K open gate, and slow motion running past 900 frames per second sit on one side. A smaller sensor, a faster lens, and a $260 lower price sit on the other. That gap is the whole story, and deciding which camera wins depends less on the spec sheet than you'd expect.
OM System Revives the Legendary PEN Camera With an EVF, Weather Sealing, and 30 fps Shooting
OM Digital Solutions has announced the OM SYSTEM PEN, a new Micro Four Thirds interchangeable-lens camera built around a 20.4-megapixel Live MOS sensor, TruePic IX processor, 5-axis in-body image stabilization, and a compact rangefinder-style body. It is the first PEN-series camera released under the OM System brand, as well as the first model in the series to combine an electronic viewfinder with a dustproof and IPX1-rated splashproof design.