Photography News

Photos by Joshua Waller

 

1. Use A Longer Lens

When shooting portraits a standard zoom is fine but a longer lens will give you more flattering shots and a tripod can be useful if you're using a slower shutter speed due to the amount of light available. Before picking up the flashgun, reach for a reflector to bounce some extra light into your shot and if it's too bright try hanging netting on the window but stay away from colour as you'll get a cast on your image.

 

2. Cloudy Days Are Good

Cloudy days, which we seem to have a lot of at the moment, are perfect for portraits as the light's diffused and if you have a spot or window if you're working indoors that's not in the direct path of the sun even better. Before you start, make sure you clean your window, though, as a dirty one can be a full f/stop darker and turn your house lights off.

3. Use A Reflector 

If you find that the sun is causing shadows to appear under the nose and/or chin of your model use a reflector to add light to the areas in shadow or if you're indoors, move them more into the room, away from the window.

 

Photo by Joshua Waller

  4. Get Your Metering Right

Don't meter from your window when shooting at home as this will have the same effect as snow has on your camera – it will think the scene is brighter than it actually is and your model will, therefore, be underexposed. However, by simply metering from your model's face you'll have no problems. To give your shot more warmth try the cloud or shade white balance settings.
 

5. It's All In The Eyes

The eyes need to be sharp and the front of their face needs to be in the light to draw attention to it. Asking your model to simply tilt their head slightly will bring more/less of their face into the light. You can also move your camera around the scene to find a suitable position to shoot from.
 

6. Create An Angle 

Try sitting your model 45-degrees to the direction the light is coming from or how about shooting side on? For more interesting shots try only lighting half of them or have a go at creating shapes from their silhouette.

   

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition  

 

The countdown has begun for the 2026 London Photo Trade Show, taking place from 15–17 January 2026 at the Novotel London West, Hammersmith. This year’s event promises to be bigger and better than ever, with the highly anticipated Live Stage showcasing some of the UK's most talented and innovative photographers.
 

From live demonstrations to insightful presentations, the Live Stage will feature a diverse range of sessions designed to inspire, educate, and equip photographers with the tools and techniques they need to excel in 2026. Whether you're a budding photographer or an established pro, the Live Stage offers a golden opportunity to learn from the best in the industry.

Live Stage Highlights:

Thursday 15 January 2026:

• 10:30 – Terry Donnelly – Wildlife Photography with the Sony Alpha Cameras
• 11:30 – Fabrizia Costa – Eyewitness: Saving Human Memory Before It’s Too Late
• 12:30 – Gavin Maxwell – GFX Challenge Grant Award Project – ‘If The Land Could Speak’
• 13:30 – Canon EOS R6 Mark III – Unleash Your Passion
• 14:30 – Angela Jackson – What is Intellectual Property (IP)?
• 15:30 – Brendan Taylor – How to Fix 2026

 

Friday 16 January 2026:

• 10:30 – Terry Donnelly – Portrait Photography with the Sony A7v
• 11:30 – Ian Martindale – Turning Enquiries into Paid Clients
• 12:30 – Gavin Maxwell – GFX Challenge Grant Award Project – ‘If The Land Could Speak’
• 13:30 – EOS R5 Mark II & R6 Mark III: Benefits of Upgrading
• 14:30 – Angela Jackson – What is Intellectual Property (IP)?
• 15:30 – Brendan Taylor – How to Fix 2026

 

Saturday 17 January 2026:

• 10:30 – Terry Donnelly – Sports Photography with the Sony Alpha Cameras
• 11:30 – Ian Martindale – Turning Enquiries into Paid Clients
• 12:30 – Rebecca Douglas – Exploring Liminal Spaces with Minimalist Kit
• 13:30 – EOS R5 Mark II & R6 Mark III: Autofocus Essentials
• 14:30 – Angela Jackson – What is Intellectual Property (IP)?
• 15:30 – Brendan Taylor – How to Fix 2026

 

  Free Entry Offer!

Photographers and creatives who pre-register before 1 January 2026 can skip the £10 entry fee and gain free access to the Live Stage sessions. However, space is limited, so early registration is encouraged to secure a spot.

 

The Live Stage Speakers for the 2026 event have been generously supplied by our sponsors, ensuring attendees have access to the latest tips, techniques, and gear that will shape the photography landscape in the coming year.
 

About the London Photo Trade Show 2026

The London Photo Trade Show is one of the UK's premier events for photographers, providing a unique platform for industry professionals to discover new technologies, connect with leading brands, and enhance their skills through hands-on demonstrations and expert-led sessions. The 2026 event is set to be an unmissable gathering for anyone in the photography industry.

