Photography News

The Fujifilm X-M5 and X-E5 look like siblings, but the price gap between them runs about $1,000 and the experience of shooting each one splits along lines you might not expect. Deciding between an $800 body and one that often sells closer to $1,800 forces a question every buyer eventually faces: how much are premium build and resolution actually worth to you?

 

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Aritz Arambarri Goenaga – Vistas Desde El Abandono (2026)

 

The World Sports Photography Awards 2027, sponsored by Canon, has officially opened for entries, offering sports photographers worldwide free submission across 24 categories. Entrants can submit up to 10 images captured between December 2025 and November 2026 prior to the November 23, 2026 deadline. The 2027 edition also updates category structures and continues the 'Canon Emerging Talent' award, with eligibility adjusted to focus on upcoming photographers under the age of 25.

 

From Canon:

 

World Sports Photography Awards sponsored by Canon and celebrated as the world's foremost showcase of sports photography, has today opened entries for its much-anticipated 2027 edition. Entry remains free, with the awards honouring the most gifted sports photographers from around the globe and celebrating images that convey the drama, emotion, and physicality at the heart of sport. Judged by leading figures spanning sport, media, photography, branding, and the broader creative sector, the World Sports Photography Awards continues to stand as the world's biggest celebration of sports photography.

The 2026 edition marked a breakthrough year, attracting over 4,200 entries from photographers in 123 countries and spanning more than 60 sports. Extensive international media coverage, coupled with support from leading sports organisations, underlined the awards' continued global growth and rising influence.

Commenting on Canon's sponsorship of the awards and what we can expect for 2027, World Sports Photography Awards Co-Founder, Simon Burton, said: "Canon has been the perfect partner for the World Sports Photography Awards, and there's no name more synonymous with sports photography. Building on such a fantastic first year together, we're thrilled to continue this relationship as we head into year two. It's been another remarkable year for sport around the globe, and we can't wait to see the images photographers submit this year, capturing the passion and drama of sport across every discipline and every corner of the world."

Canon has a long and proud history in sports photography, equipping generations of photographers with the tools to capture iconic sporting moments that have defined eras. The introduction of the 'Canon Emerging Talent' award in the 2026 edition has shown amazing success and looks to bring along the next era of great sports photographers once again in 2027. This dedicated category will continue recognising young and upcoming talent, with the age of the award dropping slightly to under the age of 25 to better capture the essence of the award.

Richard Shepherd, Product Marketing Senior Manager, Imaging at Canon Europe, adds: "Canon has a proud legacy of supporting professional sports photographers and helping them capture the moments that define sporting history. Following the success of the 'Canon Emerging Talent' award in 2026, we're delighted to continue our support for the next generation of sports photographers in 2027. By recognising emerging talent and giving young photographers a platform to showcase their creativity and passion, we hope to help them take the next step in their careers and tell the powerful stories at the heart of sport."

With this announcement, the 2027 awards are now officially open for entries. Participants from across the industry and globe are invited to submit their work and gain recognition on one of the most celebrated stages in the field.

For 2027, photographers are invited to submit up to 10 images captured between December 2025 and November 2026 across 24 sports categories. Submissions are free of charge and close on 23 November 2026. Please note that images entered in the 2026 competition are not eligible. We have also made some adjustments to the categories, which we ask photographers to be aware of when entering.

 
Key details:

• Entries open: 09 September 2026
• Submission deadline: 23 November 2026
• Eligibility: Up to 10 images taken between December 2025 – November 2026
• Categories: 24 sports categories
• Cost: Free of charge

 

The World Sports Photography Awards, sponsored by Canon, continue to celebrate the art of sports photography – showcasing the images and photographers that inspire audiences around the world.

For rules and regulations, please visit the Rules page, T&C's and other FAQs here.

For more information and to enter, visit: www.worldsportsphotographyawards.com

© OM SYSTEM

 

OM SYSTEM has unveiled the new PEN camera, the first PEN series model under the OM SYSTEM brand. The compact rangefinder design pairs an electronic viewfinder with IPX1-rated dust and splashproof construction, a first for the PEN series. It combines a 20.37MP Live MOS sensor with computational photography features including High Res Shot, Live ND, Focus Stacking, and HDR, plus 121-point autofocus with AI Subject Detection.

