Photography News

For photographers who lean into video, this is the small-body, big-sensor combo that lets you cover stills, landscape, portrait, and anamorphic work without switching systems.

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A single lens that can replace a bag full of glass changes how you move with your camera. The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary stretches from wide to super telephoto, a reach that would normally require multiple primes or zooms, making it appealing for travel, everyday use, and times when you don’t want to pack multiple lenses.

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ASUS has announced the latest configuration of its flagship ProArt P16 laptop, aimed at creative professionals who need both portability and workstation-class performance. The update pairs AMD’s new Ryzen AI 9 HX 370 processor with NVIDIA’s top-tier GeForce RTX 5090 Laptop GPU, alongside a new ASUS Lumina Pro OLED touchscreen display for desktop-class performance wherever you are.

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Photo by Joshua Waller

 

City life's not for everyone but as the sun begins to set find yourself a vantage point where you can see most of the city skyline and you'll soon have a photograph that may make you rethink your dislike for cities. One of the best times for photographing city skylines is when the sun's begun to set so there's still a touch of blue in the sky but the light's not too harsh so make sure you're on your chosen vantage point well before sunset. 

 

1. Gear Choices

Pack a wide lens for capturing the big picture and a telephoto for singling out individual buildings and pulling distant objects towards you on your evening jaunt. Taking a tripod with you is advised but do leave your flashgun at home and turn your on-camera flash off as if it fires, it can ruin your skyline shot.

Most cameras, even compacts and smartphones are capable of producing night shots of decent quality but if you're planning on using much lengthier exposure times, you'll want to pack a more advanced camera. 

 

2. Where To Stand With Your Kit

While on holiday (if you have a room with a view) make use of the balcony to give you a high vantage point of the city. You'll also find buildings with observation decks, bridges to stand on and if you're in a city such as Sheffield which has the peak district on its doorstep, try heading for the hills to give you a sweeping shot of the whole city. From high locations you'll be able to capture patterns you can't see at street level such as the lines street lights form as they turn on or the shapes created as city dwellers switch on their lights at home. Street lights look particularly good twinkling against the deep blue sky still lit by the setting sun. Just be careful where you meter from as you don't want the sky or building lights to 'blow out'. Keep an eye on your histogram and take a reading from a darker part of the frame. Another option is to take multiple exposures of the same view so you can combine them to create a shot with a balanced exposure where there's not under- or over-exposed areas in the image. 

 

3. Taking Photos Through Glass

If you've got to capture your image through glass do check for marks and smudges that will spoil your shot. If you can't remove them, experiment with your aperture to see if one particular f-number will remove them from the shot. You'll also need to put the lens as close to the glass as possible and cup it with your hand, a cloth or whatever else you have that will reduce the amount of interior light reaching your lens. If you don't, you'll end up with reflections and flare could spoil your shots. 

 

Photo by Joshua Waller

 

4. Depth Of Field 

You'll want to use an aperture that gives your shot plenty of depth of field, around f/8 is a good place to start, and try to stick to lower ISOs where possible. You may find you need to adjust this to increase shutter speeds but if you're using a tripod, longer exposures won't be an issue. If you have it available, the depth of field preview button can help ensure your shot is sharp from front to back. 

Foreground interest can add another level interest and 'fill' empty space that can occur when focusing on subjects in the distance. However, do make sure it's not stealing the spotlight and pulling the viewer's attention away from the skyline. 

 

5. Shoot Silhouettes 

Silhouetted cityscapes are popular subjects and they work well against a plain but bright background. Even though they're a little clichéd sunsets do work well particularly if it's one that's rich with colour. To create your silhouette you need to expose for the background and not the buildings you want to silhouette. You may need to fool your camera when it comes to metering as using the camera's automatic metering won't always give you the silhouette you're after. Try half-pressing the shutter button while focused on the brightest part of your scene before moving back to frame the shot but this means your camera will focus on this and not your subject. Manual focus or using a smaller aperture can combat this problem. Talking of manual focus, you should consider using this even when not shooting silhouettes as it'll always produce better results, plus auto-focus tends to struggle as light levels fall. 

 

6. Shots At Street Level

As well as getting up high working at street level can work well in the evening too. Try using long exposures (20-30 seconds) to set the dark sky and buildings against the streak of lights that come from the traffic as it moves through the city streets. You could even combine multiple traffic streak shots to increase the sense of speed and movement in your city shot. Another way to add a creative twist to your city skyline shots is by incorporating reflections from rivers, lakes or even wet pavements after it's rained. 

