Photography News

It's very easy to slip into a shooting pattern where not much thought is given to framing and composition so you end up with shots which are OK but are rather mundane and ordinary. However, with a few little, simple changes, shots can be turned into something much more interesting.

Summer by Peter Bargh.

 

Evaluate

If you're shooting a scene, particularly if you're not familiar with your shooting location, it's easy to become flustered so you just shoot anything and everything you see. However, if you take the time to study the scene so you can find out what / who should be your main focus point you'll be able to frame your shot(s) around them, giving your work focus rather than shooting anything and everything.

 

Angle

Digital photography really opens the doors on experimentation as there's almost no limit on the number of shots you can take. As a result, don't be afraid to shoot the same subject/scene from a variety of angles. Get down low, climb up high, go wider, get closer...there are plenty of options to have a go at, you just have to find what works for you.

 

Portraits

Those who are new to photography tend to put people in the centre of the frame when photographing them, however applying 'the rule of thirds' can give you a shot that's much more creative and appealing to the eye. For those who don't know what 'the rule of thirds' is, imagine a grid that divides your shot into nine equal sections by a set of vertical and horizontal lines. With the imaginary frame in place, you should place the most important element(s) in your shot on one of the lines or where the lines meet. So with a person, instead of putting them in the centre, simply move them more to the left or right thirds of the frame.

One problem with following this rule is that it can leave you with a strong focus point on one side of your shot and a big empty space on the other so, to improve this, see how you can add a secondary point of interest that's less important to balance your shot.

Whitby Goth by Peter Bargh.

 

Backgrounds

For portraits, you can use backgrounds to add an extra level of interest to your shot, however don't let it become the star of the show. Don't pick a scene with colours or light that'll outshine your subject(s) and make sure you balance the shot so background interest doesn't turn into a cluttered mess that just spoils the photo.

Lighting

What time of day you shoot, the weather and if you're working indoors or out can make a big difference to how your final image will look. For example, early morning or later afternoon/evening light isn't as harsh as mid-day and evening low, light shots in cities tend to look better when there's still a little light in the sky as this adds more interest to the shot. The light at sunset/sunrise changes rapidly and you may even find the best colours/light appear just as the sun dips behind the horizon.

For outdoor portraits, you may need to find some shade so the light on your subject's face is more balanced. It'll also make them 'pop' from the scene as the background tends to be a little brighter than where they are stood. Can't find shade? Use a reflector to bounce light up onto their face to fill in shadows under their nose and eyes.

If you're working with a scene where there's a big difference in the dynamic range (the shadows and highlights) you may want to consider shooting some HDR. In a nutshell, this is where you layer several shots together that have been taken at different exposures (you'll need a tripod as every shot has to line up exactly). For more information on HDR, take a look at this article: HDR Landscapes

These are just a few of the many examples out there on how light and other aspects can change the appearance/feel of a photograph. For more tips, check out our technique section.

AI, 3D, and generative imagery are reshaping the visual industry. For professional photographers, the real question is no longer what to specialize in, but how to stay irreplaceable.

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If you have been a photographer for any period of time, then perhaps, like me, you have a hard drive or hard drives full of images that you’ve taken over the years. But I ask you, how often do they see the light of day? Can reviewing them help you improve your photography?

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© Skylum

 

• Skylum receives the Google Play Best of 2025 Award in the Best Multi-Device App category for Luminar.
• While the award recognizes the Android version and its seamless support for Chromebooks, Luminar Mobile is also available on iOS, ensuring full integration with Luminar Neo on desktop across both macOS and Windows.
• The award underscores Skylum's innovative strength and commitment to making cutting-edge image editing accessible to all devices.

 

The AI-powered image editing app Luminar Neo, developed by Skylum (https://skylum.com/luminar-mobile), has been named Best Multi-Device App at the Google Play Best of 2025 Awards. This award recognizes the Luminar team's innovation making it easy to edit your photos anywhere across Android phones, tablets as well as Chromebooks. The app also complements the broader Luminar ecosystem available on macOS and iOS, offering creators professional-quality tools regardless of platform.

 

Awards for the best apps in the Google Play Store

The Google Play Best of 2025 Awards recognize the most innovative and influential apps of the year, honoring excellence in design, user experience, and technological innovation.

 

Best Multi-Device App for Luminar Mobile

The Best Multi-Device App category honors apps that offer exceptional cross-platform capabilities and a consistent, high-quality user experience. Luminar Mobile stood out for its advanced AI tools, intuitive design, and seamless integration between desktop and mobile editing workflows.