 

From OM SYSTEM:

 

OM Digital Solutions Corporation proudly announces the launch of the new OM SYSTEM PEN, the first PEN series camera introduced under the OM SYSTEM brand. Combining the timeless rangefinder-style PEN design with modern imaging technology, the camera is designed for photographers seeking a compact, lightweight companion for everyday creativity, travel, and visual storytelling.

Building on the PEN series heritage dating back to 1959, the OM SYSTEM PEN introduces several important advancements, including an integrated electronic viewfinder and, for the first time in the PEN series, dust- and splashproof performance. Combined with OM SYSTEM's renowned computational photography capabilities, the camera delivers a versatile and intuitive shooting experience for enthusiasts and newcomers alike.

 

Designed to Inspire Everyday Photography

The OM SYSTEM PEN is built to encourage users to take their camera everywhere. Its compact and lightweight form factor is paired with an electronic viewfinder for a more immersive shooting experience and an IPX1-rated dust- and splashproof construction that offers reliability in changing weather conditions. Powered by the TruePic IX image processor and a 20.37MP Live MOS sensor, the camera delivers outstanding image quality while benefiting from 5-axis image stabilization. Creative photographers can explore Color Profile Control and Monochrome Profile Control modes, allowing film-inspired looks and highly personalized image styles directly in-camera. In addition, the dedicated CP button provides fast access.

 

© OM SYSTEM

 

Key Features

• First OM SYSTEM camera in the PEN series, featuring a classic rangefinder-style design with integrated electronic viewfinder.
• First PEN series camera with IPX1-rated dust- and splashproof construction.
• Color Profile Control and Monochrome Profile Control for film-inspired creative expression.
• Dedicated computational photography features including High Res Shot, Live ND, Focus Stacking, HDR and Multiple Exposure.
• 121-point all cross-type phase-detection autofocus.
• AI Subject Detection AF for people and animals.
• Starry Sky AF and Pro Capture shooting up to 30fps.
• 5-axis image stabilization and support for the extensive Micro Four Thirds lens ecosystem.

 

Product Availability & Pricing

OM SYSTEM PEN Body RRP:  £849.99

OM SYSTEM PEN + M.ZUIKO DIGITAL 14-42mm F3.5-5.6 III Kit RRP:  £949.99

Available in Silver and Black, with availability scheduled for late September / early October 2026.

For more information, please visit the OM SYSTEM website.

Shooting film is one thing. Developing and scanning it yourself, hundreds of miles from home, inside a van with blackout blinds and a couple of red lights, is a different level of commitment.

 

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* The appearance of the actual product may differ from the photo shown above. / © Nikon

 

Nikon has unveiled nine NIKKOR Z CINEMA T1.9 VV lenses, including a 50mm T1.9 VV model, with an image circle compatible with both Nikon full-frame sensors and RED's V-RAPTOR VV format. Engineered for cinema production and high-end creators, the lenses combine precise optical rendering with accurate autofocus, reflecting the growing partnership between Nikon and RED.

 

From Nikon:

 

Nikon is pleased to announce the development of the NIKKOR Z CINEMA T1.9 VV series of cinema lenses, designed for the cinema, high-end productions, and creators, aiming to provide them with high-quality solutions. This series will be comprised of nine lenses, including the NIKKOR Z CINEMA 50mm T1.9 VV.

The NIKKOR Z CINEMA T1.9 VV series will offer the rendering performance and the practicality demanded by the cinema industry based on a new design concept, whilst enriching the cinematic expression of the NIKKOR Z CINEMA line. The series marks a first for NIKKOR lenses, featuring an image circle not only large enough for Nikon's full frame sensors, but also covering the VV format of V-RAPTOR [X]1. In addition, the lenses will offer a highly precise autofocus mechanism that supports creators' workflows.

Nikon will contribute to the development of imaging culture that includes the field of cinema, with the hope of expanding possibilities for imaging expression. Filmmakers and content creators can expect great things from the new synergy between Nikon and RED.