Register for FREE tickets now!

If you spend any time in film forums, you’ll see a familiar pattern: someone buys an Epson V600, scans a roll they’re really excited about, and immediately decides the scanner is trash.

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Most flash photos fail because the background and the subject are fighting each other. This video shows how a few deliberate camera choices decide which one wins before the flash even fires.

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Skylum, the creator behind the award-winning AI photo editor Luminar Neo, has introduced a new feature called AI Assistant that makes photo editing fast, smarter and more intuitive. Released in December 2025 as part of the Luminar Neo update, photographers can now use the AI Assistant to type simple text commands and get tailored editing suggestions to enhance their photos and speed up their workflow.

 

Edit Smarter Through Text Commands

Available in both Presets and Edit tabs, the AI Assistant works by analysing your image’s composition, colours, and objects, then recommends edits that fit the image. Photographers can type requests or prompts such as “Enhance this photo” or “Turn this photo black and white” to instantly see up to three suggested edits, each with previews and short descriptions. 

Once a suggestion is applied, you can fine-tune the results in the Edit tab. This cuts down on guesswork and gives you a clear starting point. The best part? You're never limited. You can keep asking for fresh suggestions as many times as you like, experimenting until you find the look that feels just right.

 

Explore Tools With Guided Assistance

The AI Assistant is not only about quick fixes. For guidance-type queries, the AI Assistant highlights the most effective tools and provides direct access to them. This makes it easier to explore Luminar Neo’s features while you’re actively editing, helping you learn the software step by step without interrupting your workflow.

 

 

Enhance and Create With AI Suggestions

AI Assistant can suggest general enhancements, help boost colours, adjust white balance, and apply toning styles directly to your photo. It also provides guidance for edits like brightening, adjusting contrast, dehazing, or using tools for creative effects such as sky replacement, adding a sunset, perspective fixes and background replacement. These suggestions help you choose the right tools and approach for each image, whether you want subtle improvements or bold transformations.

 

Integrated With Luminar Neo’s Features

AI Assistant works seamlessly with Luminar Neo’s existing tools such as Relight AI, Sky Replacement and Portrait Background Removal. This integration means you can combine automated suggestions with advanced manual controls, creating a complete editing workflow inside one platform.

 

Try Luminar Neo and AI Assistant Today

Luminar Neo’s AI Assistant is available now for all users with version 1.26.0 or later. Download the software to streamline your workflow and enjoy faster, smarter editing.

Special Offer: Use code EPHOTOZINE at checkout for 10% off and explore the entire range of Luminar Neo features today.

Get Luminar Neo Now

 

The camera industry enters 2026 at a crossroads. Several long-awaited successors are finally approaching their expected release windows, while other cameras we have been hoping for may never arrive at all. Here's what you can expect.

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London Camera Exchange has announced that entries for its Photographer of the Year 2026 competition will close on 21 January 2026. Now in its third year, the contest offers a £10,000 prize fund across 14 categories, including the popular Emerging Talent section, and welcomes submissions from photographers of all levels.

All entries will appear in the official online gallery, with the public able to vote in the People’s Choice category, while other sections are judged by a panel of industry experts. Shortlisted work will be showcased at The Photography & Video Show at the NEC in Birmingham this March, where winners will receive trophies and prizes including £2,500 in LCE vouchers for the overall champion.

 

From London Camera Exchange

The deadline for the 2026 LCE Photographer of the Year competition is fast approaching. Now in its third year, the national photography contest will close at midnight on 21 January. Photographers of all levels of experience are welcome to submit their work, with 14 varied categories to choose from, and a substantial total prize fund of £10,000.

Every entry will be featured in the LCE POTY 2026 online gallery, and will be open to public voting in the ‘People’s Choice’ category. All other categories are judged by an expert panel.

Last year’s ‘Emerging Talent’ student category was won by Martina Aguirre Torres, with her stunning image entitled ‘Abigail’ (above), shot during British indie rock band The Last Dinner Party’s 2024 tour. Two £500 prizes are granted in this category – one to the photography student and one to their photography course – providing resources to support the growth of up-and-coming photographers in the future.

Judges for the 2026 contest include SheClicks founder and journalist Angela Nicholson, Chris George, content director at Future Publishing, professional portrait and travel documentary photographer Jimmy Cheng, and Lee Harasyn, managing director of LCE. Some helpful advice from the judging panel for potential entrants to this year’s competition can be found below:

 

 

Angela Nicholson commented, “As a judge, I’m drawn to images that reflect the photographer’s interpretation of a scene and their connection with the subject. I’m looking for a creative vision, thoughtful use of light, technique and composition, and photographs that feel personal, expressive and intentional.”