The Luminar team would like to extend its sincere gratitude to its global community for their creativity, trust, and continued support.

Kostiantyn Tymoschuk, VP of Growth at Skylum, commented: “We are very honored to have won the Google Play Award for Best Multi-Device App. This recognizes our team's years of effort to make Luminar not only powerful, but truly universal. It is a tribute to the thoughtful design and our users, who inspire us every day with their use of Luminar.”

 

About Luminar

Luminar is a cross-platform next-generation photo editing platform powered by advanced AI technologies. With Luminar Mobile for Android and iOS and Luminar Neo for desktop (Windows and macOS), the Luminar platform helps travelers, outdoor lovers, and everyday photographers get great-looking photos on any device.

 

About Skylum

Skylum is a global image processing technology company dedicated to revolutionizing the world of image processing and creative tools. Its core product, Luminar Neo , allows photographers of all skill levels to unleash their creativity and bring their visions to life with advanced AI-based technologies, while giving artists complete control over the final result. Skylum has won the Red Dot Award, Apple's Best of Year, and the “Best Imaging Software” award from TIPA and EISA, as well as several other prestigious industry awards. For more information, please visit our website.

In 2008, Canon released a new professional stills camera. They had no idea they were actually launching something that would blow up the entire independent film industry.

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Motion and movement is a wide and varied photographic subject and as a result there are many ways a photographer can create a sense of motion or movement in their shots. Slow shutter speeds can be used to exaggerate the flow of water while fast shutter speeds will freeze the force of a wave as it crashes against a sea wall. ePHOTOzine has written many tutorials that cover motion in some shape or form and as a result, we've decided to group the most popular ones together so, hopefully, you'll be fuelled with enough inspiration and ideas to make you want to head out to capture motion. Here's our top seven:
 

How To Capture Landscapes That Show Motion

John Gravett shows us how wind movement can make interesting and more dynamic landscape shots. Plus, he includes tips on capturing the popular 'blurry' water shots at the coast and with waterfalls.

 

How To Use Blur To Create A Sense Of Movement

Blur isn't always a bad thing as it can help emphasis speed and create motion in a shot. Read on for tips on using shutter speeds, flash and zoom lenses to create blur.

Photo by David Clapp - www.davidclapp.co.uk

 

Beginner's Guide To Capturing Motion

Mike Browne from PhotographyCourses.Biz shows how easy it is to capture a sense of movement.

 

Camera Panning Techniques

Peter Bargh talks through a few tips to improve your panning technique. Panning is a great technique for action and, once perfected, the main subject will be sharp against a blurred background.

 

Tips On Photographing Action And Movement

Here are a few tips on shutter speeds and how to focus so you get sharp action shots every time.

 

How To Capture Movement

Ben Boswell shares his tips on capturing movement. Tips include making sure movement looks deliberate, when to use a pan, what shutter speeds are appropriate and if a tripod is needed.

 

More Tips On Capturing Movement In The Landscape

Do landscape shots always have to be static? If you think about it you'll realise that they're often not. This tutorial adds to the tips John Gravett gave in his article, covering clouds, trees and people as subjects.

Photo by David Clapp - www.davidclapp.co.uk

Auto ISO sits quietly in your camera, but it can decide whether a fast moving scene comes out clean or a blurry mess. If you deal with city rush hour, changing light indoors, or fast events, understanding how it actually behaves gives you control you cannot get by spinning dials on every frame.

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Affinity is now completely free, and the video shows how to use it to build full edits without paying Adobe. If you wonder whether you can cut Lightroom Classic and Photoshop from your workflow, seeing this process in action gives you a clear sense of what you gain and what you give up.

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The Nikon NIKKOR Z DX MC 35mm f/1.7 lens hits that sweet spot between casual shooting and serious close-up work, so you are not constantly swapping lenses just to cover everyday scenes and detail shots. Here's a look at what you can expect.

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If you spend time on wildlife, distant sports, or compressed landscapes, this new Panasonic telephoto finally gives the L-mount system a native option that reaches deep without feeling like a boat anchor.

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The kitchen holds a world of photo opportunities and all you need is some imagination to exploit it.

When it comes to kit, a camera and a tripod are essential but in terms of lighting, natural light will work just fine, however feel free to experiment with flash and other forms of lighting too. For example, for one of the shots further down the page, a torch was used to create contrasty light.

Once you start searching, you'll find plenty of objects in the kitchen that have photographic potential. Things like pots and pans, colanders and, as here, a trivet can be pressed into service as subjects. A kitchen work surface will make a perfectly good background but so can the sink or any material you have in your house. Objects can be arranged on the worktop in various compositions, with the camera and lens aimed downwards.
 