 

FOOTNOTE:

1A 40.96 mm × 21.60 mm image sensor developed by RED Digital Cinema, Inc.

 

For more information, please visit the Nikon website.

© Nikon

 

Nikon announced firmware version 2.00 for the Nikon ZR camera, targeted for release before late 2026. The update brings Log3G10 and REDWideGamutRGB support to H.265 video, adds Log-mode High ISO Noise Reduction, and enables focus peaking for R3D NE1 RAW files alongside RED CONTROL app integration. Nikon also confirmed open gate recording and anamorphic desqueeze features are currently in development for 2027.

 

From Nikon:

 

Nikon is pleased to announce the development of firmware version 2.00 for the Nikon ZR (released in October 2025).

This firmware will bring the features listed below to further enhance power of expression and workflow for a broad range of users, from content creators to high-end filmmakers.

• Support for Log3G10 and REDWideGamutRGB in H.265 video file type for a greater ability to stand up to color grading while keeping file sizes minimal.
• A new [High ISO NR] option available with H.265 Log recording that enables imaging tailored to filming intent and the tone of the work.
• Support for the focus peaking display with recording at an R3D NE1 video file type setting for more precise focus confirmation.

Firmware version 2.00 is scheduled for release before the end of 2026.

Additionally, RED is updating its remote-control applications, RED CONTROL and RED CONTROL PRO which will enable remote control capabilities for ZR.

Nikon is also developing frequently requested features, such as open gate recording and a desqueeze display for use with anamorphic lenses, with the goal of incorporating them in ZR firmware in 2027.

Nikon and RED will continue to enhance its products through firmware updates that address user needs, while also contributing to the development of imaging culture in the field of cinema.

 

FOOTNOTE:

 

1 A RAW format developed for Nikon cameras to support the color science unique to RED Digital Cinema Inc. cinema cameras.

 

For more information, please visit the Nikon website.

Photoshop's beta build now includes a Refine Edge feature that cleans up the messy fringing left behind when you cut a subject out of one background and drop them onto another. Every click costs 20 generative credits, so the value depends on whether the result beats what you can do by hand.

 

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[COMMENT_IMG]portfolio|304651|3843670[/COMMENT_IMG]

 

The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to KristinaZvinakeviciute (Day 5 - Outdoor Macro).

 

Daily Theme Runners-Up

If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A. 

Well done to our latest runners-up, too, whose images you can take a look at below.

  Day 1

Symmetry

[COMMENT_IMG]portfolio|158535|3670359[/COMMENT_IMG]

 

Day 2

Quirky Angles

[COMMENT_IMG]direct|43722|43722_1788505755.jpg[/COMMENT_IMG]

 

Day 3

'Speed'

[COMMENT_IMG]portfolio|253884|3954612[/COMMENT_IMG]

 

Day 4

Triptych

[COMMENT_IMG]direct|140100|140100_1788531068.jpg[/COMMENT_IMG]

  Day 6

Big Cats

[COMMENT_IMG]portfolio|20585|3338081[/COMMENT_IMG]

 

Day 7

Britain

[COMMENT_IMG]portfolio|293533|3954978[/COMMENT_IMG]

 

Day 8

Graphic Landscape

[COMMENT_IMG]portfolio|21670|3584396[/COMMENT_IMG]

 

You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.

Forced to sell every camera and lens and shoot a single focal length forever, plenty of street shooters would reach for 35mm because it handles almost anything. There's a strong case that the wider 28mm produces more interesting pictures, and the reasoning has less to do with sharpness and more to do with truth.

 

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1. Gear Suggestions

For larger shows pocket a superzoom compact but if you're going to a smaller venue you'll probably be able to take a DSLR in with no issues but do check the venue's rules on camera equipment as some are stricter on what size camera you can take in than others. Whatever camera you take you'll want it to have a good ISO range as you'll be working in very low light situations. When it comes to lens choices, a prime lens around the 50mm mark will serve you well.
 

