Photography News

Canon has announced the CINE-SERVO 11-55mm T2.95-3.95, a new cinema zoom designed for productions ranging from sports and live events to broadcast and scripted projects. The lens covers Super 35 sensors natively and can expand to full frame when using its built-in 1.5x extender.

[ Read More ]

Canon has announced the EOS C50, the smallest and lightest camera in its Cinema EOS lineup. At 1.5 pounds, the C50 is designed to balance portability with professional-level video and stills capabilities.

[ Read More ]

Canon has announced the RF 85mm f/1.4 L VCM, a new RF-mount prime lens aimed at photographers and filmmakers who need a versatile short-telephoto option for portraits, events, and hybrid productions. The lens is part of Canon’s L-series and introduces a Voice Coil Motor (VCM) focusing drive designed to deliver fast, precise autofocus performance for both stills and video.

[ Read More ]

Adobe’s professional video editing software has been popular among professionals and amateurs for over 30 years. One reason for the program’s longevity is the consistent addition of new features. Today, Adobe has announced major updates for timeline editing, video playback, and audio editing.

[ Read More ]

[COMMENT_IMG]portfolio|161002|2757086[/COMMENT_IMG]

 

The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to kenwil (Day 5 - Outdoor Macro).

 

Daily Theme Runners-Up

If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A. 

Well done to our latest runners-up, too, whose images you can take a look at below.

  Day 1

Symmetry

[COMMENT_IMG]portfolio|253884|3790545[/COMMENT_IMG]

 

Day 2

Quirky Angles

[COMMENT_IMG]portfolio|311258|3439677[/COMMENT_IMG]

 

Day 3

'Speed'

[COMMENT_IMG]direct|197810|197810_1756931403.jpg[/COMMENT_IMG]

 

Day 4

Triptych

[COMMENT_IMG]direct|345095|345095_1756972737.jpg[/COMMENT_IMG]

 

Day 6

Big Cats

[COMMENT_IMG]portfolio|229889|3810521[/COMMENT_IMG]

 

Day 7

Britain

[COMMENT_IMG]portfolio|324638|3877657[/COMMENT_IMG]

 

Day 8

Graphic Landscape

[COMMENT_IMG]direct|123641|123641_1757325726.jpg[/COMMENT_IMG]

 

You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.

A compact camera that can handle rough weather is essential when you’re hiking long trails with a heavy bag. The OM SYSTEM OM-3 mirrorless camera promises both, while also giving you access to advanced computational features and vintage-inspired design.

[ Read More ]

 

Most of us use bridges every single day and while it is true that many - big and small, old and new - of them aren’t worth photographing, there are a great many that are extremely photogenic. These are impressive structures that often dominate the area in which they are situated.

 

1. Safety First

Before you head off to the nearest suspension bridge with your camera bag, it is worth saying that you should take care and be considerate in your pursuit of bridge images. Park only where you are allowed, stick to recognised pedestrian areas and do not endanger yourself or anyone else – that includes tripping fellow visitors with your tripod.
 

2. Lens Choices  Anything goes in respect of lens options. Wide-angles can give dramatic lines and obviously work best if you can walk onto the bridge itself so you can wander around looking for bold foreground details. Set a small lens aperture for an extensive depth-of-field to make the most of scenes. Wides are obviously great too, to put a bridge into context with its surroundings if you can't get back far enough. If you find using a wide-angle lens gives you a shot with too much sky and land in it try shooting in a panoramic format. 

If you want to compress perspective, it is time to fit a telephoto lens. Long lenses are handy too for isolating structure details and the like. Longer lenses give a stronger flattening effect and it can look great when there are lots of lines to compress.

 

 

3. Think Accessories 

A polariser is worth considering, particularly on sunny days when it can enrich blue skies as well as eliminate glare for saturated colours. Just watch your apertures and shutter speeds.

It is worth having a tripod in the car and although you might not need it for most of the time, it will pay for itself when the lighting levels drop or when you want to use slow shutter speeds to blur traffic.
 

4. When To Go? 

Time of day and lighting are two crucial aspects to consider. Most weather conditions work for bridges although one exception to that is dull, flat, blank sky days. Early morning or late evening are good times when a low sun gives oblique lighting to highlight textures in the scene and the warm lighting adds to the mood. If you make the effort to get there for the evening light you might as well as hang around for twilight and a bit of low light photography. This is where the tripod and remote release are essential. A head torch comes in handy too as the light levels drop away.

 

 

5. Shoot Detail

As well as overall views of the bridge, do get in close and shoot details too. Nuts and bolts, suspension wires, supports, signs and much more can make for good images. You could even set yourself a mini project and shoot a series of images that sums up the structure. This is a great idea for older structures but works for new bridges too. Look for interesting patterns when working at these close distances which can be turned into graphical, abstract shots.

 

6. Choose Your Angle

The angle you shoot a bridge can make it look more powerful. When you see a bridge in the distance, consider where else you could go nearer to the bridge or from other angles to get better / different viewpoints. 

 

7. Longer Shutter Speeds

Once daylight has given way to twilight it is time to explore the long shutter speeds of your camera. You could try the B (Bulb) setting where the shutter stays open so long as the shutter button is held down using the remote release. Most advanced cameras have lengthy shutter speed options available, and if you want to shoot longer B is the setting to use, but it is important to make sure your battery has plenty of charge. If the battery fails before the image is finished and saved you will lose it.

