Photography News

We spent some time on the new DxO PureRAW 5 when it was announced in February, but now it's out and I've had a chance to give it a run.

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When selling real estate, photos significantly influence a buyer's decision. Understanding the psychology behind engaging imagery helps you take better images that attract more potential buyers.

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Culling is an essential part of a photographer’s workflow. However, sorting through thousands of images takes up precious time and focus. This article looks at how AI-assisted tools like Imagen’s Culling Studio help speed things up without losing creative control.

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Spring photography is tricky because elements don't always cooperate. Understanding how to adapt when conditions aren't what you expect can help you consistently capture better images.

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Finding a camera that genuinely fits your workflow can dramatically impact your enjoyment of photography. When your gear feels right in your hands, you're able to focus purely on the shot, rather than fighting with ergonomics or complicated settings.

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Viltrox’s new AF 35mm f/1.2 LAB FE lens brings an extra-wide aperture to Sony full frame cameras, letting you blur backgrounds and shoot in dim venues without pushing ISO. That mix of speed and moderate width gives photographers room to frame environmental portraits while you keep distractions melting away behind your subject.

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Balancing on‑location flash with existing light sits at the heart of compelling portrait work. Photographers who understand how a slight shift in ambient exposure reshapes mood and subject separation gain tools that make creative intent feel effortless rather than frustrating.

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The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.

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Entry-level full frame cameras can be a fantastic purchase, allowing access to premium image quality without extreme costs. Nikon recently introduced the Z5 II, an update to their popular Z5, offering substantial improvements and features aimed at serious but budget-conscious users.

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