 

7. Tall Buildings & Straight Horizons

Pay attention to your horizon and the angle of the buildings as you don't want them to be slanting to one side of the image. A tripod with a spirit level can be handy although many cameras now have these or gridlines built-in. When home, check your city shots for distortion but this is something that can be easily fixed in image editing software. Playing around with the colour balance can enhance and evoke mood, too so don't be afraid to experiment with this. 

 

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Groundbreaking full-frame cinema camera to be showcased for the first time to UK photographers and creators

 

The Society of Photographers is thrilled to announce that visitors to its upcoming Photo Roadshows will be the first in the UK to see Nikon’s revolutionary ZR full-frame cinema camera in person. Following this week’s worldwide launch, Nikon and RED have confirmed that the ZR will be on display at the events—marking a unique opportunity for UK photographers and filmmakers to get hands-on with the new Z CINEMA line.

Unveiled globally on 10 September, the ZR is Nikon’s lightest all-in-one cinema camera, offering 6K/60p recording, renowned RED colour science, 32-bit float audio, and a semi-stacked full-frame sensor with 15+ stops of dynamic range. Designed for creators on the move, it delivers professional-level cinematic power without the need for bulky external gear.

At the September Roadshows, Nikon will also showcase the new ME-D10 digital shotgun mic and host a colour grading setup, allowing visitors to grade ZR footage themselves. While The Society’s events are primarily photo-focused, the ZR’s arrival underscores the growing crossover between stills and video—offering photographers curious about motion work a rare chance to explore high-end filmmaking tools.

 

 

Bruno Murari, Nikon Europe, commented:

“We’re excited to bring the ZR to UK creators for the very first time at The Society of Photographers Roadshows. It’s a perfect environment to introduce this camera to a passionate, photo-centric audience eager to expand into video.”

Roadshow Dates and Locations:

• Tuesday 16 September 2025 – Webbington Hotel & Spa, Somerset
• Wednesday 17 September 2025 – Green Park Conference Centre, Reading
• Thursday 18 September 2025 – Priestfield Stadium, Kent

Book Your Free Tickets:

For more information and to register, visit The Society of Photographers website.

Get Your FREE Tickets Today!

After a successful launch two years ago, Xencelabs finally announced the latest Pen Display 24+ (PD24+) on August 6, 2025 — this round with even better feature upgrades. The PD24+ is the world's first drawing display that features Calman Ready integration.

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Sigma Cine Lens

• Advanced optical design and outstanding rendering performance
• Professional-grade mechanical design and operability
• AF system with excellent tracking capability and near-silent operation

Available mounts: L-Mount, Sony E-mount

Supplied accessories: Front Cap LCF-82 IV, Rear Cap LCR III, Lens Support Foot SF-91

Launch: November 6th, 2025

 

As the first AF-compatible Cine Lens series from Sigma, the Sigma AF Cine Line brings innovation to the film production scene.

Building on the optical system of Sigma’s Art lenses, the AF Cine Line offers exceptional rendering performance, along with high-precision autofocus with excellent tracking capability, combined with the ergonomics required for professional cinema production. This allows it to handle multiple shooting styles and on-set environments that were previously challenging with traditional still lenses or cine lenses.

The AF Cine Line, which embodies Sigma’s latest technology, expands the possibilities of visual expression and brings new possibilities to future film production.

 

 

Key Features

 

Advanced optical design and outstanding rendering performance

The optical systems of the Sigma 28-45mm T2 FF incorporate the designs of the highly acclaimed still lenses: the Sigma 28-45mm F1.8 DG DN | Art. Combining the experience gained through years of lens design, the latest development technology, and the advanced manufacturing techniques of Sigma's sole production base, the Aizu factory, these lenses deliver exceptional resolution and beautiful bokeh regardless of focal length or focus position, along with a sharp, clean look with minimal flare and ghosting.

 

Professional-grade mechanical design and operability

Inheriting the rendering performance and reliability of Sigma’s Art lenses, the AF Cine Line integrates cinema-style mechanics and operability, optimized for professional cinema production. It features a limited-rotation focus ring, industry-standard 0.8M pitch gears, and a clickless aperture ring to meet industry demands.