 

 

8. Contrast Can Be A Problem

On a bright day, the contrast between the sunlit bridge's walls and the shadowed arches can be very different. If you take a meter reading from the lit bricks they'll come out fine but underneath the arches, they'll be no detail as it'll be black. If you expose for the darker shadow areas the bricks will still be light but they won't have any detail. To fix this, you can either expose for the highlights (brick) and use flash to fill in the shadow area or bracket the shot.

 

9. Guide The Eye 

You can use bridges as paths that lead the eye through your shot or use colourful lines created by traffic crossing the bridge when captured with slower shutter speeds to guide the eye through the image. You can also use bridge arches as in-picture frames to focus the eye on a particular part of the shot. Just keep an eye on the exposure when doing this to make sure the scene doesn't appear too dark. 

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition  

Want to walk through your own night photo while remaining invisible? It'd be a great superpower for light painting. It turns out night photographers do it all the time. And it’s not Photoshop magic. It’s a simple trick for light painting that works with long exposure night photography that will take your night photography to the next level.

[ Read More ]

Autumn color looks rich in person and often collapses on screen. Precision editing brings back depth, shape, and believable color that survives the jump from trail to monitor.

[ Read More ]

Photography’s great revolutionaries didn’t just take pictures. They rewired how civilization sees truth, tragedy, and beauty. Capa risked death, Weegee stalked chaos, and Adams turned catastrophe into perfection, proving that the lens is both weapon and altar.

[ Read More ]

Levels and Curves decide whether your image feels flat or alive. Learn what each one controls and you’ll shape contrast, color, and attention with purpose instead of guesswork.

[ Read More ]

AI image generation has been incredible for the last year, but it was still extremely difficult to generate realistic images with specific subjects, people, or products. Google's new AI model can finally do it, marking the end of the commercial photography industry.

[ Read More ]

Sunrise changes fast, and it rarely gives you a second chance. One moment, the scene glows with deep pre-dawn color, and five minutes later, the tones shift entirely. Your camera and your approach need to keep pace with light that never sits still.

[ Read More ]

 

Taken by ePz member PhilT2, this photo shows a Blue Tit perched and feeding. The seed held in its beak adds a clear point of focus and gives the scene character, emphasising the bird’s quick and lively nature. The plumage is shown with clean, natural colours and fine feather detail. A soft background keeps the focus on the subject.

The image stands out for its sharpness and clarity. It is a classic portrait that feels natural and full of life, capturing a brief moment with a familiar garden bird and serving as a beautiful example of bird photography.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2026, we’ll crown our 2025 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

Teleconverters are one of those accessories that sound like an easy fix. Extra reach without buying a longer lens seems like a win, but the reality is more complicated. Sometimes they give you more detail, and other times, you’d be better off cropping the image you already have.

[ Read More ]

Layer masks let you hide and reveal exactly what you want, which means cleaner cutouts and composites that actually look like they belong together. If you care about believable edges, quick revisions, and nondestructive edits, you need them in your toolkit.

[ Read More ]

    1. What Does Graphic Mean?

A landscape that's considered graphic can feature lines, curves, obvious shapes and distinctive contrast from either colour, shadows or reflections. It may be a long list but graphic landscapes are something you can find just about anywhere if you take the time to look. Instead of looking at a city scene, for example, as roads and buildings see it as straight, strong lines and shapes. Throw strong shadows into the mix and a few spots of interesting colour and you’re well on your way to creating a graphic shot.
 

2. Shadows And Highlights

Strong light can add emphasis to shapes and help cast shadows which work well in graphical style shots. Using shadows to your advantage works particularly well on metalwork and buildings but can be used in nature too, especially if you have a bird’s eye view of a scene.

 

 

3. Strong Lines And Contrasting Colour

As already mentioned, strong shapes such as hills overlapping create great graphic landscapes particularly if they differ in colour. Misty, hazy or cloudy days can be good for exaggerating the shapes and while an interesting overlapping background can strengthen the effect, low rolling hills can easily work as well as mountains, so many locations are suitable.

 

4. Change The Ordinary Into The Extraordinary

Look at the ordinary and play with the composition so the viewer doesn’t realise what it originally was. A close up of a rock face, for example, that had deep shadows along the ridges created by the high sun will work well.

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition  

Photographers love to romanticize “natural light.” It gets described with words like natural, authentic, or real, as if using anything other than what’s already in the environment somehow cheapens the work. Scroll through Instagram captions and you’ll see countless photographers boasting about being “natural light only” shooters, presenting it as a stylistic badge of honor. There’s no denying that natural light can be beautiful and can transform scenes, wrap subjects in softness, and produce images that feel alive. But there’s also no denying that it’s widely misunderstood.

[ Read More ]

Street photography thrives on observation and instinct. In a recent video essay, photographer E.J. Chako shares five books that reshaped his approach to the streets. Each title offers a distinct lesson—from studying the masters to unlocking your own voice.

[ Read More ]

As anyone browsing Fstoppers articles knows, practicing photography comes with a hefty price tag. Cameras, lenses, and lighting gear are investments that deserve protection. Even in the safety of a home studio or home office setup, while break-ins may be rare for many, the risk of accidents or unexpected visitors can threaten valuable equipment. That’s where the IMILAB C30 Dual 3K+3K Indoor Security Camera shines, offering sharp surveillance with one lens fixed on critical gear and another tracking room activity. Curious how this budget-friendly camera can safeguard a photographer’s workspace? Read on to find out why this photographer thinks it’s a must-have.

[ Read More ]