The trivet above was photographed with the camera in auto white-balance and it worked fine, but for the colander, the camera was switched to incandescent white-balance to give the overall blue colour cast. Pulling away slightly and including the stainless steel sink give an interesting backdrop. Filling in the shadows was done with some silver foil just held in position.

 

For the shot of the wooden spoons, a torch was placed on its side, creating a very oblique, contrasty light. The camera was left in auto exposure mode using the exposure compensation control to correct exposures and focusing was done manually on this occasion. The shutter was fired using the self-timer. Exposures were in the order of 1/8sec at f/8 with the camera set to ISO 200. If you have problems with colours appearing too warm or even cold, you can tweak the images during RAW processing. If you prefer, or if you are shooting JPEG, try shooting with a custom white-balance setting. Again, silver foil was used as a reflector.   

A brand just slid into your DMs. They love that photo you posted last week and want to use it on their Instagram. What do you charge? If your first instinct is to panic, calculate your hourly rate, or worse, just send them the file for free because "exposure is good," then you need to read this article. Right now.

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When you’re just dipping your toes into video, the last thing you want is gear that holds you back or drains your wallet. I needed a monitor that was powerful enough to handle bright outdoor shoots but still stayed firmly in the affordable range (since professional video isn't my main gig). That’s why the Viltrox DC-A1, a 7-inch on-camera unit, caught my eye. At $278 with a truly stacked accessory kit, it looked like a steal. But does this budget-friendly monitor live up to the hype?

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Ulanzi has launched MoveLightGo, a groundbreaking product that introduces an intelligent angular control solution to the lighting industry.

It effectively addresses the long-standing industry pain points of repeatedly adjusting lights manually and working at heights during film and video production. With three core capabilities – long-distance remote control, scene memory, and high compatibility – it enables photographers and film crews to adjust lighting angles remotely and flexibly, redefining the entire lighting control workflow and delivering a more efficient and liberated experience for creators.

Whether you're working on a fast-paced film set or a dynamic photo shoot, MoveLightGo streamlines the lighting setup, enabling users to adjust light angles remotely and with pinpoint accuracy—without ever having to climb a ladder again.

 

Precision Engineering for Professional Results

At the heart of MoveLightGo lies a sophisticated 14-bit, high-precision control sensor that enables precise control of both tilt (0-170°) and pan (0-450°) movements. This level of precision ensures smooth, incremental adjustments that professional shoots demand. The system's robust construction supports a full 6kg payload capacity, making it suitable for everything from small LED panels to larger studio lights while maintaining perfect balance and stability throughout its operational range.

 

Universal Compatibility

MoveLightGo features a universal Bowens-mount interface that accommodates 95% of professional lighting equipment. This extensive compatibility eliminates the need for multiple adapters or specialized mounting solutions, providing a seamless integration into existing gear setups. The intelligent mounting system automatically secures the light while maintaining optimal weight distribution.

 

Three-Tier Remote Control Ecosystem

 

MoveLightGo offers unparalleled flexibility through its multi-layered control system:

• 3m Wired Remote (standard) provides reliable, instantaneous control for studio environments
• 30m 2.4G Wireless Remote (optional) enables long-range operation across large sets
• 10m Bluetooth App Control allows smartphone/tablet integration with dual-screen capability for simultaneous parameter and position adjustment

 

Intelligent Memory System

The built-in memory system features four dedicated presets (A/B/C/D) that store complete lighting positions and angles. This allows creators to save complex multi-light setups and recall them instantly when moving between scenes or setups. The system maintains these presets even when powered down, ensuring consistent performance across multiple shooting days.

 

Advanced Multi-Unit Synchronization

For complex lighting requirements, MoveLightGo supports synchronized control of multiple units. Each device can be individually addressed while maintaining group coordination, enabling both individual fine-tuning and synchronized group movements. This feature is particularly valuable for creating dynamic lighting sequences and complex cinematic effects.

 

Flexible Power Management

MoveLightGo's versatile power system supports:

• 45W Direct Charging for continuous studio operation
• V-Mount Battery Compatibility for location shoots
• Power Transfer Modules (AC/DC/CANNON) that draw power directly from connected lights, eliminating extra cables and power sources

Ulanzi's MoveLightGo represents a significant leap forward in lighting control technology. By addressing the fundamental challenges of manual light positioning, it empowers creators to work more efficiently while achieving superior results. The system's combination of precision engineering, intelligent features, and universal compatibility makes it an essential tool for modern photography and videography professionals.