 

AF system with excellent tracking capability and near-silent operation

Equipped with a linear motor HLA (High-response Linear Actuator), the Sigma AF Cine Line captures intense movements in action scenes, rapid focus shifts in gimbal or handheld shooting, and unpredictable moments in documentaries without missing a split second, providing reliable support for filmmakers in various shooting situations.

 

 

Key Specifications (The figures are for L-Mount)

 

• Focal Length: 28-45 mm
• T-stop: T2 - T16
• Number of Diaphragm Blades: 11
• Close Focus: 0.3 m / 1'0
• Magnification Ratio: 1:4
• Front Diameter: 95 mm / 3.7"
• Length: 151.3 mm / 6"
• Weight: 1.2 kg / 2.7 lb

 

For more information, please visit the Sigma website.

 

Exclusively for mirrorless cameras

Compatible with full-frame cameras

• Unrivaled descriptive power, with clear rendering from F1.2, and
• large, beautiful bokeh
• Significantly reduced size and weight
• Designed and engineered for professional use

Available mounts: L-Mount, Sony E-mount

Supplied accessories: Lens Hood LH782-04, Front Cap LCF-72 IV, Rear Cap LCR III, Pouch

Launch: September 25th, 2025

 

Great made better: the exceptional resolving power and beautiful bokeh of Sigma’s world-leading 35mm F1.2 in a smaller, lighter body

 

In 2019, Sigma released the 35mm F1.2 DG DN | Art, the world's first 35mm mirrorless camera lens with an F1.2 aperture. Six years later, Sigma is proud to introduce its successor, the 35mm F1.2 DG II | Art.

Designed and engineered with Sigma's latest technology, the 35mm F1.2 DG II | Art offers not only improved optical performance, but also greatly enhanced portability thanks to a significant size reduction of approximately 30%. With its improved design, the lens delivers unparalleled rendering power, high-resolution clarity and large, beautiful bokeh in a more portable form. Focus breathing is also effectively minimized, ensuring outstanding results not only in still photography, but also when shooting video.

The Sigma 35mm F1.2 DG II | Art is an exceptional, uncompromising lens that achieves the perfect balance of optical performance, brightness, compact size, light weight and ease of use.

 

Key Features

 

Unrivaled rendering power, beautiful bokeh and crystal clear images even at F1.2

 

Extreme suppression of chromatic aberration and sagittal coma flare

The Sigma 35mm F1.2 DG II | Art offers even better optical performance than its predecessor, with brilliant clarity throughout the image, even at the fully open F1.2 aperture. The use of SLD glass, highly refractive glass with high anomalous dispersion, and four glass-molded double-sided aspherical elements thoroughly corrects axial chromatic aberration and sagittal coma flare, while significantly reducing the lens size.

 

Brilliant sharpness and the large, beautiful bokeh of an F1.2 aperture

In designing the 35mm F1.2 DG II | Art, Sigma paid special attention to correcting the various optical aberrations that affect image quality. Thanks to these meticulous efforts, the lens delivers brilliant sharpness of the in-focus plane and beautiful bokeh that suppresses color bleeding and double line bokeh. Photographers will appreciate the rich, expressive rendering qualities and the beautiful interplay between the in-focus and out-of-focus areas, especially when shooting wide open at F1.2.

 

Designed to minimize focus breathing

Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. As a result, changes in field of view are effectively suppressed when the focusing distance is changed, making the lens an ideal choice for professional video use.

 

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

 

 

Significantly reduced size and weight

 

Better performance, smaller size and lighter weight thanks to the floating focus system

The Sigma 35mm F1.2 DG II | Art achieves even better optical performance than its predecessor while being approximately 30% lighter and 20% shorter. A key factor behind this is the adoption of a floating focus design: by allowing the lens groups to move independently of each other, the weight of each lens group has been significantly reduced while simultaneously enhancing optical performance. Additionally, the improved optical design features four aspherical lens elements, high refractive index glass, and thinner lens elements, further contributing to its exceptional performance.

 

Fast and quiet autofocusing with dual HLA system

The dual HLA (High-response Linear Actuator) system drives each of the two focus groups by an individual linear motor. In addition, the use of multiple magnets in each motor allows for a compact focus unit design without sacrificing high thrust. Compared to conventional cam-driven systems, the dual HLA system is not only significantly lighter, but also guarantees fast, reliable and quiet autofocusing.

 

Designed and engineered for professional use

 

A long-lasting, reliable tool for photographic expression

Manufactured and assembled in Aizu, Japan, using high-precision parts made of aluminum, TSC and other materials, the 35mm F1.2 DG II | Art is a sophisticated and durable photographic tool designed according to Sigma’s Art line specifications.