 

 

Jimmy Cheng remarked, “Aside from technical brilliance, I will be looking for images that express emotions and creative presentation.”

 

 

Chris George added, "It was winning a photo competition that spurred my interest in photography and then taking it up as a career, so I love the chance to judge contests myself. I am always on the lookout for a shot I haven't seen before – or an image taken way better than similar ones I have seen in the past.”

 

 

Lee Harasyn said, “I’m naturally drawn to great technique, but sometimes a photographer can capture an image so powerful that this becomes irrelevant. The best photos connect with the viewer – and that’s what I’m hoping to find.”

Winners will receive a share of the £10,000 prize pot and an impressive trophy, presented at The Photography & Video Show at the NEC in Birmingham (March 2026). The overall winner will be awarded £2,500 in LCE vouchers to spend on products of their choice. All shortlisted images will be displayed in a prominent exhibition space at the NEC and included in a special edition commemorative book.

LCE POTY 2026 is supported by leading photo industry brands including headline sponsors Canon, Fujifilm and OM System, as well as partners Lexar, Nikon and Sony, and affiliates Cewe and Sigma.

The competition is open to photographers aged 18 and over. Entries will be accepted from photographers worldwide, however, prizes will only be awarded to UK residents. 

 

LCE Photographer of the Year 2026 categories:

• Action
• After Dark
• Birds
• Creative
• Emerging Talent
• Events
• Landscape
• Macro
• People’s Choice
• Pets
• Portrait
• Street
• Travel
• Wildlife

 

Entries can be submitted online or in person at any of the 26 London Camera Exchange stores.

For full details, including terms, conditions, rules and FAQs, please visit the competition website.

 

 

Photo by Joshua Waller 

 

1. Shooting outside

When you're taking outdoor portraits in sunlight the results can be a little harsh with dark heavy shadows spoiling the image. As a result, a blip of fill-in flash is needed to balance the image. Many cameras when the integral flash is used have a fill in flash mode which forces the flash to fire. Adding a little flash can flatter your model's skin, remove deep shadows that can appear in places on the face such as under the nose and it will give your model catchlights in their eyes which is a big bonus. It's also useful on overcast days as it can breath life into dull portraits. You can also use a 'pop' of flash to highlight foreground interest in landscape shots.

 

2. Shooting into the sun

When shooting into the sun when your subject would usually be silhouetted, by exposing for the scene as normal then adding a pop of flash you'll lighten your subject without affecting the background. When exposing for the scene you need to find the right balance between the shutter speed, which you need to set so it adds enough ambient light, and the size of the aperture which you use to expose for the flash. You have to do it this way round as every time you fire the flash there will be the same amount of light so speeding up or slowing down the shutter speed won't make a difference.

Remember, though, that you cannot set a shutter speed faster than the camera's flash sync speed or the picture will be unevenly exposed. There are some camera/flashgun combinations that will sync at every shutter speed but these are usually top-end models. Check your instruction manual if you are unsure what is the correct flash sync speed.

 

Photo by Joshua Waller 

 

3. Should I use external flash?

Your camera's built-in flash can work fine for fill-in but you can do more using a separate flash used off-camera. Models are available from your camera brand as well as independent names. By using off-camera flash you can move it around the scene to help evenly light your shot. Off-camera flash used in dark conditions also has the advantage of avoiding red-eye. If needs be you can change the strength of your flash with flash exposure compensation if you're using the camera's built-in flash or one on your hot-shoe.

To maintain full flash automation when the flashgun is used off-camera you will need a dedicated cord, although some camera/flashgun combination offer wireless flash metering control. Wireless control can work fine but can struggle in bright daylight so you need to check how your DSLR performs before doing an important shoot.

Do be careful when using fill flash as it can make your portrait shots look a little artificial. Set a minus value on the flash exposure compensation control or turn down the output of the flashgun. It's important to remember that less is more and use fill flash to subtly lift your portraits.  

Ready to level up your photography in 2026? The year’s most significant creative jumpstart is happening at PPA’s Imaging USA, and you don’t want to miss it.

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A lot of people are eyeing a smaller, simpler setup going into 2026, and the Fujifilm X100VI keeps coming up for a reason. If daily carry has started to feel like a chore, the question is whether a fixed-lens compact can get you shooting more without feeling like a compromise.

