Photography News

As well as having practical uses, fisheye lenses can be a lot of fun. The distortion produced by this type of lens allows the user to take interesting, quirky shots of everyday objects, turning what can be quite simple shots into top creative captures. Plus, you don't have to own a fisheye lens for your DSLR to have a go at this technique as there are plenty of gadgets out there that will turn your Smart Phone images into fish-eye masterpieces. Here are 8 top examples of fisheye photography that you can take some inspiration from next time you're out with a really wide-angle lens. 

 

 

 

 

 

 

 

 

© FUJIFILM

 

Fujifilm has revealed the Instax Mini Evo 2, a hybrid instant camera featuring a 4.5-inch LCD touchscreen, new Expanded View and Immersive Movie features, and 100 possible combinations of 10 lens effects and 10 film effects. It also supports smartphone image printing and remote shooting through the updated Instax Mini Evo app. The camera is expected to be available in the UK at the end of November 2026.

 

From Fujifilm:

 

FUJIFILM Europe GmbH, Imaging Solutions Division, today announced the launch of its instax mini Evo 2™ (hereafter Evo 2) hybrid instant camera, along with its enhanced instax mini Evo™ smartphone app.

“The instax mini Evo™ is one of our most-loved cameras. With Evo 2, we’ve built on what people love about the original – refining the design and adding new features that bring even more creative freedom to photo and video. It’s a fresh way to experiment, express yourself and turn everyday moments into something uniquely yours.” said Karina Thomsen, Marketing Director, European Consumer Imaging, FUJIFILM Europe.

Evo 2 includes new capabilities to enhance the image and content-making process. The new 4.5-inch LCD Touchscreen makes it simple for users to compose, adjust settings and preview their content. The new instax Expanded ViewTM feature gives users a wider field of view than the shooting area with an on-screen framing guide, showing more of the scene so users can compose with greater intention. The new instax Immersive MovieTM feature records the four seconds leading up to each photo, preserving the movement, atmosphere and emotion that unfolds before hitting record.

 

© FUJIFILM

 

Key Features Recap:

• New 4.5-inch LCD Touchscreen 
• New instax Expanded ViewTM camera feature gives users a wider field of view than the shooting area    
• New instax Immersive MovieTM   camera feature allows users to capture the four seconds leading up to each photo taken (microSD card, sold separately, is required to use this feature).   
• 10x lens effects and 10x film effects, for 100 ways for users to customise their content
• Analogue-inspired controls 
• Adjustable exposure, white balance and flash 
• Macro mode for close-ups 
• Crisp 600 dpi resolution, with the option of selecting instax-Rich ModeTM for vivid colour or instax-Natural ModeTM for a more classic aesthetic
• Built-in Selfie Mirror
• Smartphone image printing using the free, downloadable instax mini Evo™ app (app is required; smartphone not included) 
• Remote shooting capabilities – Control the instax mini Evo 2™ hybrid instant camera with the smartphone connected to the app 
• MicroSD Card slot (microSD card sold separately) 
• Prints 2” x 3” instax™ mini instant photos (instax™ mini instant film sold separately) 
• USB Type-C charging 
• Includes Shoulder Strap, USB Type-C Cable, Quick Start Guide and 1 Year Limited Warranty 

 

© FUJIFILM

 

Pricing and Availability

FUJIFILM instax mini Evo 2™ hybrid instant camera is expected to be available at the end of November 2026 at a Manufacturer’s Suggested Retail Price of £229.99. The instax mini Evo™ smartphone app will be available for download on 24th November 2026.

 

The instax mini Evo 2™ hybrid instant camera will be available for pre-order from the following retailers:

• FUJIFILM House of Photography
• London Camera Exchange
• Jessops
• Amazon
• John Lewis

 

The instax mini Evo 2™ hybrid instant camera will be available for purchase from the following retailers:

• FUJIFILM House of Photography
• Argos
• Very
• Grattan
• JD Williams
• Maplin
• Boots
• London Camera Exchange
• Jessops
• Tekzone

 

For more information, please visit the official Fujifilm Instax website.

One of the most reproduced photographs of Earth ever made was shot upside down. When an Apollo 17 astronaut framed the fully lit planet through a Hasselblad on December 7, 1972, the South Pole sat at the top and Africa ran sideways, exactly as the crew saw it on the way to the Moon. The version fixed in your memory has been turned a half circle from the original frame.