 

A wealth of shooting assist functions

The lens features an AFL button that can be assigned a variety of functions on compatible cameras. In addition, the aperture ring can be locked with the dedicated lock switch and changed from clicked to declicked with the dedicated click switch.

 

Dust- and splash-resistant structure and water- and oil-repellent coating

In addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.

 

Petal-type hood with locking mechanism

The Sigma 35mm F1.2 DG II | Art comes with a dedicated petal-type hood that shields the front element from stray light to reduce the chance of unwanted flare. The hood attaches securely to the lens with a locking mechanism.

 

 

List of Features

 

• HLA (High-response Linear Actuator)
• Water- and oil-repellent coating
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (1 location)
• Focus Mode switch
• Dust- and splash- resistant structure
• Mount Conversion Service available
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
• Compatible with Sigma USB Dock UD-11 (sold separately / for L-Mount only)
• Every single lens undergoes Sigma’s proprietary MTF measuring system

 

Key Specifications (The figures are for L-Mount)

 

• Lens construction: 17 elements in 13 groups (1 SLD, 4 aspherical elements)
• Angle of View: 63.4°
• Number of Diaphragm Blades: 11 (Rounded Diaphragm)
• Minimum Aperture: F16
• Minimum Focusing Distance: 28cm / 11.1in.
• Maximum Magnification Ratio: 1:5.3
• Filter Size: φ72mm
• Maximum Diameter x Length: φ81.0mm x 111.4mm / φ3.2in. x 4.4in.
• Weight: 755g / 26.6oz.

For more information, please visit the the Sigma website.

The photography world is buzzing with AI talk, but let's cut through the noise. While everyone's debating whether AI will replace photographers, smart professionals are quietly using artificial intelligence to streamline their workflows and deliver better results to clients. These aren't gimmicky features or experimental tools that might work someday. These are practical AI applications that are already saving photographers hours of work.

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I’ve been thinking a lot about why we feel the need to show our photos to the world. Is it really about creating art, or just about getting someone—anyone—to say they like it?

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Fujifilm has officially announced the GFX Eterna 55, a new medium format cinema camera built on the company’s GFX system, alongside a new zoom lens, the GF 32-90mm T3.5 PZ OIS WR. Both products are expected to ship in October 2025, with the camera priced at $16,499.95 and the lens at $5,999.95.

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Previously, we've spent some time looking for interesting shop fronts to photograph but now we want you to lift your eyes a little higher in search of a good shop sign and pay more attention to what's actually on display in the windows. 

Displays in shop windows are designed to grab our attention and steer us towards the entrance of the shop in hope we'll part with our money. Some stores, particularly at Christmas, spend hours planning and then preparing their window displays. A lot of thought goes into how to use the space, what colours the mannequins should wear and how they should be posed making them an interesting photographic project as you walk down the High Street.
 

1. What Gear Do I Need?

A medium zoom lens will get you close to the signs without you having to borrow some ladders off a window cleaner and it'll also work for capturing shop windows too. You'll also need to carry a tripod if you plan on returning later in the evening when the neon's get switched on. It'll also help if you have a camera that performs well in low light and if you don't want the street reflected in your shot take a polariser along as well.  

 

2. Have A Walk Along The High Street

There are lots and lots of shops on the High Street which means you don't just have to settle for the first shop you come across. Spend some time really looking at the displays paying attention to the colours, poses and other items they use to really make the window stand out. Remember, a more interesting display will give you a better-looking image so a short observation walk is worth it. See if you can find shops that aren't chains. In Sheffield, there are several retro clothing stores and a joke shop which always have unique and sometimes entertaining window displays. Fancy dress shops are another one that's almost guaranteed to have a loud and amusing window display to photograph.

 

3. Minimise Reflections

Unless you want a photo that shows the display as well as what's happening on the street, which can work well sometimes, you'll need a way to minimise the reflection. Stepping further away from the window and using your zoom lens to fill the frame can help but the simplest and if you're on the edge of a road also the safest way to do it is to fit a polarising filter. This will reduce the reflection and give you a clear shot of what's inside. If you find the sun causes glare just move your feet to remove the problem or if that doesn't work come back later on when the sun's changed position.  

