Photography News

Black and white photography lives or dies by how well you handle contrast. The right balance of tones separates lifeless gray from depth and emotion. When editing, three tools in Lightroom decide which side your images fall on: clarity, texture, and dehaze.

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Street shooting puts any compact camera to the test, and this one gets pushed in fast-changing light, dense crowds, and constant motion. You’ll see how it actually behaves in the places you use a pocket camera instead of a studio chart.

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As winter approaches we're going to see many more days of rain but this shouldn't stop you taking photographs. Instead, use the weather to your advantage to capture great raindrop patterns on windows from the comfort of your home.

 

1. The Beauty Of Variety

You may not have noticed, but raindrops are not always the same on windows. If it's heavy rain the drops tend to be large and blobby after a short shower the droplets are much neater and the best sort to photograph. They look the type you'd see on a spiders web, all almost perfectly round. Droplets can also act like miniature lenses and present an upside-down image of the background in each concave shape. If you adjust focus you can make these images appear sharper to become part of the creative picture.  But that's another technique!

 

2. Gear Choices

All you need for this technique is a camera with close focus capabilities which covers most types of cameras including compacts. Ideally, the camera should have some form of creative exposure mode that will allow you to shoot at different apertures. It would also help if you had a tripod to steady the camera but this isn't a must as if you find your shutter speed is creeping towards the slow side, just use a slightly higher ISO.

 

3. The Set-Up

1. Choose a window that has interesting raindrop patterns and that is facing a plain background. The background should be a long way off so a window into a garden with trees, grass or a fence at a good distance is ideal. The choice of background can really make a difference; a light background such as a sky will often result in the droplets having a darker more defined outline while a dark background will make the centres of the droplets more prominent.

2. Make sure the window is clean! Any fingerprints or smears will show up. Double glazed windows should be in good condition free of condensation.

3. Set your camera up on a tripod and point it at the window. Make sure the camera back is parallel to the window for the best results.

4. Focus on the drops. You may have to use manual mode if your camera has it because the drops can sometimes confuse the focusing sensor so it misses them. On double glazing, some cameras may be fooled by the closer inner layer so manual focus is a really useful option.

5. Move the camera position to get the best range of drops in the frame and watch the background for change in tone. If there's an area where the tips of shrubs meet the lighter sky and that's in the photo it will spoil the result. Move either up so you just have sky or down so you just have shrubs as a backdrop.

6. Set an aperture to its widest setting so the background is thrown totally out of focus.  If you have a compact with no manual control but with scene modes, try taking pictures at different scene modes and compare the results to see if one throws the background out of focus. This will usually be something like portrait, food or close up mode, not landscape or infinity modes.

 

Check out more Close-up photography tutorials.

One year into a leap from software to full-time creativity, I reveal the unexpected challenges and surprising victories that transformed my journey. What happens when passion meets the harsh realities of freelance life?

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The lens is arguably the most important piece of photography equipment you own. So, make sure you're spending your money wisely.

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Under the Foam by Henrique Casinhas

 

The World Sports Photography Awards returns for its seventh year and is now accepting entries. Canon joins as the official imaging partner, marking a new chapter for the competition.

The Awards acknowledge sports photographers who know how to capture the emotion, strength, and precision of athletic moments. Each year, a panel of judges from sport, media, photography, and branding selects the strongest images.

Canon’s partnership reflects its long-standing connection to sports photography. With decades of experience and technical leadership, Canon shares a commitment to supporting photographers who document the power and intensity of sport.

A new category has been introduced for 2026: the Canon Emerging Talent award. This section is dedicated to photographers under the age of 30 who show strong skill and creativity in documenting sport. It aims to recognise the next generation of talent and give them a platform to be seen.

Richard Shepherd, Product Marketing Senior Manager, Imaging at Canon Europe, adds:

"Canon has a rich heritage of capturing sport’s most iconic moments, and as the camera of choice for the majority of photographers entering these awards, this sponsorship reaffirms our commitment to delivering the robust, reliable, high-speed equipment that empowers them to tell those powerful stories. We are especially excited to introduce the ‘Canon Emerging Talent’ award, which will shine a spotlight on the remarkable skill and passion of the next generation.”

 

The Great Water Ditch by Magdalena Strakova

 

Photographers are welcome to submit up to 10 sports images taken between December 2024 and November 2025. This year's competition includes 24 categories and is free to enter. The deadline is 24 November 2025. Photos that were entered in last year's contest can't be submitted again.