 

[Read More]

 

XTUCAM has officially released the S7 Pro Max in the UK, equipping outdoor enthusiasts and vloggers with a feature-packed 4K HDR action camera built around an upgraded 1/1.28-inch RYYB CMOS sensor. Designed to deliver clear shots in challenging light, the device pairs AI-driven image processing and 50MP still photo capabilities with dual screens, magnetic quick-release mounting, and Super EIS 5.0 stabilization. Available now at a discounted introductory price on Amazon UK and the official XTU website, the camera offers a budget-friendly option for capturing smooth action shots, travel footage, and social content on the go.

 

From XTUCAM:

 

 

New action camera combines 50MP photography, AI image processing and Super EIS 5.0 stabilisation with dual screens, magnetic quick-release mounting and flexible recording options

 

XTUCAM, a technology brand specialising in action cameras, video doorbells and trail cameras, today announced the UK availability of the XTU S7 Pro Max, an action camera designed for travel, riding and outdoor point-of-view (POV) recording. Combining a larger 1/1.28-inch RYYB CMOS sensor with AI image processing, 50MP photo capture and 4K HDR video at up to 50fps, the S7 Pro Max is built to capture outdoor adventures and everyday moments with detailed imaging and smooth footage. A 158-degree wide-angle lens, dual displays and magnetic quick-release mounting provide additional flexibility for filming on the move. UK customers can use code WJFZ8WN4 on both the official XTU website and Amazon UK to get the S7 Pro Max at a launch price of £99.99- 38% off (RRP £159.99) . It is also available in the US on the official XTU website for $189.99 (30% off applied at checkout).

At the heart of the S7 Pro Max is a 1/1.28-inch RYYB CMOS sensor paired with an AI image signal processor (ISP) and an F2.8 lens. The larger sensor is the main imaging distinction from the S7 Pro, supporting XTU's focus on capturing footage across changing lighting conditions, from shaded trails and sunset scenes to city streets. XTU states a 14-stop dynamic range, while HDR recording, Night Mode and X-LOG provide additional options for different shooting environments and post-production workflows. Native 50MP photo capture also allows users to record high-resolution stills alongside video.

 

 

For action-heavy environments, the S7 Pro Max features Super EIS 5.0 stabilisation, horizon stabilisation and 360-degree horizon correction to help keep footage smooth and level during mounted or handheld recording. Gyroscope data export supports compatibility with Gyroflow, giving users the option to fine-tune stabilisation in post-production. These features make the camera suitable for a range of activities, including cycling, riding, hiking and other outdoor pursuits where camera movement and changing shooting angles can present challenges.

Beyond imaging, the S7 Pro Max is designed to support flexible content creation. A 2.29-inch rear touchscreen provides access to camera controls and playback, while a 1.4-inch front display helps users frame themselves when recording vlogs or capturing footage on the move. Vertical shooting, voice control and pre-recording offer further flexibility for social content and spontaneous moments. For users looking to improve audio capture, the optional XTU MIC 1 Bluetooth microphone provides a compatible wireless audio option and is available separately.

 

 

The camera's magnetic quick-release mounting system allows it to be moved between compatible setups, making it easier to switch between different filming positions. Wi-Fi 6 connectivity and the XTU GO app support wireless preview and file transfer, while USB transfer provides an additional way to move footage to a computer. A replaceable 1800mAh battery with PD fast charging supports extended outings, with XTU quoting up to approximately 200 minutes of recording at 1080p/30fps. Actual battery life varies depending on recording settings and operating conditions.

For underwater recording, the S7 Pro Max requires a dedicated waterproof housing, sold separately. The camera body itself is not waterproof, while the housing is rated by XTU for depths of up to 30 metres when correctly fitted.

UK customers can use code WJFZ8WN4 on both the official XTU website and Amazon UK to get the S7 Pro Max at a launch price of £99.99- 38% off (RRP £159.99) . It is also available in the US on the official XTU website for $189.99 (30% off applied at checkout).

More product information: XTU S7 Pro Max official product page.

 

Technical Specifications

 

Feature Specification Product name XTU S7 Pro Max Category 4K HDR action camera Sensor 1/1.28-inch RYYB CMOS Imaging processor AI ISP Photo resolution 50MP Video resolution Up to 4K at 50fps with HDR Imaging options HDR, Night Mode, X-LOG Dynamic range Up to 14 stops, manufacturer stated Lens 158-degree wide-angle lens, F2.8 aperture Stabilisation Super EIS 5.0, horizon stabilisation, 360-degree horizon correction and Gyroflow-compatible gyro-data export Displays 2.29-inch rear touchscreen; 1.4-inch front display Shooting features Vertical shooting, voice control and pre-recording Connectivity 5GHz Wi-Fi 6, XTU GO app and USB file transfer Battery Replaceable 1800mAh battery with PD fast charging Battery runtime Up to approximately 200 minutes at 1080p/30fps; varies by settings and conditions Mounting Magnetic quick-release mount Optional audio XTU MIC 1 Bluetooth microphone, sold separately Waterproofing Camera body is not waterproof; separate housing rated to 30 metres

 

 

About XTUCAM

XTUCAM is a technology brand focused on action cameras, video doorbells and trail cameras. The company is committed to providing advanced and reliable photography and surveillance equipment for users worldwide. Its mission is to make every moment worth cherishing and protecting through high-quality imaging products, with a vision to become a leading brand in the category. For more information, visit XTUCAM online.