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AI in Photoshop and Lightroom now comes with a meter running in the background, and it is easy to burn through credits without realizing which button did it. If you shoot and edit photos for clients or personal work, that uncertainty can change how you plan edits, what you try first, and what you avoid touching at all.

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You keep chasing new locations, but the bigger lever is often the one you ignore: returning to the same place until it starts paying you back. Fritz lays out why a familiar spot near home can outproduce a “bucket list” trip once you stop treating it like a one-and-done scene.

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There is a common assumption in our industry: if you want to turn your passion into a paycheck, you have to shoot weddings. It’s the "big machine" of the craft. It’s where the money is, sure, but it’s also where the burnout lives. I’ve often sat there—perhaps while nursing a coffee or staring out over a landscape that doesn't pay me back or pay the bills—wondering if there’s a way to be a "professional" without the high-stakes drama of a bridal suite at 8:00 AM.

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When it comes to lenses these days, we are spoiled for choice. For crop-sensor shooters, Viltrox has just made the decision a little harder with the 56mm f/1.2 Pro.

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  What's A Long Exposure?

Generally used in low light situations, long exposures keep your camera's shutter open for longer so more light can reach its sensor. If you're working when there's too much light around you can slow your shutter speeds down by fitting an ND filter to the front of your lens.

You will need a tripod when using longer exposure times as working hand-held will more than likely result in shake spoiling your shots.

Before you open your shutter, make sure your battery has plenty of charge, as you don't want to get halfway through an exposure to find your camera's no longer alive.

 

When And Where To Use Long Exposures

There are various practical as well as artistic reasons for using longer exposures but for this article our focus will be on using them to create more aesthetically pleasing, memorable shot.

 

1. Spooky, Atmospheric Shots

If the sea's choppy or you're out on a misty morning you can use long exposures to capture the movement of the waves and mist. Both will turn into a white, smooth blanket that circles any still objects it's close to. It can help create an eerie atmosphere that works just as well by the sea as it does in a graveyard or in the woods.

 

2. Northern Lights

Not many of us get the chance to capture the Northern Lights, however, if the opportunity does arise, long exposures or even a camera with a Bulb setting so you can keep the shutter open for as long as you see fit would be handy. By using longer exposure times you'll be able to capture some foreground detail in your shots which will add scale to your shot and really emphasise how big the aurora display really is.

  3. Blurry Water

We know it's something that's overdone but its popularity means it's something we can't ignore when talking about long exposures.

The slower the shutter speed, the more blur/softer the water's movement will be. The speed you need will change depending on how much blur you want, how much water there is and the distance between the camera and your subject.

Remember to meter carefully as large areas of light tones can fool the camera into underexposing your shot and slow shutter speeds will blur anything that moves not just water. To combat this, try taking two shots: one with the slower shutter speed then, the other with a speed that will freeze movement. You can then combine these in editing software such as Photoshop. You may also need to cover your eyepiece up to stop light flowing through it spoiling your shot.

Take a look at this tutorial for tips on using long exposures at the coast: Coastal Photography

 

4. Give A City Shot More Interest

The short days we have at the moment make it the perfect time to shoot some night shots in the city. Buildings dotted with lights and neon shop signs decorating the streets look good on their own but to add even more interest, use long shutter speeds to blur any moving subjects with lights into streaks of colour. It can work well with those giant wheels many cities now have as the white lights will be blurred into a circle of white light while its surroundings will remain static. Near round-a-bouts or in busy, built-up areas set up near or above a road to turn traffic invisible, leaving their lights as streaks of colour that circle the buildings nearby.

If you're in an area with lots of people you can use long exposures to 'hide' distracting crowds of passing people as their movement will mean they're not captured in your frame (unless they stop walking of course). 10-30 second exposure will capture the light trails but if you want longer shutter speeds, use the B setting. Use a remote trigger, cable release or self-timer to fire the shutter to minimise shake and use a small aperture to give you front to back sharpness.

 

5. Capture Movement

We know that stars, the moon and clouds move but have you ever thought about recording their movement? Long exposures mean you can capture star trails as they move across the night sky and turn white, dots of clouds into long fluffy lines sat against a blue sky. You can also do the same with storm clouds as they darken and approach from the horizon.

For tips on capturing star trails, have a look at these tutorials:

• Star Trails Part One
• Start Trails Part Two

  6. Paint A Scene With Light

Torches, LEDs, sparklers and even the light from your phone can be used as a 'brush' to paint lines of colour into a scene. You can use the light streaks on their own, writing or drawing images against dark backgrounds or you can use them to add an extra level of interest to a night-time scene. You can paint colour onto static objects, drawing the eye to them as a result or you can add light-painted objects and shapes, such as stick men, to your scene.

