Photography News

Photo by Joshua Waller 

 

City streets, particularly at this time of year, are an abundance of jewelled lights from traffic, shops, and festive bulbs. Their colour and a good bit of sky detail make city locations perfect for urban winter shoots. Dramatic clouds or the subtle gradation of twilight hues make good backgrounds for winter lights but as the light fades and your background turns black, you can turn your attention to the Bokeh effect to really make your urban work shine.

When out-and-about, focus on your subject from about 10 feet away with a long lens and a wider aperture and your background lights should glow like coloured jewels in the night.

As it's dark you'll be using a slower shutter speed so a tripod or monopod are an essential item. Applying a gentle touch to the shutter button and remembering to take your shot when you've exhaled and not while you're holding your breath will also reduce camera shake and help you produce a shake-free, perfect image. A good lens is always useful too and using a lens with a focal length of 70-200mm or above will help ensure those backgrounds are out of focus and the lights are twinkling.

 

Photo by Joshua Waller 

 

Once you're set-up and your picture's framed, take a look at your white balance settings. Auto white balance will work with the majority of these shots but by choosing tungsten balance, any ambient daylight goes a lovely rich blue. It also helps ensure the lights in the background are glowing the colour they're meant to be.

As well as using the Christmas lights, why not use the other lights of the city to create some dynamic images? Illuminated advertising can add an interesting twist to urban portraits and so can reflections. Wet paving stones, wet tarmac and windows are all exciting items to hold reflections. You just have to learn to look for them and incorporate them into your images.

If you're out to shoot specifically winter/festive lights then why not plan your shoot around a Christmas shopping trip or a visit to a Christmas market. There are usually plenty of incentives to wrap up warm, grab a brolly and enjoy a mulled wine and the odd bag of roasted chestnuts, all of which make excellent festive inspired images. You could also grab a window seat in a cafe, order the drinks, then pop out onto the street, shoot a frame or two then back into the warmth. You can also use the cafe as a setting for a few of your shots, using steaming mugs of hot chocolate and coffee to add another level of interest to your portraits. 

 

The low position of the sun in winter makes it a perfect time to shoot silhouettes. You just need to find a bright background (the sky's perfect) and the right subject to give you a shot with series impact.

 

1. Pick A Subject

As there are no textures or tones to grab people's attention strong subjects that are instantly recognisable work the best. In winter, wildlife (deer in particular) work well. Even more so if you're shooting on a cold morning when the breath can be seen in the air. The bare, skeletal-like trees that cover our landscape at this time of year also work well as subjects for winter silhouettes. Higher up, turn rolling hillsides into dark shapes that curve across your shot. Fog can help add interest and contrast to the shot and exposing for the lighter, foggy parts of the shot will give you the silhouetted hillsides you're looking for.
 

2. Adjust Your Exposure

You need a bright background for this technique to work and the sky, particularly when there's a colourful sunrise, works particularly well. You can also use a large expanse of water if you live near a lake or the coast too.

To create a silhouette, expose for the brighter background rather than your subject as by doing so your subject will underexpose, appearing very dark if not fully black. Using the spot or centre-weight light measurement modes on your camera should give you the results you're looking for or you can use exposure compensation and select -1 or -2 to deliberately underexpose your shot.

If you're using a compact camera simply point the camera at the brightest part of the scene you're photographing, press the shutter half way down and don't let go of it. Next, re-frame the shot then press the shutter button the rest of the way to take your shot. This should fool the camera into giving you the exposure you want, but you may have to try exposing from different parts of the image to create the silhouette you're looking for.

3. Focusing Tips

You might want to meter from your background, but you don't want this to be your main point of focus. So, to ensure your main subject is sharp, use a smaller aperture to maximise depth of field. You can also try pre-focusing your shot before you set your exposure or switch to manual focus. If you're using a compact camera try using Landscape mode as this will let the camera know you want to use a small aperture so your shot has front to back sharpness.

 

4. The Sun's Position

Try to position your subject in front of the sun when you're framing up as you should never look through the camera directly at the sun as you can permanently damage your eyes. If you want the sun to be in frame, use the Live View feature so you can frame up safely.

  5. Turn Flash Off

If your flash is set to go off automatically make sure you switch it off otherwise it'll light up your subject and you won't get the silhouette you're looking for.