2. Exposure & Stage Lighting

One of the biggest challenges you'll face at a gig is getting the exposure right under stage lights, as different coloured lights and often harsh backlighting and smoke will all pose problems. You will need to set your camera to its maximum aperture if you can and set the ISO as low as you can while still maintaining a suitable shutter speed under the conditions. Smaller venues where conditions tend to be darker than in arenas will demand higher ISO levels to reduce motion blur and camera shake as using a support is out of the question.
 

3. Focusing Tips

Another point to remember is that autofocus may struggle in low light conditions but to be honest, it will generally be more reliable than focusing manually if your subject is moving and the light levels are low. Spot metering can be useful, particularly if you're shooting a strongly backlit subject, as you'll find at many gigs. Just make sure you adjust your camera's exposure compensation setting to achieve the correct exposure if you choose to work this way.

 

 

4. Flash Or No Flash?

When you're shooting from the crowd, you will often be too far away for flash to be of any use. Also, many people believe that they shouldn't use flash because 'it spoils the atmosphere' but this is a common misconception as if you can get close enough for it to be useful, you can achieve some good results. The key is to ensure that the flash exposure is well-balanced with the ambient light. This will result in exposures with bags of atmosphere, colour and it will also allow you to freeze the action. Of course, it will depend on how appropriate using flash is too. A quiet gig with an acoustic performer may not be the right kind of atmosphere to start blitzing away with flash, plus the venue you're at may have rules on not using flash during performances so it's always worth checking. 
 

5. Shutter Speeds

If you're photographing an acoustic performer sat on a stool, or stood at a microphone, you will be able to get away with shutter speeds that are quite slow. However, try using a shutter speed that equals the focal length of your lens if you don't have image stabilisation, or of at least half the focal length if you do. If the performers are more lively, you will need much faster shutter speeds to freeze the action. 

One final point: Arrive early, get a good spot and don't move. Also, remember that you're supposed to be there to enjoy yourself too!

   

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition  

Apple has introduced the iPhone Duo, its first foldable iPhone, pairing a 5.4 in outer display with a 7.6 in folding inner display. Beyond the new form factor, the phone includes dual 48 MP rear cameras, 4K video recording at up to 120 fps, an A20 Pro processor, new photography features that take advantage of the second display, and an updated version of iOS designed around multitasking. 

The iPhone Duo starts at $1,999 with 256 GB of storage. Preorders begin October 16, 2026, with availability starting October 23, 2026.

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In December 2007, three small cardboard boxes reached the International Center of Photography in New York holding 126 rolls of 35mm film and roughly 4,500 negatives that had been missing since 1939. Inside was a visual record centered on the Spanish Civil War as seen by Robert Capa, Gerda Taro, and David "Chim" Seymour, three young photographers who helped invent modern war reporting before all three of them were killed on assignment.

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Apple has announced the iPhone 18 Pro and iPhone 18 Pro Max, introducing a new 48 MP Fusion Main camera with variable aperture, expanded manual camera controls, new image-authenticity features, and additional photo and video tools. The phones also introduce the A20 Pro chip, a redesigned thermal system, longer battery life, and iOS 27 with Apple Intelligence and Siri AI. 

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Whether you do photography as a hobby or professionally, there are a lot of tools and accessories that make what we do easier, more convenient, or even more foolproof. Sometimes even the simplest tools can be instrumental in how we achieve our shots or, on the other hand, something equally important: how we take care of our camera gear. Whatever these tools are and no matter how simple, we often need to buy them from a physical store or an online source that will take a couple of days to ship.

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Sigma just released an 85mm f/1.2 DG Art for L-mount and Sony E-mount, and it lands at £1,299 in the UK or $1,599 in the US. That price sits well under Canon's and Nikon's mirrorless 85mm f/1.2 options, and the Sigma is smaller and lighter than both.

 

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© Sigma

 

Sigma has launched a redesigned lens filter lineup featuring anti-reflection surface treatments, slimmer frames, and verified vignetting-free compatibility across all Sigma lenses. The four-model series includes the high-impact WR Ceramic Protector PTC-21, WR Protector + UV PUV-21, standard Protector LPT-21, and WR Circular PL Filter CPL-21.