 

4. Work From A Higher Level

When it comes to signs when you stand on the street and look up at them, it's fine when you're looking for the nearest bakery but in your photos, it won't always work. To combat this, just step a little further back or better still find something to stand on that will give you a little more height. You could try holding the camera above your head but this won't help you with framing unless you have a camera that features a vari-angle LCD screen. 

 

5. To Zoom Or Not To Zoom? 

If a sign's particularly interesting or amusing zoom right in and fill the frame with the sign. Or are you going to put them into context showing some of the street or the shop front in the shot? If you do include the store pop on a polariser so you don't catch your reflection in the windows. This works particularly well with old buildings or with unique stores that have displays that will add to the image.

Standing at one end of the High Street quite close to the buildings looking up will give you the chance to capture several signs all in one shot or try waiting until the sun's began to set and photograph the many neon signs that decorate our streets. Just watch for camera shake as you'll be using slightly longer exposures and take a look around your image to see if there's any flare from some of the lights. Having said that, this can work well sometimes, especially on wet evenings.  

In busy towns and cities, you'll find plenty of signs, often grouped together, along the tall buildings that line the streets. If possible, find a higher spot, as you do when shooting a cityscape, and use a wider focal length to capture the signs and buildings in one image. They can look busy, but the bright signs and bustling surroundings will really sum up the feeling of a busy city. 

 

You've read the technique, now share your related photos for the chance to win prizes: Daily Forum Competition  

 

Skylum has announced the launch of the Luminar Ecosystem, a new extension of its flagship photo editing software, Luminar Neo. Designed to simplify and enhance the editing experience, the Luminar Ecosystem brings together essential tools for photographers in one unified platform.

This fall, users can edit anywhere, anytime. Start a project on mobile, finish it on desktop, and share instantly. Whether you're capturing back-to-school moments or revisiting old family albums, the Luminar Ecosystem offers practical tools to support your creative workflow.

 

Here’s how Luminar Ecosystem makes this season special:

• Cross-device editing: Start editing your child’s photo on mobile, finish it on desktop, and share with family instantly.
• Restoration: Bring old school photos back to life and relive those memories.
• Web Galleries: Collect and share your favorite school stories in stunning online albums.
• AI Assistant: Learn, grow, and improve your skills with smart editing guidance.
• Volume: Add life and depth to vacation memories, saving time on tricky edits.

 

 

Offers and Discounts

The Luminar Ecosystem is now available for preorder at a special early bird price of up to 67% off as part of the Back to School sale, which provides instant access to Luminar Neo and adds future access to the Ecosystem tools.

Save an Extra 10%: Use code EPHOTOZINE at checkout to receive an additional discount on Luminar Neo, which can be applied together with the preorder offer.

Secure Your Preorder Now! 

There’s truly more to these bags than just an abundance of color options. The new generation of the Wandrd Rogue is here, and it comes with improved features.

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• The world’s first 20-200mm for unleashing creative freedom
• Compact and lightweight design that delivers exceptional mobility
• High-speed autofocus and versatile features for effortless shooting

 

Available mounts: L-Mount, Sony E-mount

Supplied accessories: Lens Hood LH756-02, Front Cap LCF-72 IV, Rear Cap LCR III, Pouch

Launch: September 25th, 2025

 

An all-rounder that empowers limitless creativity. The world’s first 10x zoom starting at an ultra-wide 20mm.

 

The Sigma 20-200mm F3.5-6.3 DG | Contemporary is the world’s first high-powerzoom lens for full-frame mirrorless cameras that achieves both 20mm at the wide endand a 10x zoom ratio.

This versatile zoom lens covers everything from ultra-wide 20mm to telephoto 200mm, allowing photographers to capture subjects ranging from sweeping landscapes to fast-paced sports without being constrained by distance. Its flexibility makes it ideal for awide variety of scenes, including close-ups with a maximum magnificationratio of 1:2. With its broad expressive capabilities, the lens truly shines in travel photography andeveryday snapshots.

The lens delivers a consistently comfortable shooting experience, with its thoroughly compact and lightweight design, as well as fast, accurate autofocus powered by a linearmotor HLA (High-response Linear Actuator). The Sigma 20-200mm F3.5-6.3 DG |Contemporary is the ultimate all-in-one zoom lens, offering all photographer sunprecedented freedom and creativity.

 

Key Features

 

The world’s first 20-200mm for unleashing creative freedom

 

Zoom versatility meets expressive ultra-wide 20mm ― in one lens.