 

Entry Details for 2026 Awards:

• Entries Open: Now
• Deadline: 24 November 2025
  • 13:00 New York City
  • 18:00 London
  • 19:00 Amsterdam
  • 03:00 Tokyo (25 November)
  • 05:00 Sydney (25 November)
• Eligibility: Up to 10 sports images taken between December 2024 and November 2025
• Categories: 24 sports categories
• Entry Fee: None

 

The World Sports Photography Awards has a zero tolerance policy for image manipulation or editing. All entries must be original and capture the moment as it happened. This rule is in place to respect the time, effort, and skill photographers put into their work. For full details about the competition, please visit the official website of the World Sports Photography Awards.

 

With half-term coming up in October, you may be looking for something that'll keep the kids entertained but still give you the opportunity to take a photo or two. One location that's worth considering is a safari park as there are some excellent ones based in the UK that'll give you the opportunity to capture frame-filling images of Lions and other animals usually seen on an African plane. 

 

1. Photographing wildlife from your car or a bus 

As you're going to be stuck in your car, or the safari park's transport service, a long lens is a must. Something like a 70-300mm telephoto will do nicely but if you have a longer one take that along too as smaller subjects such as birds will look tiny otherwise. The inside of a car isn't the place for a tripod but having something to support your camera when you're working with long lenses is a good idea. You can get window-mounted tripods but a beanbag is a cheaper and easier way to go. Simply place it on a surface, rest your camera on it and click away. As you're shooting through glass pack a lens hood and/or a polarizer filter as they'll both help minimise reflections. 

 

 

2. Use queueing to your advantage

People moan about having to queue but if you're a photographer at a safari park this could work to your advantage as it means you'll have time to observe your surroundings. If you can wait in one position for a while to snap interesting behaviour. If you're visiting the park to see one particular animal make sure you've done your research so you know what time of day they'll be out and most active. Keep an eye on the weather too as this can make some animals retreat to cover and you'll be left with empty shots of fields. However, if you do get to the park when it's raining don't get too down-hearted as some animals don't mind the rain and raindrops on the fur and the reflection of light on wet surfaces can create very moody photos.

 

3. Small changes make a big difference 

As you're in a small space it can be tricky to move and find different angles to shoot from but there are plenty of other things you can do to improve your shots. Always make sure the eye is in focus and when it is don't click the shutter straight away – wait for the glint in the eyes that can make both human and animal portraits come to life. Sometimes you'll have to wait for the animal to move to get this but all you have to do is keep re-adjusting your framing until the moment arrives. If it's portraits you're particularly after make sure you zoom in to make them frame-filling and if you have cars or other distracting items in the background wait until you've changed position to take the shot or blur it out of sight with a large aperture. If it's a group of lions or a herd of elephants you're photographing use a smaller aperture such as f/22 to limit the blur to get the whole group in the shot.

When you're in a hurry it's easy to forget about composition so you'll put your subject slap bang in the centre of the image. For some shots this will create a strong portrait but try to resist doing it every time and really think about the rule of thirds when framing up. You also need space for your animal to walk into and don't amputate an animals extremities – a lion missing the tip of its tail won't look right.

As you have to keep your windows up you'll be shooting through glass so to minimise reflections make sure you have your lens against the window. If you have one, try using a lens hood or you could put your spare hand above or to the side of the lens to help minimise reflection. As the engine will be running you'll find the glass will be vibrating so speed up the shutter speed to minimise shake. You may also find manual focus handy as glass can sometimes fool a camera.

One more, very important point is to observe the rules. We don't want to hear any stories of ePz members who were turned into lunch!

Are we making photos to be seen or to be felt? Today, photographers navigate between creating content for attention and creating meaning for expression—a choice that shapes not just our work, but how we experience it.

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Professional work often comes down to speed and flexibility. A fast standard zoom like a 24-70mm f/2.8 is one of the most useful tools you can keep in your kit, and Nikon’s update to their flagship model brings a mix of subtle improvements and some genuinely new features worth paying attention to.

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The Fujifilm GFX100RF challenges the way you think about medium format. A camera like this doesn’t simply compete with interchangeable lens systems. It pushes you to consider portability, design, and shooting style in ways that matter when you’re out in the field.

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A compact 75mm lens with autofocus is a rare find, and when it comes in at under $200, it turns heads quickly. The TTArtisan AF 75mm f/2 promises sharp images, smooth background blur, and enough reach to compress a scene without weighing down your bag.

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Car photography often comes down to balance: placing a strong subject in a compelling setting. A lens that can handle both the environment and the vehicle in front of it can save you from swapping glass constantly and missing the shot.

Coming to you from Peter Fritz, this detailed video takes a close look at the new Hasselblad XCD 35-100mm f/2.8-4 E lens. Fritz explains why the zoom...

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