 

From Sigma:

 

Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa; CEO: Kazuto Yamaki) is pleased to announce the renewal of Sigma's filter series for interchangeable lenses. The entire lineup has been completely redesigned to achieve further performance improvements. Additionally, the design and packaging have been updated to align with Sigma’s new visual identity, introduced in 2025.

Four filter models will be released on November 5th, 2026: the Sigma WR Ceramic Protector PTC-21, a ceramic protector offering exceptional impact resistance; the Sigma WR Protector + UV PUV-21, featuring UV protection and water- and oil-repellent coating; the standard Sigma Protector LPT-21; and the Sigma WR Circular PL Filter CPL-21, a circular polarizing filter with water- and oil-repellent coating.

 

Product Name:

Sigma WR Ceramic Protector PTC-21

Sigma WR Protector + UV PUV-21

Sigma Protector LPT-21

Sigma WR Circular PL Filter CPL-21

Launch: November 5th, 2026

• Product appearance and specifications are subject to change without notice.
• The image shown is the Sigma WR Ceramic Protector PTC-21.

© Sigma

 

Key Features

 

Completely redesigned construction

As part of this renewal, the entire lineup has been redesigned from the ground up to further minimize impact on image quality while enhancing overall usability. Improvements to the surface treatment of the filter frames reduce internal reflections compared to previous models, while an optimized design has enabled a slimmer profile for the large-diameter 95mm and 105mm sizes.

 

New exterior design and packaging

These filters feature an exterior design and packaging aligned with Sigma’s new visual identity, introduced in 2025.

 

Verified compatibility with all Sigma lenses

Compatibility with all Sigma lenses has been fully verified, allowing for worry-free shooting without vignetting, even when using ultra-wide-angle lenses. Despite the slim design, these filters ensure secure lens cap attachment, providing users with peace of mind.

 

 

Product Lineup

 

WR Ceramic Protector PTC-21

67mm / 72mm / 77mm / 82mm / 95mm / 105mm

 

Other 3 Models (WR Protector + UV PUV-21, Protector LPT-21, WR Circular PL Filter CPL-21)

52mm / 55mm / 58mm / 62mm / 67mm / 72mm / 77mm

82mm / 95mm / 105mm

 

For more information, please visit the Sigma website.

Packing a single lens for a long trip means giving up options you might miss, and the Sigma 20-60mm f/2.8-4 makes that gamble easier to justify. The range covers wide landscapes, tight architecture, and portraits without a bag full of glass.

 

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SIRUI has officially announced the launch of the Saturn V2 Full Frame Anamorphic Lens Series, representing a significant update to its popular Saturn anamorphic system. Aimed at modern filmmakers and hybrid content creators, the new generation introduces a unique 90-degree rotating optical mechanism, allowing users to seamlessly transition between traditional horizontal cinematography and vertical shooting formats without needing to swap lenses or rebuild their camera rigs. 

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© Sigma

 

Sigma introduced the 85mm F1.2 DG | Art, a compact medium-telephoto prime for L-Mount and Sony E-mount set to ship on September 30. Weighing just 905g, it is the smallest and lightest autofocus 85mm F1.2 lens in its class. Engineered for high-end portraiture and cinematic video, it pairs a 13-blade diaphragm for circular bokeh with a fast, quiet dual HLA autofocus system, completing Sigma's F1.2 Art lens lineup.

 

From Sigma:

 

Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa; CEO: Kazuto Yamaki) is pleased to announce the Sigma 85mm F1.2 DG | Art, a large-aperture medium-telephoto lens for full-frame cameras that combines unparalleled rendering power with a compact, lightweight design.

At 85mm, a focal length widely regarded as ideal for portrait photography, the lens achieves Sigma's brightest-ever F1.2 aperture while also delivering outstanding portability, and will be available beginning September 30th, 2026.

 

Product name: Sigma 85mm F1.2 DG | Art

Available mounts: L-Mount, Sony E-mount

Launch: September 30th, 2026

• Product appearance and specifications are subject to change.
• L-Mount is a registered trademark of Leica Camera AG.
• This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license  agreement with Sony Corporation.