 

Pricing & Availability

The MoveLightGo system is available in multiple configurations, including Bowens-mount portable versions, remote control units, and power modules. A special 20% OFF promotion is available until December 31st, 2025, so photographers and filmmakers can take advantage of the latest in lighting control technology at a discounted price.

For more details, visit Ulanzi MoveLightGo.

 

 

 

Choosing a tripod can be agonizing. The good news? You don’t need to empty your wallet to get one. As a night photographer, I'll reveal four great tripods for photography that nail the sweet spot for stability, functionality, weight—and yes, price. After all, if a tripod can survive a night photographer’s abuse, it’ll be more than good enough for you.

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Edits rise or fall on how much color data remains when shadows are lifted or highlights are controlled, and 16-bit files preserve far more of that information. The difference shows up in smoother gradients, cleaner transitions, and a wider range of tones that stay stable under heavy adjustments.

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Tilt shift on an ultra wide 17mm lens can either make your buildings look natural and solid or turn them into distorted shapes that feel wrong. When you shoot architecture, interiors, or tight city streets, understanding exactly how that movement works at this focal length decides whether your images look intentional or like corrections gone too far.

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A beautiful photo of Le Gouffre in Brittany by EveLine1 has been chosen as our latest 'Photo of the Week' (POTW) winner.

Taken at sunset, the image has a calm, quiet feel that draws you in. The house stands alone, with the land and rocks around it edited out to make it look like it’s floating. This clever touch adds a soft, peaceful mood to the scene. It’s a lovely piece of work, well put together and very deserving of this week’s award.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2026, we’ll crown our 2025 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

Fast 85mm primes are where a lot of the magic happens on modern mirrorless bodies. If you shoot people, street, or compressed landscapes on Nikon Z or Sony E, a small, affordable 85mm can change how often you leave the zooms at home.

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We are only a few days away from this year’s Bonfire Night and we couldn’t really kick November off without mentioning a few tips that’ll help you capture spectacular firework photos.

Photos by David Clapp - www.davidclapp.co.uk

 

Gear Suggestions

As long exposures are a must you will need to take a support with you. A tripod’s great but at busy events you may be better off with a monopod that takes up less room and is easy to move around with.

If you’re a compact user, it can be harder to capture firework themed images but it's not impossible as most compacts have a range of scene modes and a firework mode can often be found among them. Plus, the longer zooms that are available on some compacts will now get you closer to the action too.

Wider lenses will capture more of the sky, increasing your chances of capturing a burst. You may want to try shooting a few in a portrait orientation, though, to capture the long trails left by the firework as it climbs to the spot where it explodes.

Finally, pack a torch as it’ll be dark and you may need it when making changes to your settings and for putting your kit away.

  Focus And Aperture

Switch to manual focus and turn your focus to infinity (check your manual if you’re unsure how to do this). This is to ensure the firework explosions stay sharp as they can be further than the maximum focus setting on your camera. Setting an aperture of f/8 or f/11 will increase your depth of field, further increasing the chances of capturing a sharp shot of a colourful explosion. Make sure your flash is switched off too.

 

RAW Or Jpeg?

If you shoot in RAW you’ll be able to tweak colours and brightness levels when you’re back in front of your computer once the display has finished.

 

Exposure Times

For shots filled with bursts of colourful explosions you’ll need to switch to Bulb mode. This mode allows you to keep the shutter open for longer but as you need to keep the shutter button pressed, it’s a good idea to use a cable release to prevent shake. If your camera allows it, you could fire the shutter wirelessly via a smart device. 

In Bulb mode, you basically need to keep the lens covered (a dark piece of card will work) until a burst erupts. At this point you need to uncover the lens. Replace the card until another burst occurs and continue to do this with however many bursts as you like. It can take a while to get right as timing is key but you can create some great shots when you’ve perfected the technique.

If you don’t have a bulb mode you can capture single explosions with exposure times between 1-4 seconds. This should give you shots that show a light trail as the firework climbs as well as the final burst of colour at the end.

 

Photo by David Clapp - www.davidclapp.co.uk

Watch The Display

As displays don’t tend to be short affairs it pays to watch a few bursts so you can see where the fireworks are being launched into the sky and you’ll also be able to see how long it takes them to climb, plus how long the explosions last for. This will make framing easier, although you can’t obviously guarantee every burst will appear where you need it to. It’s worth doing a few test shots to make sure you’re happy with the composition too before the big display begins.

 

Add Interest

Buildings and other structures can add an extra level of interest to your shots but if they are illuminated it can mean they end up looking ‘blown out’ so adjust your exposure accordingly.