For more tips on light-painting, have a look at these tutorials:

• Spirograph-Style Light Painting
• Light Painting
• Writing With Sparklers

 

You've read the technique now share your related photos for the chance to win prizes: Photo Month Forum Competition  

Beginning landscape photographers get bombarded with tips and advice—some helpful, some confusing, some that just get in the way. Here are the five pieces I really wish I hadn’t taken so seriously when I was starting out.

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Lens manufacturer Meike has announced the release of the SE Series 85mm f/1.8 Mark II full-frame autofocus STM lens for Canon EF mount, priced at $229.99 USD.

The new lens improves on the earlier Mark I version with reduced chromatic aberration, faster autofocus, enhanced image quality, and a closer minimum focusing distance of 0.65m.

 

Meike SE Series 85mm f/1.8 Mark II Specs:

• Model: EF 85mmF1.8 STM SE II
• Focal Length: 85mm
• Format: Full Frame
• Aperture Range: F1.8–F16
• Filter Thread: 62mm
• Diaphragm Blades: 11
• Minimum Focus Distance: 0.65m
• Lens Construction: 11 elements in 7 groups
• Angle of View (Full Frame): Diagonal 27.8°, Horizontal 23.4°, Vertical 10.8°
• Angle of View (APS-C): Diagonal 18.67°, Horizontal 15.53°, Vertical 10.38°
• Weight: about 346g

For more information, visit the Meike website where the lens is now available to purchase.

 

You shouldn't be without your camera during the Christmas season as there's so much going on for you to capture. So, with your camera in hand, let's look at how you can create a great Christmas photo.
 

 

Select A Mode

The first thing to do is capture the picture and most digital cameras make the job easy. If you're new to photography, simply select an Auto mode and the camera takes all the exposure technicalities out of your hands, leaving you to concentrate on the shot. 

 

Indoor Portraits

For indoor shots, compact cameras have the appropriately titled Portrait Mode. Do check your shots if the flash fired, though as it can be a little harsh so it might be worth trying to diffuse it slightly.

When photographing children you'll find they tend to smile unnaturally or pull a face when asked to pose, but there are ways around this to ensure you capture a more natural expression. Try and joke with them, making them laugh and smile in the process. Another approach is to shoot candidly so they don't get bored waiting for you to pose them. 
 

Red Eye

Many cameras have a red-eye reduction mode that fires a pre-flash to reduce the devil-inducing effect. Make sure this is switched on when you're shooting your portraits to reduce the chances of red eye spoiling the shot. 

 

Natural Light

You can also try turning the flash off (this mode appears as a small lightning symbol with line through it) and using natural light from a window or patio doors. Window light will cast a shadow on the unlit side of the portrait which can be reduced effectively with a reflector. If you don't have one make your own by using tin foil, spray mounted onto a large sheet of card. Position this reflector so it points at the subject from the shadow side. As you move the card you'll see light reflect onto the person and the shadows will disappear.

 

Making The Person Your Main Point Of Focus

With DSLRs you can go into manual or aperture priority and select a large aperture to reduce the sharpness of the background to make your subject stand out. With compact cameras, just switch to portrait mode for shots of people and macro mode for close-ups as this lets the camera know you want to use a large aperture to throw the background out of focus. 

Try using the camera's zoom at the telephoto setting to magnify the subject and home in tightly on their face. You'll fill the frame with their face ensuring they are the main focus of your photograph.

 

Understanding White Balance

If you take pictures using room lighting you may need to switch the camera to a different white balance setting. This is usually set automatically, but you can manually correct it by selecting the light bulb option when the pictures are coming out too yellow. You can also override auto to force a colour cast, if you so wish.

 

Snow Fun

The first sign of snow and children will be out sledging, building snowmen and throwing snowballs. Take this opportunity to get some great candid pictures. But watch out for the pitfalls, snow is very bright and will fool the camera into thinking the scene is a lot brighter than it actually is. To stop this, switch to a program scene mode called Snow which compensates automatically ensuring the snow appears lovely and white.

Keep an eye out for colour cast too as snow can sometimes end up looking a little blue. Changing to a different white balance setting should fix the problem quickly though.  

Happy Christmas Everyone! 

  

For years, the idea of a retro-styled Canon mirrorless camera lived in the realm of wishful thinking. Forum threads speculated. Rumor sites teased. And Canon stayed silent, content to let Fujifilm and Nikon own a market segment that seemed to grow more lucrative by the quarter. But something has shifted.

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