The lens covers the ultra-wide angle of 20mm, which has been difficult to achieve with conventional high-power zoom lenses. Handling everything from majestic landscapes to sports, the lens perfectly captures both scenes unique to ultra-wide angles and applications that take advantage of its telephoto range. With a comprehensive zoom range of 20mm to 200mm, this ultimate all-in-one zoom lens delivers stunning details across a wide variety of shooting situations.

 

Maximum magnification ratio of 1:2 at the focal lengths of 28-85mm

The lens achieves a maximum magnification ratio of 1:2 at the focal lengths from 28mmto 85mm, enabling photographers to enjoy a broad range of half-macro photographywith different angles of view, from wide macro shots that boldly incorporate thebackground by moving closer to the subject, to medium telephoto macro shots thathighlight the subject at a natural distance.

 

 

Compact and lightweight design that delivers exceptional mobility

 

Thoroughly compact and lightweight design

This lens is the world's first to achieve a vast zoom range from ultra-wide 20mm totelephoto 200mm, while weighing only 550g and measuring just 115.5mm in length. The zoom ring diameter is a very slim 70.4mm, making it highly portable. Without worrying aboutsize or weight, the lens provides extensive creative flexibility in any situation, from everyday snapshots to travel photography.

 

Optical and mechanical design realizing both compact size and high performance

Incorporating high-refractive-index glass materials reduces lens movement during zooming. This enables a simple internal structure and slim lens body. The optical design, which properly positions four double-sided aspherical lenses, one FLD glass, and three SLD glass elements, combined with an internal mechanism that maintains high precision in each zoom group, also delivers high performance across the entire zoom range.

 

High-speed autofocus and versatile features for effortless shooting

 

HLA-driven high-speed AF

To help photographers capture even the most fleeting moments, the lens uses an HLA (High-response Linear Actuator) to achieve high-speed autofocus functionality with excellent drive accuracy.

 

Dust- and splash-resistant structure and water- and oil-repellent coating

In addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.

 

Equipped with a zoom lock switch at the wide end

The lens features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.

 

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

 

 

List of Features

 

• HLA (High-response Linear Actuator)
• Water- and oil-repellent coating
• Focus mode switch
• Zoom lock switch
• Dust- and splash- resistant structure
• Mount Conversion Service available
• Support for switching between linear and non-linear focus ring
• settings (for L-Mount only*1)
• Compatible with Sigma USB Dock UD-11 (sold separately / for
• L-Mount only)
• Every single lens undergoes Sigma’s proprietary MTF measuring
• system

 

Key Specifications

 

• 18 elements in 14 groups (1 FLD, 3 SLD, 4 aspherical elements)
• Angle of View: 94.5-12.3°
• Number of Diaphragm Blades: 9 (Rounded Diaphragm)
• Minimum Aperture: F22-40
• Minimum Focusing Distance: 16.5cm / 6.5in. at f=28mm
• 25cm(W) - 65cm(T) / 9.9in.(W) - 25.6in.(T)
• Maximum Magnification Ratio: 1:2 at f=28-85mm
• Filter Size: φ72mm
• Maximum Diameter x Length: φ77.2mm x 115.5mm / φ3.0in. x 4.5in.
• Weight: 550g / 19.4oz.

 

For more information, please visit the Sigma website.

Third-party lenses used to be the underdogs of the camera world. Today, they’re often the ones rewriting the rules of innovation.

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The Canon RF 85mm f/1.4 L VCM lens enters a crowded lineup of portrait options, yet it lands in a sweet spot between size, price, and performance. An 85mm prime has long been a favorite for portraits, and this release raises a key question: where does it sit among Canon’s existing 85mm choices?

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The Sigma 35mm f/1.2 DG II Art lens offers an unusual mix of speed and sharpness in a familiar focal length. A 35mm lens with an f/1.2 aperture opens up options that normally lean toward 50mm territory, giving you background separation and subject isolation without losing the versatility of a wider view. That combination is why many consider this type of lens a practical tool rather than a specialty piece.

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OM Digital Solutions has introduced the M.Zuiko Digital ED 50-200mm f/2.8 IS PRO, a professional super telephoto zoom lens for the Micro Four Thirds system. With a 100–400mm equivalent focal range and a constant f/2.8 aperture, the lens is designed to give photographers and videographers a versatile option for wildlife, sports, and macro work.

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Nikon and RED introduce their first major collaboration of the new era with the pint-sized, video-focused Nikon ZR.

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