The self-timer feature is something which is available on most camera models and it's a shutter delay that when activated, stops the shutter from firing and taking the picture when the shutter button or release is pressed for a designated amount of time. This delay is useful for a number of reasons which are listed below. 

 

1. Close-Up Work

The other advantage of having a timer is to save you having to use a cable release when the camera is mounted on a tripod or resting on a secure base. You set the timer and the delay means there's no hand contact that could potentially cause camera shake when the shutter is pressed. The 10-second delay is not really necessary for this, so that's where the shorter delays come in handy.

 

 

2. Self Portraits And Group Shots

The idea is you can take self-portraits without having to be seen stretched out as you fire the camera at arms' length. All you do is activate the timer, press the shutter release and move in front of the camera, strike a pose - all within the timer's limit - and then you'll be the focus of your photo.

It can also be used to ensure you're in a family or group shot. You can arrange a small or larger group of people and allow space for yourself, activate the timer and move into the shot. This saves you having to give the camera to the waiter or tourist to take the photo, preventing an embarrassment or even potential theft!

 

3. Low Light Photography 

As with close-up work, your camera's self-timer can be used to reduce the chances of camera shake spoiling your shots when working in low light. At this time of year, your self-timer will be useful in dark woodland where you may be photographing close-ups of fungi. Again, you won't need a really long delay, a couple of seconds will be fine. 

 

 

4. Check Your Focus

There are a few things to do to help improve your photos when using the self-timer. The first is ensuring accurate focus. If you're doing a self-portrait you won't be in the photo when you press the shutter and as a result, the picture could end up blurry as the camera could lock focus on the background. One way around this is to point the camera at something that is at the same distance that you will be when the photo is taken. Press the shutter release and recompose before running in front of the camera. In a group shot this is easy - make sure you either focus on a person to the side if you're going to be in the centre or focus on the centre person and join the group at the edge.

 

5. Check The Edges Of The Frame

The other thing to avoid is a table edge being in the frame when you are taking a group shot in a restaurant or bar and decide to use a nearby table as support. The camera, when set to wide-angle, may pick up an edge of the support. Move the camera so it's right at the edge of the table, making sure it's balanced well and cannot fall off!

Another problem you may be faced with when resting the camera on a flat surface is that the height may not be right when you look through the viewfinder and often the heads or feet of your group will be cut off. If this happens, try and angle the camera so all of your group is in the shot.

Apple's new M6 chip arrived on Tuesday in two Macs at once, the 14-inch MacBook Pro and the 24-inch iMac, with two more CPU cores and two more GPU cores than before. Both pick up Wi-Fi 7 and Bluetooth 6, and both open for preorder on Wednesday, October 28, ahead of a November 6 release.

 

[Read More]

Pixelmator Pro is getting Generate Fill, which lets you circle part of a photo, type the change you want, and have the app rebuild that area to match the light, perspective, and texture around it. It arrives in November as part of a free update to Apple Creator Studio, alongside built-in MotionVFX effects in Final Cut Pro and new AI assistants in Logic Pro, Keynote, Pages, and Numbers.

 

[Read More]

For my latest film, The Love Nest, I opted to shoot using the Blackmagic Design URSA Cine 12K LF. Here's a little of what went into the decision, as well as some of the results. 

[Read More]

Shoot wide open, keep your ISO as low as it will go, and save your landscapes for golden hour. You've heard all of it, and most of it holds up until a client books a noon ceremony or a waterfall starts looking better blurred than frozen.

 

[Read More]

Apple today announced a new iMac with the M6 chip, starting at $1,499 for a model with a 10-core CPU and 10-core GPU. Pre-orders open tomorrow, October 28, and the first machines arrive Friday, November 6. For photographers, the chip is a real step up, but the screen hasn't changed, and the cheapest model gives up a few things the old one had at the same price. 

[Read More]

Apple fans have been waiting for a touchscreen MacBook Pro with an OLED display. Instead, Apple released an entry-level 14-inch MacBook Pro with its new M6 chip, starting at $1,999. And it's confusing: the newest chip in the lineup is the base model, while the older M5 Pro and M5 Max chips sitting right next to it on Apple's store are still the faster, more capable options for a lot of photo and video work.