 

Key features

 

• Uncompromising resolution and beautiful bokeh to make the most of F1.2
• Overwhelming mobility that breaks the conventions of an 85mm F1.2
• A full range of functions and build quality that meet the demands of professional use
• Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths

 

Uncompromising resolution and beautiful bokeh to make the most of F1.2

 

Overwhelming resolving power

In addition to two SLD glass elements, glass with high anomalous dispersion is used to suppress the axial chromatic aberration inherent to large-aperture lenses to the utmost limit. Aspherical lens elements further thoroughly correct spherical aberration and sagittal coma flare. The lens boasts reliably high resolving power from the maximum aperture, fully bringing out the rendering that only F1.2 can offer. It captures every detail of the subject’s expression and texture, taking the quality of both photographs and video to a higher level.

 

Beautiful bokeh that makes the subject stand out

The combination of a large-aperture F1.2 and a medium-telephoto 85mm delivers an extremely shallow depth of field and beautiful, rich bokeh. The adoption of a 13-blade diaphragm maintains a near-circular bokeh even when the aperture is stopped down. Natural bokeh rendering that suppresses color bleeding and double-line bokeh makes the subject stand out impressively, bringing overwhelming three-dimensionality and immersion to portraits and video work.

 

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

 

© Sigma

 

Overwhelming mobility that breaks the conventions of an 85mm F1.2

 

The smallest and lightest in its class for an 85mm F1.2

By effectively arranging aspherical lens elements within the focus groups, the number of lens elements making up the focus unit has been significantly reduced. Despite incorporating a complex floating mechanism, a precise mechanical design pared down to the absolute minimum has achieved the smallest and lightest weight in its class for an 85mm F1.2*1 at 905g*2. It can be used comfortably even during long shoots or in situations that demand mobility, dramatically enhancing agility on set.

 

*1  As an AF 85mm F1.2 interchangeable lens for full-frame mirrorless cameras. (As of September 2026 by Sigma)

*2 These figures are for L-Mount.

 

Fast and quiet autofocusing with dual HLA

The fast and quiet AF driven by the dual HLA (High-response Linear Actuator) delivers reliable tracking performance for both stills and video. Even with the shallow depth of field of the maximum F1.2 aperture, it captures the subject accurately, enabling smooth and precise shooting in any scene.

 

The pride of a creative tool: the high build quality of the Art line

By constructing the lens from high-precision parts made of lightweight, high-strength materials such as TSC*1, it offers the rigidity and durability of the Art line without compromising portability, along with the build quality to serve as a reliable photographic tool over the long term.

 

*1 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.

 

A full range of functions and build quality that meet the demands of professional use

 

Designed to minimize focus breathing

Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

 

Various shooting assist functions

The lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch*1 and a click switch to turn the click on and off.

 

*1 If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.

 

© Sigma

 

Dust- and splash-resistant structure*1 and water- and oil-repellent coating

In addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.

 

*1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.

 

Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths

 

With the arrival of this product, the Sigma F1.2 Art Series is finally complete with three lenses, together with the 35mm F1.2 DG II | Art and the 50mm F1.2 DG DN | Art.

Outstanding optical performance that delivers high resolving power across the entire focus range from the maximum aperture. Fast, high-precision AF made possible by dual HLA. And a compact, lightweight body that ranks among the best in its class.

Backed by the advanced design and manufacturing technology Sigma has cultivated over the years, the overwhelming presence and spatial depth created by these three uncompromising lenses render your work all the more striking.

 

Sigma 35mm F1.2 DG II | Art

Further improved optical performance and operability condensed into a compact, lightweight body

 

Sigma 50mm F1.2 DG DN | Art

The ultimate Art F1.2 that transforms everything it captures, and even the shooting experience itself, into something special

 

Sigma 85mm F1.2 DG | Art

Overwhelming rendering power and unprecedented mobility

 

For more information, please visit the Sigma website.

Photoshop's beta 27.11 introduces Enhance Edge, an AI feature that promises to erase the halos that show up when you drop a masked subject onto a contrasting background. Hair cutouts have frustrated retouchers for decades, and any tool that claims to solve them deserves a hard look before you trust it on real work.

 

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