Photography News

Improving at photography isn’t a step-by-step process. It’s a winding, often unpredictable journey shaped by curiosity, creativity, and the kind of images we want to make. So what does growth in photography actually look like?

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Today's photographers face a challenging reality: modern lens prices have skyrocketed, with single RF lenses often exceeding $2,500. Yet there exists a treasure trove of professional-grade optics hiding in plain sight: classic lenses that continue producing exceptional imagery at a fraction of contemporary prices.

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Viltrox has been on a tear lately, dropping new products, including lenses, video monitors, flashes, and more. It seems like every other week they are releasing another new lens, and the latest from the company is the Viltrox 85mm f/1.4 Pro lens, which is sure to be popular with portrait shooters.

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Six months ago, I predicted that Sony would release a new RX1R, guessing many of the specs, including the price. What I should also have predicted is the backlash that Sony would receive for releasing a camera that is so ludicrously expensive. Here’s why pricing this insane camera at five grand was exactly the right thing to do and why we should be happy about it.

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The new Thypoch Simera 21mm f/1.4 lens isn’t a thing of subtlety. It’s heavy, unapologetically mechanical, and it demands a bit of muzzle discipline when carrying it around. Forget where you’re pointing it, and you may end up either receiving or handing out some bruises. And arguably, it’s not for everyone; it’s a big chunk of metal hanging off the end of your camera. It stands out, and if you’re looking for subtlety, there are other lenses—smaller lenses—that might fit the bill.

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Wide angle lenses are notoriously tricky when it comes to distortion, and finding the right balance between quality, size, and cost can be tough. The Rokinon AF 14-24mm f/2.8 might be a lens you're considering, but does it check all your boxes?

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Exploring a familiar location with fresh eyes is one of the best ways to discover something new about your photography. It pushes your creativity by forcing you to find new perspectives in places you think you already know.

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Viltrox lenses are a better choice than Nikon’s Z-mount native lenses. There, I said it. And this is coming from someone who has used Nikon for 40 years and may even be somewhat of a “fanboy.” I’ve been impressed with Viltrox lenses for a few years now—and own three—but the new Viltrox AF 135mm f/1.8 LAB full frame is a whole new level of impressive.

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The most valuable photographs you've ever taken weren't the ones you saw immediately on your camera's LCD screen. They were the ones you had to wait for—sometimes a week, sometimes longer—wondering if that perfect moment you thought you captured actually materialized on film. This isn't nostalgia talking; it's psychology, and understanding it reveals something profound about how we value images in an age where we take more photos in a day than our grandparents took in a year.

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As a photographer, power on location is important. When editing on the go in coffee shops, airports, or on train journeys, you can use supplied power outlets, but what if you are on location somewhere that doesn’t have power outlets? This article takes a look at using a power bank designed with laptops in mind to keep the post-shoot workflow going no matter where you decide to work.

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Let’s talk Beyoncé. Specifically, that now-iconic Cowboy Carter promo photo that’s been everywhere. In my latest video, I break down exactly how I would recreate that look on a budget—and how you can too, with one or multiple lights.

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If you're cranking up saturation on every photo, you might be destroying your subject's skin tones. The difference between Photoshop's vibrance and saturation tools can make or break your portrait edits.

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Blue hour photography transforms ordinary landscapes into ethereal masterpieces that capture viewers' attention like few other techniques can. You're missing out on some of the most compelling shots of your career if you're packing up your gear when the sun disappears behind the horizon.

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The whispers have turned into reality: Sony has officially announced the RX1R Mark III, and for enthusiasts of high-end compact cameras, the excitement is palpable.

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Wherever you are on your landscape photography journey, there are common myths about how to approach the craft that can hold you back—thoughts that are commonly expressed in online communities that raise doubts and block your progress. Let’s look at three common myths that might be holding you back.

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The most devastating critique of modern photography isn't about oversaturation, cliché compositions, or even AI manipulation. It's this: we obsess over the sharpness of eyelashes while missing the tears that give them meaning. We pixel-peep at 400% magnification while life's most profound moments slip past our viewfinders unnoticed.

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Looking at this camera announcement, I had to ask myself: Has Sony completely lost their minds?

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There’s nothing more useless than a nice charger or power bank in your bag without a cable to use with it. This new charger line prevents that annoying mistake from happening.

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Renowned Dutch photojournalist Chas Gerretsen is best known for his raw and emotional war photography captured during the Vietnam War and the hostile and violent political turmoil in Chile. However, his career took an interesting turn when he found himself exhausted from covering global conflicts. This turn took him to Hollywood, where he would use his skills sharpened on the battlefield and bring them to the movie set of Francis Ford Coppola's 1979 film, Apocalypse Now.

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Your Lightroom Classic workflow could be moving twice as fast with the right tools, but many people never discover the features that eliminate hours of tedious editing work. These AI-powered shortcuts and advanced masking techniques can transform how you approach photo editing by automating the repetitive tasks that slow you down.

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