 

 

[Read More]

A clear blue sky sounds like a gift until you open the file and find a flat, even band of color behind your subject with nothing to hold the eye. Lightroom's AI masks can fix that in a few clicks, and the sky selection most people reach for first isn't always the cleanest one.

 

[Read More]

The f-number on your lens tells you how bright your exposure will be, and it says far less about how blurry your background will turn out. If you've ever copied a recommended aperture and ended up with a frame that looked nothing like the example, the gap usually traces back to the size of your sensor and how far you stood from your subject.

 

[Read More]

The Sony FS100 records 1080p to 8-bit files, has no built-in ND filters, and is well over a decade old, yet plenty of filmmakers relied on it for documentaries and corporate interviews. Cheap used cinema cameras like it raise a fair question about how much of a good image comes from the camera and how much comes from the person running it.

 

[Read More]

Apple's new iPad mini replaces its LCD with an 8.5-inch OLED display that reaches 1,200 nits on HDR content, in a body 5.4 mm thin with an IP67 rating for water and dust. It's the best screen Apple has ever put in its smallest tablet, with true blacks, a 2,000,000:1 contrast ratio, and HDR highlights that glow in a way the old LCD never could.

 

[Read More]

 

Leading up to Halloween you may like to spend some time in your local graveyard... you will find plenty to photograph and much of it will be in the detail. You should remember that graveyards are, by their very nature, places that should be treated with respect, but don’t let that put you off: as long as you behave yourself you shouldn’t get into too much trouble.

  1. Kit Choices 

A zoom lens with close focusing capabilities will be useful and a tripod will certainly improve the quality of your pictures. If you fancy doing something a little more dramatic you could also consider using some 'off camera' lighting, either a flash or even a torch.
 

2. Detail Is King Here

First, look around for interesting details, there shouldn’t be any shortage of these. They could be stone, lichen or moss, text on the gravestones, sculpture, ironwork, trees or the flowers left on the graves. When you have found something that interests you, look at it carefully and decide how best to make a picture out of it. Consider where the light is coming from, what angle will best suit the subject and how tight you should frame it. It is these decisions that will make the pictures ‘work’ or not. If you are getting in really close then try using different apertures: isolating the detail by shooting wide open or stopping right down to get the subject sharp from front to back. 

 

3. Think About What Distractions 

When you are looking at detail, it is usually best to try and frame in such a way that there is no distraction in the foreground or background – unless you are making some specific use of them. To do this, you may need to get right in close. If your camera then struggles to find something to focus on, try switching to manual, focus as close as the lens will permit and then move the camera to get the subject sharp.

  4. Don't Be Afraid Of The Dark 

You can also get some spooky results by waiting until it is dark and then shooting with the camera on a tripod and ‘painting’ with a torch. Get the camera focused on what you want to photograph, a gravestone for instance, set the ISO to around 200 and the shutter to ‘B’ then do a test, open the shutter and ‘paint’ with your torch. With digital cameras, you can see the result straight away so review the picture and adjust the amount of time you take to do your ‘painting’. If your torch is not bright enough you might start to get problems with noise, but it is easier to get subtle shading if you have a little longer so don’t use a super bright torch. It may take a while to get it right, but it’s very rewarding when it works.   

Your passport photo got rejected because of a shadow. Not a dramatic one. A soft gradient under your jaw, maybe a quarter-shade darker than your cheek, the kind of thing you would never notice and the clerk who handed the print back probably could not have described either.

 

[Read More]

Planning a landscape photography trip is something I spend a considerable amount of time doing, and living here in Ireland means that checking the weather is an important part of that process. The conditions can change quickly, and even when you use several weather forecasting apps, there is never a guarantee that things will work out as you hoped. However, I have learned that waiting for a forecast that promises perfect conditions can mean missing opportunities that were worth pursuing in the first place. 

[Read More]

Sony's new 400mm f/4.5 and 600mm f/6.3 primes come in lighter and cheaper than the Nikon lenses they closely resemble, and that puts a real decision in front of anyone who shoots birds and wildlife. Long glass is usually the most expensive and physically demanding part of a wildlife kit, so a few hundred grams and a four-figure price gap can shape what you carry for years.

 

[Read More]

A telephoto lens pointed at a sea of fog turns one broad, washed-out view into dozens of small pictures: a single ridge, a clump of treetops, a slow waterfall of mist spilling over a hill. Fog shifts by the minute and the best light on it can vanish in seconds, so the decisions you make before anything happens determine whether you come home with frames or just a nice morning.

 

[Read More]