 

6. Framing Advice 

Don't think you have to fill your frame with your subject as a little space around them will leave room for the brighter, colourful background to show, giving your shot more interest and impact. This is where a wider lens comes in handy as you'll be able to get more of your background in shot. Of course, getting close to a shy animal with a wide-angle lens is easier said than done but you could try putting your camera on a tripod and use a remote release to fire the shutter button. Just remember to focus the camera on a fixed spot before you go into hiding. Having said that, if you're using a long telephoto lens to capture your winter wildlife from a distance you should still have plenty of room around your subject for the lighter background anyway.

ePHOTOzine is delighted to confirm that Samsung will once again support the much-loved Photo of the Week award, celebrating an impressive 11th year of this successful partnership.

Thanks to Samsung’s ongoing commitment, this long-standing collaboration continues to recognise outstanding photography, shining a light on creativity, technical excellence and artistic flair across our community. We’re excited to welcome another year filled with inspiring images.

Samsung continues to inspire the world and shape the future through innovative ideas and cutting-edge technology, and ePHOTOzine is proud to welcome the global electronics brand back as supporter of our prestigious Photo of the Week accolade for the eleventh consecutive year.

We’re pleased to announce that throughout 2026, Samsung will once again reward our Photo of the Week (POTW) winners with its reliable, high-performance memory products. Each weekly winner will receive a Samsung 128GB PRO Plus microSDXC memory card with SD Adapter, providing fast, dependable storage suitable for a wide range of devices.

The Samsung 128GB PRO Plus microSDXC memory card, complete with a full-size SD adapter, is ideal for use with cameras, laptops and more. Compatible with Android smartphones, tablets, action cameras, drones and gaming consoles, PRO Plus is designed to help you capture more, faster and without compromise. With impressive U3, Class 10 read/write speeds of up to 180/130MB/s, transferring and storing large volumes of images is seamless. UHS-I, V30 support ensures smooth 4K video recording, while six-proof protection guards against water, extreme temperatures, X-rays, magnets, drops and wear. The card is backed by a 10-year limited warranty. Further details are available on the Samsung website.

Photo of the Week is selected every week by the ePHOTOzine team. To be in with a chance of winning, simply upload your images to the Gallery.

All 52 weekly winners will then have their images showcased in our POTW forum. In January 2027, the community will be invited to vote by hitting the ‘like’ button on their favourite shots. The ePHOTOzine team will tally the votes and crown the overall Photo of the Year winner, who will take home the top prize: a rugged, ultra-fast 1TB Samsung Portable SSD T7 Shield.

Best of luck to everyone taking part, we look forward to seeing the diverse and inspiring images submitted by our community of photographers each week. Our sincere thanks go to Samsung for its continued and valued support.

 

Photo by David Burleson
  Food plays a big part in the Christmas festivities so why not spend some time capturing some food-filled shots which look good enough to eat! 
  Preparation 

Professional food photographers have stylists and chefs working with them but even though you probably don't have this luxury still make sure you're picky about your food. It doesn't matter if you're photographing vegetables you've bought from the supermarket or mince pies you've baked yourself, make sure you take a good look at your subject and only select the best of the bunch.

A tripod will keep your hands free for adjusting the food in your shot and it'll also ensure your shots are sharp when working indoors with lower light conditions. 
 

Set Your Scene

We are not all lucky enough to have large, light kitchens we can work in but this isn't an excuse to take a messy photo. The odd bowl, spoon or floured rolling pin may work in your image but a table full of objects from everyday life won't. If you don't have much space just fill the frame with your product or use a wide aperture to throw the background out of focus. You could also hide your clutter with a background - something as simple as a coloured piece of card or even wrapping paper can work well. Just frame up correctly so what's behind the background doesn't sneak in from a corner.

You need to think carefully about what you set your food on, too. If you want a clean, simplistic feel go for a white plate while something more colourful can work better for Christmassy food.
 

Use Your Eyes

You're not putting food on a plate to just eat it so make sure you think about how it's presented. Grouping items in odd numbers works well but so does pairs with certain foods and objects. Take a good look around the plate for crumbs and sauce that may have run as too as this will just distract the viewer from your main subject.

Don't automatically shoot your food like you'd sit to eat it. Look for the most interesting angle and work from there. However, there are occasions when shooting directly above can work, such as when creating patterns or working with a particularly distinctive plate. 

Finally, watch your white balance and make sure there's plenty of light – setting up near a large window is a great idea. But avoid using direct flash as it will leave you with food that doesn't look appetising.

For more food photography tips, have a read of this article: 10 Top Tips For Taking Better Photos of Food